Showing results by narrator "Gregory Dwyer" in All Categories

Robbery Under Arms, together with Marcus Clarke’s For the Term of His Natural Life, is considered to be one of the seminal Australian novels of the nineteenth century. It is a barnstorming yarn, delivered in the first person by one Dick Marston, a vigorous and basically honourable young man, who is lured into crime due to unfavourable circumstances.

For the Term of His Natural Life can be described as a “ripping yarn.” While it relies on slightly unrealistic coincidences, the story follows the (mis)fortunes of Rufus Dawes, a young man transported for a murder he did not commit. The story also explores the harsh environment and the often inhumane treatment meted out to the convicts in the early penal settlements, some of whom were transported for minor crimes. The appalling conditions experienced by the convicts are graphically described. But the story also involves a heartfelt rescue and its long-term consequences.

Your kids will love hearing the weird and wonderful facts about Australia in this fun audiobook! Check out this hilarious Australian kids audiobook, chock full of amazing facts, trivia and stories. Learn about Australia in this amusing and entertaining children’s audiobook, which will appeal to the adults too.

A firsthand account of the 1854 Eureka Rebellion in Ballarat, Victoria, Australia. Carboni, an Italian revolutionary and participant in the uprising, wrote the book to document the miners’ struggle against the colonial authorities. The story captures the miners’ frustrations over oppressive mining licenses, police corruption, and lack of representation. It details the events leading up to the violent clash at the Eureka Stockade, where miners built a makeshift fort and confronted government troops.

The book is written in the first person, giving a detailed, autobiographical account of Hare’s experiences as a superintendent in the Victorian Mounted Police, particularly during the pursuit and final capture of the Kelly Gang. Hare’s account offers insights into the social and criminal landscape of colonial Victoria, the operations of the police force, and the complexities of pursuing outlaws who were both feared and, by some, romanticized.

Nick isn’t a warrior. He knows some basic karate, but that’s it. So when an assassin turns up to settle a blood debt, Nick narrowly escapes with his life. In his haste, he unwittingly flees to Korelios, a place he thought existed only in his eccentric aunt’s ancient legends. All too soon, he finds himself caught in the middle of a war, and he must make an impossible choice: do his duty or follow his heart. His choice will decide the fate of an entire civilisation.

This work is a collection of fictional observations by the narrator as he travels around the countryside of southern New South Wales and Victoria in the 1880s. He presents the life of the various rural dwellers, including bullock drivers, squatters and itinerant travelers, and also attempts to convey the accents of Irish, Scottish and Chinese personalities he encounters. This tale provides insight into the stories and hardships of rural dwellers in Australia in the latter half of the nineteenth century, as well as the narrator’s own philosophy of life.

On Our Selection is a collection of humorous short stories by Australian author Steele Rudd. It follows the trials and tribulations of the Rudd family, pioneers carving out a living in the Australian bush. The book humorously depicts the struggles of farming life, the resilience of the settlers, and the quirks of rural Australian society.

While the Billy Boils (1896) is a collection of short stories by Australian writer Henry Lawson, portraying life in the Australian outback during the late 19th century. The stories, written with a real touch of dry humor, focus on the struggles of bush workers, swagmen, shearers, and settlers. Lawson captures the themes of rural life, of isolation, resilience, and mateship. It highlights the everyday hardships and quiet heroism of the ordinary Australians. The collection remains a significant work in Australian literature, shaping national identity and bush storytelling traditions.

The death of Maxilodimus Cruett, who drowns in a vat of oil, sparks a global controversy. Society becomes divided into Rationalists, Pilgrims, and various new theological groups who debate whether the event was murder, a miracle, or a “merger” of substance and consciousness. Grease itself starts to become sentient—it begins to hum, speak, and eventually organize, eventually forming an international commission. Legal battles ensue, culminating in a global strike where all lubrication ceases, with disastrous results for worldwide infrastructure.

Hungary, 1944. Almost half a million Jewish Hungarians are deported to Auschwitz. Among the few surviving Hungarian Jews from this era were young men who, like Ervin Wolf, were forced into the brutal Labor Service where they were cut off from the outside world and forced to endure inhumane brutalities and servitude. Once freed, a new oppression took hold as communist rule under Stalin turned friends to foes, enveloped the nation in fear and suspicion, and tested everyone’s character and strength.

A metaphysical crisis occurs when the note C sharp mysteriously vanishes after being played perfectly by the pianist Jonathan Blenheim. The absence causes tonal collapse worldwide, leading to chaos in orchestras and triggering a bureaucratic panic at the Bureau of Eclectic Notation (BEN). The Bureau attempts to force the note D Flat into substitution, to be met with fierce opposition by D Flat.

The Wombat Ultimatum describes a chaotic societal crisis following the kidnapping of the adverb “Softly” by marsupial revolutionaries. The main conflict pits the prophetic tobacconist and wombat leader Runciman, who champions “blunt grammar” and the rejection of all adverbs, against the spiritual cooks, Frank and Glen, who represent the esoteric faith of “Greasehood” and the necessity of nuance.

The Fryer Ascends is a theological and culinary epic detailing a conflict between the forces of flavor and imperfection (represented by the prophets Frank and Glen the Fryer) and the forces of order and blandness (led by the metaphysical entity Softly, the Adverb, and the Bureau of Blandness). The narrative charts Frank’s journey as he confronts Softly’s attempts to sterilize existence by controlling grammar and grease, which leads to “The Great Drying” where all flavor disappears.

This pseudo-theological narrative chronicle details the spiritual journey of a man named Glen, who is called to become The Fryer, a prophet of viscosity and fried food. Included among the issues and events are The Fryer’s initial revelation, a growing understanding of the doctrine of Grease as the memory of heat, the establishment of the secret society known as The Order of the Greasy Spoon, and his performance of The Fifteen Sizzlings. Glen experiences conflict with the Dry Ones, an immersion in The Dark Night of the Stove, and a physical encounter with the ordinary yet divine figure Frank.

This is the story of Gregory Thistlethwaite, an unremarkable student, who is commanded by an authoritative, disembodied voice—claiming to be Jordan Peterson—to clean his room as a metaphorical path to ontological and psychological order. We track Gregory’s progress through increasingly absurd and metaphysical challenges, including finding a “Room Beneath the Room” (the psychological shadow) and undergoing “The Trial of the Lobster,” which is framed as a confrontation with dominance hierarchies.

This full cast presentation includes Part 1 and Part 2 of Shakespeare’s Henry IV.

This is the story of a theological conflict concerning the concepts of “grace” versus “grease.” The “cult of Frank,” a religious movement advocating the salvific potential of viscosity, frying, and culinary lubrication is gaining many converts. The story opens with a sermon by Father Anselm Loosespring, a Frankite advocate, who promotes “holy grease” as essential for faith, spirituality, and combating Frank’s opponent, the Adversarial Tobacconist, Runciman.

Emily Dickinson was one of the most reclusive of all poets. She spent much of her life in seclusion in her father’s house in Amherst, and only a handful of her 1800 poems were published in her lifetime. Credit for the posthumous publication of her work must be given to her editor and friend Thomas W. Higginson, who reported that, in spite of the voluminous correspondence which passed between himself and Dickinson, he only met her twice in person.

Our story begins with the programmer, Allosaurus Triplicate, who inadvertently creates the Realm of the Unwritten—a dimension populated by unfinished and deleted text fragments that achieve sentience, including the letter V. This symbolic dimension soon descends into turmoil through the creation of Antinomy, a paradoxical entity that seeks to monetize and control all expression, leading to a global linguistic crisis where meaning and grammar collapse.