Showing results by publisher "Picador" in Contemporary

Vincent is the beautiful bartender at the Hotel Caiette, a five-star glass-and cedar palace on the northernmost tip of Vancouver Island. New York financier Jonathan Alkaitis owns the hotel. When he passes Vincent his card with a tip, it’s the beginning of their life together. That same day, a hooded figure scrawls a note on the windowed wall of the hotel: ‘Why don’t you swallow broken glass.’ Leon Prevant, a shipping executive for a company called Neptune Avramidis, sees the note from the hotel bar and is shaken to his core.

One winter's afternoon on Hampstead Heath in 1980, Elise Morceau meets Constance Holden and quickly falls under her spell. Connie is bold and alluring, a successful writer whose novel is being turned into a major Hollywood film. Elise follows Connie to LA, a city of strange dreams and swimming pools and late-night gatherings of glamorous people. But whilst Connie thrives on the heat and electricity of this new world where everyone is reaching for the stars and no one is telling the truth, Elise finds herself floundering. 

 Writers & Lovers established Lily King as one of our most beloved authors of contemporary fiction. Now, for the first time ever, King collects 10 of her finest short stories, opening fresh realms of discovery for avid and new listeners alike. 

The lonely life of fifteen-year-old Theron David Alden is transformed when he meets Jake. Older, cooler, more confident and startlingly beautiful, Jake likes the same bands, the same drugs, and has the same drive to oblivion. Over the course of two decades, Theron and Jake get high, drift apart, and are brought hurtling back together, until a final collision tears them apart forever.

Keith Ridgway, author of the acclaimed Hawthorn & Child, writes about people whose understanding of their own situation is only ever partial and fuzzy, who are consumed by emotions and anxieties and narratives, or the lack thereof, that they cannot master. He focuses on peripheral figures who mean well and to whom things happen, and happen confusingly, and his fictional strategies reflect this focus. In a deftly conjured high-wire act, Ridgway achieves the fine balance between the imperatives of drama and fidelity to his characters. 

Ro is stuck. She’s just entered her thirties, she’s estranged from her mother, and her boyfriend has just left her to join a mission to Mars. Her days are spent dragging herself to her menial job at an aquarium, and her nights are spent drinking sharktinis (mountain dew and copious amounts of gin, plus a hint of jalapeno). With her best friend pulling away to focus on her upcoming wedding, Ro’s only companion is Dolores, a giant Pacific octopus who also happens to be Ro’s last remaining link to her father, a marine biologist who disappeared while on an expedition when Ro was a teenager.

Set between Ireland and London in the first two decades of this millennium, the stories in Hearts and Bones, Niamh Mulvey's debut collection, look at the changes that have torn through these times and ask who we are now that we’ve brought the old gods down. Witty, sharply observed and deeply moving, these 10 stories announce an extraordinary new Irish literary talent.

For listeners of Exciting Times, Sorrow and Bliss and Cleopatra and Frankenstein, Bonding is the addictive, shrewd, darkly funny and devastating debut novel about the unlikely consequences of a uniquely modern love triangle.

Throughout the collection, a mother in her late 30s relates the various stages of her affair while other characters lay bare their own notions of God, illicit sex, raising children and running: a wife comes home with her husband to find her lover’s corpse; marathon runners on a Civil War battlefield must carry phallic statues; a girl’s embarrassment over attending a pool party with her quadriplegic mother turns to fierce devotion under the pitying gaze of other guests; and a husband asks his wife to show him how she would make love to another man.

Maggie is entirely devoted to her husband, Thomas, their two beautiful children, and God. But then what begins as innocent letter writing with poet James starts to become something far more erotically charged, their meeting of minds threatening to become a meeting of bodies. As everything Maggie believes in is thrown into doubt, the listener is drawn ever deeper into the battleground of her soul.