Showing titles in African American Studies

Getting to Reparations makes a logical and necessary case for reparations for Black Americans. It lays out a path as to how we might achieve this, built on the frameworks used throughout U.S. history by the government to pay restitution. It is now time to do the same for America's Black population.

In this latest book in Beacon’s award-winning ReVisioning History series, Professors C. Riley Snorton and Darius Bost unearth the often overlooked history of the Black queer community in the United States. Arguing that both gender and sexual expression have been an intimate and intricate part of Black freedom struggle, Snorton and Bost present historical contributions of Black queer, trans, and gender non-conforming Americans from slavery to the present day to highlight how the fight against racial injustice has always been linked to that of sexual and gender justice.

Prioritize your peace of mind. Black women deal with devaluing challenges too often. Yet there can be a way to face them head-on while helping yourself heal and grow stronger. That is why I Came to Slay is a motivational book for black women you won't want to miss. Covering strategies on conquering boundaries, harmful labels, and more, you'll find many ways to take action and emerge victorious.

Step into a world where your melanin becomes a source of power and enlightenment. Imagine embracing the Divine Feminine within you, connecting with ancient African practices, and reclaiming your true essence. In this captivating guide, you will embark on a transformative journey that celebrates the sacredness of being a Black Woman. Keep reading to discover your special bonus offer! Imagine you find yourself surrounded by the wisdom of the Yoruba religions, Ifá, Santería, and Vodun.

What if a former enslaved man in Galveston, Texas, witnessed the first Juneteenth and told a completely different story from what most of us know about that day? Why were slave ships most prone to rebellion, including those carrying the most African women? How has Islam found its way into R&B, soul, jazz, and other American popular music? Who was Benjamin Banneker, really? In A High Price for Freedom, historian Clyde W. Ford addresses these and other questions, amplifying little-known voices from the African American past.

Folk music of the 1960s and 1970s was a genre that was always shifting and expanding, yet somehow never found room for so many. In the sounds of soul-folk, Black artists like Terry Callier and Linda Lewis began to reclaim their space in the genre, and use it to bring their own traditions to light— the jazz, the blues, the field hollers, the spirituals— and creating something wholly new, wholly theirs, wholly ours.

"Devils in the Details" is a thought provoking and insightful book that delves into the complex issues of race, class, and privilege in America. Focusing on the experiences of Foundational Black Americans. The book explores how these individuals are impacted by systemic inequalities and the ways in which their lives are shaped by the social and economic structures of our society.

In Black History Is for Everyone, award-winning educator and scholar Brian Jones offers a meditation on the power of Black history, using his own experiences as a life-long learner and classroom teacher to question everything from the meaning of race and nation to the radicalism of the American Revolution.

In this final magisterial volume, fifteen years in the research and writing, David Levering Lewis stunningly recreates the second half of W.E.B. Du Bois’s charged and brilliant career.

Darrin Bell was six years old when his mother told him he couldn’t have a realistic water gun. She said she feared for his safety, that police tend to think of little Black boys as older and less innocent than they really are. In this immersive audiobook adaptation—with wall-to-wall sound design, an expansive music soundtrack, and full-cast narration including the author and his son—Bell uses his sharp humor to examine how The Talk shaped intimate and public moments from childhood to adulthood.

Kevin Powell is one of the most prolific and acclaimed American writers, thinkers, activists, and public speakers of the past three decades. His writings are important contributions to our national conversations on race, gender, class, politics, pop culture, celebrity, hip-hop, and the past, present, and future of the United States.

The compilation of this work is a summation of theories and strategies to achieve liberation of oppressed African descendants held captive in the United States. This work is dedicated to the numerous abolitionists, martyrs, and freedom fighters who have continued the struggle to obtain equality.

Black vernacular doesn’t often get its due—despite its enormous influence on mainstream culture—but Historically Black Phrases is here to give Black language its flowers. A celebration of more than two hundred staples of Black conversation—from church sayings and units of measure to compliments and reprimands—this sharp and witty guide explores the unique importance of Black expression and communication.

The powerful legacy of classical education among Black intellectuals and teachers in America is a national treasure with the capacity to bless teachers and students the world over! In The Black Intellectual Tradition, authors Dr. Anika Prather and Dr. Angel Adams Parham introduce us to readers, writers, teachers, artists, and people of action who loved, taught, and put into practice the wisdom and virtue of the great voices who came before.

In November 2022, the first annual Alchemy Lecture took place at York University in Toronto, bringing four deep and agile writers from different geographies and disciplines into vibrant conversation on a topic of urgent relevance: humans and borders. Now, in this book, that conversation is captured and expanded in insightful, passionate ways.

The United States is dogged by racism and racial disparities in income, wealth, health, education, and criminal justice. Philosophers disagree on what kind of politics is needed to address this problem. Do we pursue race-specific remedies to undo racism or do we assume the permanence of racism and opt for non-race-specific remedies in pursuit of a more egalitarian society? Paradoxically, the way to make racial progress in racist America is to downplay race.

What does it mean to be an American? The story of the African American past demonstrates the difficulty of answering this seemingly simple question. This book illuminates the US's core paradoxes, inviting profound questions about what it means to be an American, a citizen, and a human being. This book considers how, for centuries, African Americans have fought for what the black feminist intellectual Anna Julia Cooper called "the cause of freedom." It begins in Jamestown in 1619, when the first shipment of enslaved Africans arrived in that settlement.

The New Negro Movement of the 1920s marked a shift in the pursuit of African American equality. African American soldiers were returning home from World War I, and after fighting for freedoms abroad, they were inspired to continue that fight on their own soil. The “old” ways had focused on passively accepting social policies, but the “new” ways would harness their collective voices in defining their own identity. The intellectual and artistic movement of the Harlem Renaissance stirred a tremendous wave of social change.

President Lyndon B. Johnson’s War on Poverty did more than offer aid to needy Americans; in some cities, it also sparked both racial conflict and cooperation. Race and the War on Poverty examines the African American and Mexican American community organizations in Los Angeles that emerged to implement War on Poverty programs. It explores how organizers applied democratic vision and political savvy to community action, and how the ongoing African American, Chicano, and feminist movements in turn shaped the contours of the War on Poverty’s goals, programs, and cultural identity.

In another time and place, E. Gab Blackman and William Sousa "Sou" Bridgeforth might have been as close as brothers, but in 1950s Nashville they remained separated by the color of their skin. Gab, a visionary yet opportunistic radio executive, saw something no one else did: a vast and untapped market with the R&B scene exploding in Black clubs across the city. He defied his industry, culture, government, and even his own family to broadcast Black music to a national audience.