Showing titles in Logic & Language

Reason has done much of the heavy lifting throughout history. In this second volume, this book presents quotations from many of history's key figures who both recognize the importance—and also the limitations—of reason.

This small book can change everything if you let it. It's Up to You is based on the twelve principles in the author's Change Your Mind and Your Life Will Follow: tending to our own gardens, focusing on solutions not problems, letting go of preconceived solutions, changing our minds, acting instead of reacting, giving up judgments, giving up trying to control, discovering our own lessons, doing no harm, quieting our minds, treating every encounter as the holy, and discerning our mind's own truth.

あなたは誰のメガネで世界を見ているのか　自分の頭で思考する限り、すべての人は「自分バイアス」を持っている。

"Die Kunst, Recht zu behalten": Schopenhauers Argumentationstechnik, die einzig dem Zweck dient, ohne Rücksicht auf die Wahrheit aus Streitgesprächen siegreich hervorzugehen. Arthur Schopenhauer: geboren am 22.2.1788 in Danzig; gestorben am 21.9.1860 in Frankfurt/Main, entstammte einer patristischen Kaufmannsfamilie. Die ungeliebte Kaufmannslehre in Hamburg brach er nach dem Tod des Vaters (1805) ab und übersiedelte zur Mutter nach Weimar, wo diese einen literarischen Salon führte und bald zur berühmten Schriftstellerin avancierte. Seit 1809 studierte er in Göttingen Naturwissenschaften, ab 1811 in Berlin Philosophie.

Mortimer Adler stood on the metaphysical and moral teachings of Aristotle and Saint Thomas Aquinas to convey to his readers an understanding of the nature of Aristotle’s rhetoric as an essential means for conveying to readers of his time and to posterity a specific understanding of philosophy as an essential humanistic educational tool that might, someday, be able to issue in global peace!

Drei philosophische Grundlagenwerke Nietzsches in einer Box: 1. "Über Wahrheit und Lüge im außenmoralischen Sinn": In diesem Essay behandelt Nietzsche die Entstehung und Bedeutung von Sprache. 2. "Die Geburt der Tragödie aus dem Geiste der Musik": Hier legt Nietzsche den Grundstein seiner kulturphilosophischen Gedankenwelt. 3. "Also sprach Zarathustra": Das dichterisch-philosophische Hauptwerk Nietzsches, in dem er die Ideen des "Übermenschen" und des "Willen zur Macht" zum ersten Mal ins Spiel bringt.

De Oostenrijkse filosoof Ludwig Wittgenstein (1889-1951) is zonder enige twijfel één van de belangrijkste filosofen van de twintigste eeuw. Zijn denken heeft een grote bijdrage geleverd aan de filosofie van de taal, de wiskunde en de geest alsook aan de grondslagen van de logica. Door de een werd hij bewonderd, door de ander verguisd. Dat maakt hem tot een interessant onderwerp, zowel binnen als buiten de filosofie. Op toegankelijke en humoristische wijze behandelt Jean Paul Van Bendegem de biografie van Wittgenstein en biedt hij een diepere analyse van zijn twee bekendste werken.

From Eve's crafty exchange with the serpent, to Martin Luther King's soaring, subtle ultimatums, to the throes of Twitter—argument's drainpipe—the human desire to prevail with words has been not just a moral but an existential compulsion. In this dazzling reformulation of argument, renowned critic Lee Siegel portrays the true art of argument as much deeper and far more embracing than mere quarrel, dispute, or debate. It is the supreme expression of humanity's longing for a better life, born of empathy and of care for the world and those who inhabit it. 

Upon the death of his beloved father and mentor, the originator of the burgeoning global Socrates Cafe movement had little choice but to confront the inescapable truth: that there are some things we cannot know for sure. This moving, insightful and ultimately hopeful and helpful blend of memoir and philosophical exploration begins in Phillips' native stomping grounds of the island of Nisyros, Greece, and unfurls through space and time as the author explores the connections between his immediate circumstances and the eternal wisdom of popular philosophers.

"Anything can be literature, and anything which is regarded as unalterably and unquestionably literature - Shakespeare, for example - can cease to be literature". These are the words of Terry Eagleton, the working-class Irish Marxist critic of English literature who believes that all literary theory is political. Not only is his observation quite banal, but it does not qualify as literary criticism. It is journalistic writing, and its validity depends merely upon our definition of literature. Perhaps his definition is so generic as to encompass any random piece of published writing.

Why have our conversations become so polarised? What does "woke" mean? How do we challenge bad ideas? Fantastic Fallacies: And Brilliant Biases is the second book in the Fantastic Fallacies series. With this book, you can identify frustrating arguments and learn how to effectively challenge them. It describes 50 of the most common fallacies and biases, how to find them and how to refute them.

Questo dialogo è uno scritto che mette a confronto due modi di pensare. L'Anima è Leonardo da Vinci, espressione di un conoscitivismo non più degli inizi, ma pur sempre incapace di distinguere le varie forme di pensiero (magico, religioso, filosofico, scientifico, ecc.), confondendole tra loro. La Mente è Silvio Ceccato, espressione di un atteggiamento che vuole evitare il dogmatismo, ogni forma di verità considerata in sé assoluta o in sé relativa.

Eine starke Geschichte kann die Welt retten - oder sie zerstören. Sie kann Wahlen entscheiden, Menschenleben retten, aber auch Kriege auslösen und Ungerechtigkeit zementieren. Samira El Ouassil und Friedemann Karig verfolgen diese ambivalente Wirkungsmacht anhand wichtiger Narrative von der Antike bis zur Gegenwart. Und sie zeigen, welche Erzählungen uns heute gefährden und warum wir neue benötigen. Wie gelingt es, den Klimawandel so zu erzählen, dass er zum Handeln drängt? Aus welchen Überlegenheitsmythen entstehen Rassismus und Antisemitismus?

Between You and the Universe explores the expansive concept of reality by breaking it into three parts: science, symbols, and experience. You can explore what these distinct parts are and how they interweave to stitch everything around you. The goal is to present three mental models that explain how your reality emerges, from your idea of self to your understandings of the universe.

人間が言語に規定された存在であることは二〇世紀の哲学の前提だった。二一世紀に入って二〇年が過ぎたいま、コミュニケーションにおける言葉の価値は低下し、〈言語を使う存在〉という人間の定義も有効性

It is clearly explained: what it is for a statement to be necessarily true, why necessity, possibility, existence, and non-existence are properties of propositions (truths and falsehoods), not of objects or states of affairs, and more.

Reason is a powerful tool not only for finding our way in an increasingly complex world but also for growing intellectually and emotionally. This short, accessible volume unlocks the dynamics of human reason, helping listeners to think critically and to use reason confidently to solve problems. It enables listeners to think more clearly and precisely about the world, and it tackles a number of profound philosophical questions without getting bogged down with jargon. Topics include knowledge, identity, leadership, creativity, and empathy.

Neste livro Schopenhauer apresenta 38 estratégias sobre a arte de vencer um oponente num debate, não importando os meios, utilizando a maior ferramenta que possuímos; a palavra. É possível recorrer a estes estratagemas, lícitos e ilícitos, para 'obter' razão, e defendê-la quando ela estiver do nosso lado ou conquistá-la quando estiver do lado do adversário. Com frieza classificatória, Schopenhauer indica 'os caminhos oblíquos e os truques de que se serve a natureza humana em geral para ocultar seus defeitos'.

Siamo nel 1919. La prima guerra mondiale è finita da poco. "Il dottor Benjamin fugge dalla casa di suo padre, il luogotenente Wittgenstein commette un suicidio finanziario, il libero docente Heidegger perde la fede e monsieur Cassirer lavora sul tram alla propria illuminazione." Comincia un decennio di eccezionale creatività, che cambierà per sempre il corso delle idee in Europa e senza il quale alcuni pensieri non sarebbero mai stati pensati.

Die adjektivische Passiversatzform 'unverständlich' ist transformierbar in den Ausdruck 'kann nicht verstanden werden'. Das Modalverb 'können' hat typischerweise drei Funktionen: Kompetenz, Möglichkeit, Erlaubnis. An jeder schriftlichen Kommunikation sind (sehr einfach ausgedrückt) mindestens drei Momente beteiligt: ein Produzent, Zeichen, ein Rezipient. Wenn ein Zeichen, ein Wort, ein Satz, ein Text als 'unverständlich' bewertet wird, ist fragbar: Warum? "Die Fragmente von Friedrich Schlegel sind unverständlich." Mögliche Gründe: (1) Der Autor hat nicht die Kompetenz, sich verständlich mitzuteilen.