Showing results by publisher "Highbridge Audio" in Women Sleuths

1959. Delpha Wade killed a man who was raping her. Wanted to kill the other one, too, but he got away. Now, after 14 years in prison, she's out. It's 1973, and nobody's rushing to hire a parolee. Persistence and smarts land her a secretarial job with Tom Phelan, an ex-roughneck turned neophyte private eye. Together, these two pry into the dark corners of Beaumont, a blue-collar, Cajun-influenced town dominated by Big Oil.

Frances Wynn, the American-born Countess of Harleigh, enjoys more freedom as a widow than she did as a wife. After an obligatory year spent mourning her philandering husband, Reggie, she puts aside her drab black gowns, leaving the countryside and her money-grubbing in-laws behind. With her young daughter in tow, Frances rents a home in Belgravia and prepares to welcome her sister, Lily, arriving from New York - for her first London season.

After the woman is identified as the missing daughter of a yacht designer, the police—with the exception of Emma's friend Detective Jesse Whyte—hastily conclude she is a suicide, perhaps to quiet any scandal for the Morgans, since her body was found floating near their property. But Emma suspects the woman was murdered and begins to sort through a who's who of sportsmen, boat crews, and the Newport elite in search of a stone-cold killer . . .

Following a whirlwind engagement to Viscount "Lyndy" Lyndhurst, Stella Kendrick is finding her footing within an elite social circle in picturesque rural England. Except tea time with refined friends can be more dangerous than etiquette faux pas - especially in the company of Lady Philippa, the woman Lyndy was once set to marry, and her husband, the ostentatious Lord Fairbrother....

It is every mama's dearest wish that her daughter marries well. But how to ensure that a seemingly earnest suitor is not merely a fortune hunter? Rosalind is involved in just such a case, discreetly investigating a client's prospective son-in-law, when she is drawn into another predicament shockingly close to home.

Leaving behind tragedies surrounding their wedding at Morrington Hall, travel-worn Stella and Lyndy arrive at the grand Majestic Hotel in York to more misfortune-their stately honeymoon suite has been given away to Horace Wingrove, owner of England's largest confectionery. Stella refuses to let an innocent booking mistake spoil the mood, but her optimism vanishes when Horace suffocates in the room where she and Lyndy should have stayed . . .

Like many old New England families, the Kellings live to die. Although their family vault is spacious and comfortable, it will not do for Sarah Kelling's great-uncle Frederick. In his will, he demands to be buried inside the ancient family tomb at Boston Common, which hasn't admitted a new member in more than a century. But when the Kellings crack the old vault's door, they find a recently built brick wall - and behind it lays a surprisingly fresh corpse, a skeleton with rubies in its teeth.

It has only been a few months since Sarah Kelling's elderly husband passed away, and she is struggling to adapt to life as a penniless young widow. To make ends meet, she converts her stately Boston home into a boardinghouse, a decision that brings something even better than money: the company of art-fraud-investigator Max Bittersohn. The budding couple is standing on a balcony, recovering from a second-rate concert at a third-rate museum, when something plummets past them. The museum has been robbed, and a guard has fallen to his death.

Though the inheritance from her dearly departed Alexander was meant to set Sarah Kelling up for life, it vanishes quickly in the face of hounding from charitable organizations and the IRS. Facing the loss of her stately Back Bay brownstone, Sarah opens her home to lodgers - deciding she prefers a boardinghouse to the poorhouse. Soon she is cooking meals and serving tea for a cast of quirky residents, a cozy little family that would be quite happy were it not for the unpleasant presence of a certain Barnwell Augustus Quiffen.

Taking on the responsibilities that come with being Lady Lyndhurst, Stella is eager to embrace yuletide traditions in the Edwardian English countryside and use her strong social influence for good. Her world becomes so consumed with starting a horse farm charity for the holidays that she barely notices the usual oddities attached to her upper crust lifestyle. At least, not until items vanish from her bedroom and maligned housekeeper, Mrs. Nelson, becomes seriously ill—only to be found dead in the cold on Mistletoe Lane.

According to Max Bittersohn, he and Sarah Kelling have witnessed enough murder and unhappiness, so it's high time they got married. And though Sarah hasn't yet agreed to such drastic measures, she invites Max to summer with her at Ireson's Landing. But they haven't been in the house ten minutes when they stumble upon summer's first mystery - a mint-condition, antique Spanish mirror that is tremendously rare and valuable.

Following the death of her uncle Cornelius Vanderbilt in September 1899, a somber Emma is in no mood for one of Newport's extravagant parties. But to keep Vanderbilt's reckless son, Neily, out of trouble, she agrees to accompany him to an Elizabethan fete on the lavish grounds of Wakehurst. Held in Wakehurst's English-style gardens, the festivities will include a swordplay demonstration, an archery competition, scenes from Shakespeare's plays, and even a joust. As Emma wanders the grounds distracted by grief, she overhears an argument between a man and a woman behind a tall hedge.

The new novel from award-winning author Lisa Sandlin catches up with the almost-murdered secretary Delpha Wade (The Do-Right, 2015, set in 1973) as she's released from a hospital in order to be tucked into the back seat of a police cruiser. Her boss, PI Tom Phelan, sets out to spring her. He needs her back in his investigation business, where he'll soon be chasing a skulking grand larcenist and plotting how to keep a ganjapreneur out of the grabby hands of a brand new agency, the DEA.

When Rachel Murdock and her sister Jennifer receive a call for help from their favorite niece, Lilly, in Breakers Beach, California, they quickly hop a train from Los Angeles to see her-but not before collecting their prized cat Samantha in a picnic basket and bringing her along for the ride.

Between ornate bridal gown fittings and meetings with Lyndy's distant relatives, Stella finally feels less like an out-of-place American and more like a respected aristocrat. Everything changes as the arrival of an anonymous gift and return of her overbearing father cast a dark shadow over the festivities, conjuring difficult memories and new fears....

New York City, 1899. When it comes to show business, Gilded Age opera singer Ella Shane wears the pants. The unconventional diva breaks the mold by assuming "trouser roles"-male characters played by women - and captivating audiences far and wide with her travelling theater company. But Ella's flair for the dramatic takes a terrifying turn when an overacting Juliet to her Romeo drinks real poison during the final act of Bellini's I Capuleti e i Montecchi.

Boston and its suburbs are stuffed with Kellings, and the city is about to get one more. Sarah Kelling and her husband, Max Bittersohn - a pair of amateur sleuths equally at home in back alleys as they are at black-tie balls - are about to have a baby. And if the child takes after his parents, he will be one of the cleverest infants in New England. But while Sarah is a month away from giving birth, she cannot let pregnancy slow her down - she has a murder to solve.

Though a few years past 60, Sarah Kelling's aunt Emma is as vigorous as a girl of 22. She sings, she dances, and when the local fire department needs a fundraising boost, she's happy to jump out a window for charity. This summer, she decamps to Maine, to beat the heat at an island retreat for artists and great thinkers. There are writers, painters, a psychic, and a historian, and their company promises to be great fun - until a few of them go treasure-crazy.

Producing a Gilbert & Sullivan opera requires a special kind of madness, and the Kelling family is large enough and peculiar enough to undertake an entire company by themselves. For years now, Sarah Kelling's aunt Emma has supervised these annual productions - from The Pirates of Penzance to The Mikado - and this year she has invited her cast of relatives to rehearse The Sorcerer in her stately mansion. The show is nearly ready when a team of burglars drugs the cast and crew to make off with a priceless portrait.

Janet Rhys is driving through the backwoods of Canada when she sees the truck ahead of her lose control, smash into a snow bank, and flip sideways, completely blocking the road. Springing to action, she darts into a nearby barn, searching for something to use to rescue the person trapped inside. When she hears an explosion, Janet returns to find the truck is nothing but smoking wreckage, and the driver has stolen her car.