Showing titles in African American

In Taking the Arrow Out of the Heart, Alice Walker examines our troubled times while also chronicling a life well lived. From poems of painful self-inquiry to celebrating the simple beauty of everyday life, Walker offers us a window into her magical, at times difficult, and liberating world of activism, love, hope and, above all, gratitude. Whether she's urging us to preserve an urban paradise or behold exploring the necessity of beauty to the spirit, Walker demonstrates that she remains a revolutionary poet and an inspiration to generations of fans....

Only days ago, I had everything. A man I wanted to marry. A prestigious fellowship for graduate school. A perfect new apartment. I’m a psychology student. I should have known she was hiding something from the start… Now I’m shivering under a foil blanket wondering how my life became a nightmare. And when the paramedics check me over, it’s not concern I see on their faces. It’s fear. They think I did this. They think I killed her…

"Hold tight. The way to go mad without losing your mind is sometimes unruly." So begins La Marr Jurelle Bruce's urgent provocation and poignant meditation on madness in black radical art. Bruce theorizes four overlapping meanings of madness: the lived experience of an unruly mind, the psychiatric category of serious mental illness, the emotional state also known as "rage," and any drastic deviation from psychosocial norms.

Blanche White is a plump, feisty, middle-aged African-American housekeeper working for the genteel rich in North Carolina. But when an employer stiffs her, and her checks bounce, she goes on the lam, hiding out as a maid for a wealthy family at their summer home. That plan goes awry when there's a murder and Blanche becomes the prime suspect. So she's forced to use her savvy, her sharp wit, and her old-girl network of domestic workers to discover the truth and save her own skin.

When Savvy Summers first opened Essie's soul food café, she never expected her customer-favorite sweet potato pie to become the center of a murder investigation. But when Grandy Jaspers, the 75-year-old neighborhood womanizer, drops dead at table two, she suddenly has more to worry about than just maintaining Essie's reputation for the finest soul food in the Chicagoland area.

A moving story of an old woman reckoning with memories - both cherished and heartbreaking - of her past, from French Rwandan author Beata Umubyeyi Mairesse, winner of the 2020 Prix des Cinq Continents de la Francophonie.

This exciting collection presents two previously unpublished stories by SF legend Octavia E. Butler. A Necessary Being precedes the events of Survivor, Butler's third (famously disowned) installment in her Patternist series, and includes characters from it, focusing exclusively on the Kohn, aliens who build their social hierarchies on the blueness of their fur. In Childfinder, a black woman with the gift of identifying children with latent psychic ability refuses to share her skill with an organization of white telepaths.

When Jasmyn Williams and her husband King realise they're expecting their second child, they decide to move to the town of Liberty, California hoping to find a community of like-minded people, where their growing family can thrive in a majority-Black environment. Then, as Jasmyn gets further into her pregnancy, she discovers a terrible secret that turns her frustration to dread. A secret that could threaten the safety of not only her family, but everything she believes in...

When Lena Johnson’s beloved grandmother dies, and the full extent of the family debt is revealed, the Black millennial drops out of college to support her family and takes a job in the mysterious and remote town of Lakewood, Michigan. On paper, her new job is too good to be true. High paying. No out of pocket medical expenses. A free place to live. All Lena has to do is participate in a secret program - and lie to her friends and family about the research being done in Lakewood.

Spanning four decades, these essays, speeches and meditations interrogate the world around us. They are concerned with race, gender and globalisation. The sweep of American history and the current state of politics. The duty of the press and the role of the artist. Throughout A Mouth Full of Blood our search for truth, moral integrity and expertise is met by Toni Morrison with controlled anger, elegance and literary excellence.

From sissies who are brave enough to go search out the men of their dreams, through to those who need a little help from their wives or female friends, this book sees sissies get all dolled up and then down and dirty!

Michael and Francis are the bright, ambitious sons of Trinidadian immigrants. Coming of age in the outskirts of a sprawling city, the brothers battle against careless prejudices and low expectations. While Francis aspires to a future in music, Michael dreams of Aisha, the smartest girl in their school, whose eyes are firmly set on a life elsewhere. But one sweltering summer night the hopes of all three are violently, irrevocably cut short.

"Amazing Peace" is a beautiful and deeply moving poem from Maya Angelou. Here she inspires us to embrace the peace and promise of Christmas, so that hope and love can once again light up our holidays and the world. "Angels and Mortals, Believers and Nonbelievers, look heavenward," she writes, "and speak the word aloud. Peace." "Amazing Peace" is Maya Angelou's radiant affirmation of the goodness of life and is a touching celebration of the "Glad Season" that will resonate with people of all faiths.

For years, young Mud and her family have roamed the high grasses, swamps, and deserts of the sub-Sahara. Now the earth is scorched by drought, and the mutilated bodies of family and friends lie scattered on the ground, shot down by ivory hunters. Nothing - not the once familiar terrain, or the age-old rhythms of life, or even memory itself - seems reliable anymore. Yet a slim prophecy of hope is passed on from water hole to water hole: the sacred white bone of legend will point the elephants toward the Safe Place.

The protagonist of Percival Everett's puckish new novel is a brilliant professor of mathematics who goes by Wala Kitu. (Wala, he explains, means "nothing" in Tagalog, and Kitu is Swahili for "nothing.") He is an expert on nothing. That is to say, he is an expert, and his area of study is nothing, and he does nothing about it.

After years of military service, Evan Miller wants a quiet life. The small town of Ravenswood seems perfect - until he stumbles upon a vicious web of lies with his new neighbor at its center. Ruth Kabbah is rude, awkward, and - according to everyone in town - bad news. Thing is, no one will tell Evan why. Does she perform ritual sacrifices? Howl at the moon? Pour the milk before the tea? He has no clue. But he desperately wants to find out. The more Evan’s isolated, eccentric neighbor pushes him away, the more he wants her.

Benson and Mike are two young guys who live together in Houston. Mike is a Japanese American chef at a Mexican restaurant and Benson's a Black day care teacher, and they've been together for a few years - good years - but now they're not sure why they're still a couple. There's the sex, sure and the meals Mike cooks for Benson, and, well, they love each other. But when Mike finds out his estranged father is dying in Osaka just as his acerbic Japanese mother, Mitsuko, arrives in Texas for a visit, Mike picks up and flies across the world to say goodbye.

Valentino is a brutal assassin entangled in a dangerous hunt of cat and mouse. His target, Sade is the queen on this chessboard of darkness and an unexpected twist that turns the game on its head.

In the small college town of Troy, Alabama, amidst the backdrop of 1967, Katia Daniels lives a life steeped in responsibility. At the Pike County Group Home for Negro Boys, she pours her heart into nurturing the young lives under her care, harboring a longing for children of her own. Katia's romantic entanglement with an older man brings comfort but also stirs questions about the path she's chosen.

In these brilliant new poems, Tracy K. Smith envisions a sci-fi future sucked clean of any real dangers, contemplates the dark matter that keeps people both close and distant, and revisits the kitschy concepts like "love" and "illness" now relegated to the Museum of Obsolescence. These poems reveal the realities of life lived here, on the ground, where a daughter is imprisoned in the basement by her own father, where celebrities and pop stars walk among us, and where the poet herself loses her father, one of the engineers who worked on the Hubble Space Telescope.