Showing results by publisher "Spoken Realms" in European

Last Poems is the second volume of A. E. Housman's verse to be published in the poet's lifetime. Compiled to present to a dying friend, they poignantly explore in the same gentle, lyrical manner many of those themes of life, death, love, and loss that run throughout his hugely popular first collection, A Shropshire Lad.

King Claudius, when a young man, wrote a five-act tragedy which was damned, and all reference to it forbidden under penalty of death. The King has a son - Hamlet - whose tendency to soliloquize has so alarmed his mother, Queen Gertrude, that she has sent for Rosencrantz and Guildenstern to devise some Court revels for his entertainment. Rosencrantz is a former lover of Ophelia, to whom Hamlet is betrothed, and they lay their heads together to devise a plan by which Hamlet may be put out of the way. Some Court theatricals are in preparation.

Cutting Room is set in the "Town Welfare Department" of a town in the Midlands, Burtonwood, during public sector cuts. Four characters (David, Lucy, Ian, and an intern, Anne) have to take calls from members of the public complaining about the loss of public services, with the boss Harry coming in occasionally to offer cheerful but often useless encouragement. As the cuts continue, tensions run high, with Ian in particular taking his anger and frustration out on the secretary, Tilly. At the play's conclusion there is a surprising twist.

Read by award-winning narrator Mike Vendetti. "Tis better to have loved and lost, than never to have loved at all." Comes from this poem.

Cole, an old sea captain, lives on a ship with his daughter and her immigrant husband. The trio prepares for a deluge, while Cole meets Daphne, a mermaid who seduces and tempts him. As tensions rise with the rolling tides, Cole must make a difficult choice: take a leap into the unknown, or stay on the safe side. This is a story about connection and separation, about tolerance and the decision to cut ties.

Hands Around, also known as La Ronde or Reigen, is possibly Schnitzler's most provocative and controversial work. In a series of 10 conversations occurring before or after a sexual encounter, between 10 pairs of characters from all walks of life, Hands Around offers a playful scrutiny of the sexual morals and class ideology of the era.

André Gide met Wilde many times and was one of the small number of celebrities who maintained contact with him until his death in Paris in 1900.

Anya and Chris have been divorced for 18 years. When their daughter goes into labour, they are reunited outside the maternity ward, and in the exchange that follows, they are forced to confront each other, and the awkwardness of their past, as they wait for their new grandchild to arrive.

Award-winning audiobook narrator Mike Vendetti reads "Invictus". Politicians and authors love to quote the inspirational last two lines of this poem: "I am the master of my fate:/I am the captain of my soul."

As the Enlightenment movement was gathering strength in the early 18th century, various challenges to established religious faith were launched. In response, a number of celebrated commentators produced defences of religion and morality, and among these was Alexander Pope, who was inspired to write "some pieces on Human Life and Manners." The result was a collection of poems in rhyming couplets, designated "Epistles", which were published in instalments.

Guy de Maupassant, French master of the short story, had a simple, efficient style of writing and, like Anton Chekhov, found inspiration for his stories in the daily lives of humans, which often reveal our darker nature. Many of his works also centered on the Franco-Prussian War, in which he served.

Gilbert Keith Chesterton (1874-1936), was an English writer, poet, philosopher, dramatist, journalist, orator, lay theologian, biographer, and literary and art critic. Chesterton is best known for his fictional priest-detective Father Brown. In The Club of Queer Trades, narrator 'Cherub' Swinburne and his friends, the eccentric former judge Basil Grant, and Basil's younger brother, private detective Rupert Grant, encounter six curious mysteries, each involving someone who makes a living in an extraordinary and bizarre - in the language of the time a 'queer' - way.

The Prophet is Kahlil Gibran's most famous work. He focuses on human relationships, as well as many other topics, including love, friendship, passion, work, good and evil, and time in a beautiful, simple, lyrical style.

This play forms part of a tetralogy which focuses on one of Wedekind's obsessive themes: the destructive interplay between primal sexual urges and social convention. Each play revolves around a powerful young female character, who has the power to control and captivate men, but who in turn is destroyed by the exercise of that power. In this play, the dominant female is Fräulein Elfriede von Malchus, an idealistic crusader who visits a brothel operated by the cynical impresario Casti-Piani in order to rescue a young woman who has fallen into his clutches.

"The Eve of St. Agnes" was written in January 1819 and first published in 1820. It is a Romantic Narrative poem written in 42 Spenserian stanzas. John Keats based his poem on the superstition that a girl could see her future husband in a dream if she performed certain rites on the eve of the feast of St. Agnes (the patron saint of virgins who died a martyr in 4th century Rome.) The eve falls on January 20th; the feast day on the 21st.

Award-winning narrator Mike Vendetti recites Shakespeare's "Sonnet 17".

Award-winning narrator Mike Vendetti recites Shakespeare’s "Sonnet 12".

Award-winning narrator Mike Vendetti recites William Shakespeare's Sonnet 2.

Award-winning narrator Mike Vendetti recites William Shakespeare's Sonnet 1.

A House of Pomegranates is a collection of four fairy tales, published in 1891, as a follow on collection for The Happy Prince and Other Tales (1888). Written in the form of parables with strong evidence of a Christian tone, Oscar Wilde again revisits the themes of suffering and sacrifice, in a collection which he once claimed was ‘intended neither for the British child nor the British public.’ “Of what use is my soul to me? I cannot see it. I may not touch it. I do not know it”