Showing results by publisher "Spoken Realms" in European

Almustafa, the chosen and beloved, must leave the port of Orphalese upon the ship he has waited upon for 12 years. As he descends to the waterfront, the people of Orphalese gather to question him and hear his wisdom on important topics of their daily lives. Kahlil Gibran's masterpiece is a series of enlightening, philosophical answers to those questions. The inspirational and spiritual words of The Prophet, written in an almost Biblical, poetic style, reveal deep insights into each of the subjects in question.

A Word Is Not A Sparrow is a diverse anthology of stories set amid Russian repression through the centuries; personal narrator testimony about the impact in America of immigrant grandparents from Ukraine and elsewhere; powerful fables and allegories that deliver universal messages about displacement, migration, and human connection; and classic Cossack folk tales that are a touchstone of Ukrainian culture. Listen as we let these words fly out around the world.

A narrative poem of 14 stanzas, written by Lord Byron following a visit to the Château of Chillon on Lake Geneva in 1816. It was inspired by the story of 16th-century Swiss monk and patriot François Bonivard, held captive in the dungeons of Chillon between 1532 and 1536.

Parisina was first published in 1816. The tragic narrative poem is the sixth, and shortest, in the series of Byron's "Oriental Romances" or "Heroic Tales". Prince Azo, overhearing his wife, Parisina, muttering in her sleep, discovers that she is having an affair with his illegitimate son, Hugo. Parisina and Hugo were engaged to be married before Azo claimed her for his own bride. Hugo is sentenced to death, and Parisina is forced to watch the execution as her punishment.

The story is of a female slave, Leila, who loves the Giaour, an infidel, and is in consequence bound, thrown in a sack, and drowned in the sea by her Turkish lord, Hassan. In revenge the Giaour kills Hassan, then in grief and remorse banishes himself to a monastery.

Arguably the most famous poem from Arthurian legend. Lords, ladies, anticipation, and isolation are all interwoven in this tale of longing and resignation. How will the Lady of Shallot be remembered? Classic literature narrated by Glenn Hascall.

Award-winning narrator Mike Vendetti reads "Ode on a Grecian Urn", a poem written by the English Romantic poet John Keats in May 1819 and published anonymously in Annals of the Fine Arts for 1819. The poem is one of several "Great Odes of 1819", which includes "Ode on Indolence", "Ode on Melancholy", "Ode to a Nightingale", and "Ode to Psyche".

Andrea Del Sarto (1836 - 1530) was a Florentine painter whose career flourished during the High Renaissance. In this dramatic monologue, "the faultless painter" (Andrea Senza Errori, as he was surnamed by the Italians) is the speaker. He addresses his unsympathetic wife, Lucrezia, upon whom he dotes, and for whom he has broken faith with his royal patron, Francis I of France so that he can meet the expenses of her indulgent lifestyle. He laments that he has not realized the possibilities of his genius, partly blaming and partly excusing the woman who has failed to support his high ideals.

Epithalamion is an ode included in an anthology, Amoretti, first published in 1595. Spenser's purpose was to celebrate his courtship of Elizabeth Boyle whose marriage with him is glorified in the Epithalamion.

John Keats (1795-1821) was one of the foremost English Romantic poets. Despite his early death from tuberculosis at the age of 25 he had a considerable poetic output, the majority of his best-known works being written in the year 1819. The six odes composed during this year are among his most famous and well-regarded poems. The first five were composed during the spring of 1819, while 'To Autumn' was composed in September. The exact order of composition of the first five is unknown.

This collection was published posthumously in 1869 under the title of Petits Poèmes En Prose, but is also known as Le Spleen de Paris. A prime influence was Gaspard de la Nuit, the prose poem collection by Aloysius Bertrand. Baudelaire described these short pieces as experiments, and also "confessions." The poet was seeking to create "the miracle of a poetic prose, musical without rhythm and without rhyme, subtle and staccato enough to follow the lyric motions of the soul, the wavering outlines of meditation, the sudden starts of the conscience."

The Eve of St. Agnes was first published in 1820 in a collection containing many of Keat's best-known poems. Several of these were retellings of stories that were popular in the Middle Ages and earlier times.

Lamia is a narrative poem that reflects Keat's intensive exploration of Greek mythology. It first appeared in 1820 in a collection entitled Lamia, Isabella, the Eve of St Agnes and Other Poems. The poem describes the search of the god Hermes for a beautiful nymph, during which he encounters Lamia, who is trapped in the form of a serpent. At her fervent request, Hermes transforms Lamia into a human form and she departs to pursue a liaison with her lover, the glamorous Corinthian youth, Lycias.

Isabella, or the Pot of Basil (1818) is a poetic retelling of a story from The Decameron by Giovanni Boccaccio. The poem relates the sad fate of two victims of youthful love. The aristocratic and nubile Isabella is intended for marriage to an eligible suitor but falls in love with the plebeian Lorenzo. Isabella's brothers murder Lorenzo and bury his body, the location of which is revealed to Isabella by a ghost. She exhumes the body and re-inters the head in a pot of basil.

John Donne (1573-1631) is considered by many to be the finest poet of the Elizabeth Age after Shakespeare. Ironically, poetry was not Donne's dominant preoccupation. In his own day, he was better known as a scholar, and, in later life, a clergyman. His verse was composed sporadically and in an offhand fashion and appears not to have been subjected to revision. In spite of occasional solecisms, his poetic verbiage is vigorous and compelling and marked by a striking use of imagery.

The lyrical ballad The Lady of Shalott is one of Tennyson's best-known and best-loved poems. It is based on the story of Elaine of Astolat, a figure from Arthurian legend, who dies from her unrequited love for Sir Lancelot. The subject matter provided inspiration for many of the Pre-Raphaelite painters. Tennyson published two versions of the poem, both of which are included in this recording. The first was written in 1832, and the second—the better-known of the two versions—in 1842.

Lamia is a tragic narrative poem in two parts. It was written in 1819 and first published in 1820 with "Isabella" and "The Eve of St. Agnes". The Greek god Hermes has left Olympus in search of a beautiful nymph. He comes across Lamia, a woman trapped in the form of a snake, who promises to reveal the nymph to him if he, in exchange, restores her human form so she may seek the love of Lycius, a youth of Corinth.

The selection of eighteen poems is taken from Tennyson's first collection, published in 1830. The most famous poem in the collection is Mariana, a dramatic narrative, which, like The Lady of Shalott, describes the tragic fate of an abandoned woman. All the poems feature the elegant euphony for which Tennyson's verse has become famous.

Keats commenced writing his epic poem, Hyperion, in 1818 and ceased working on it in the spring of 1819. He said that he gave the project up for having "too many Miltonic inversions." The unfinished poem, which ceases in the middle of the third canto, was published in 1820. The narrative is based on the Titanomachia, or War of the Titans, and describes the aftermath of their fall to the Olympian Gods.

Many of the short poems for which Keats has become famous were written in a burst of inspiration early in 1819, including these four odes: Ode to a Nightingale, Ode on a Grecian Urn, Ode to Psyche, and Ode on Melancholy. The generally melancholy and sometimes elegiac quality of these poems is reflective of Keats' inevitable preoccupation with his declining health. Another significant factor was his infatuation with Fanny Brawne, who returned his affection in an unfortunately non-exclusive manner.