Showing titles in Canadian

This collection brings together the work of nine inventive and brilliant poets who defined and drove the dub poetry genre. From the Caribbean, Canada and the UK, the poetry in this collection spans forty years, as dub became a powerful cultural and creative force. The poets included in this collection are: Oku Onuora, Mikey Smith, Mutabaruka, Jean 'Binta' Breeze, James Berry, Benjamin Zephaniah, Ahdri Zhina Mandiela, Lillian Allen and Afua Cooper.

In 2004, boldly original poet Lisa Robertson published a chapbook, Rousseau’s Boat, poems culled from years of notebooks that are, nevertheless, by no means autobiographical. In 2010, she expanded the work into a full-length book, R’s Boat. During the pandemic, she was drawn back into decades of journals to shape Boat. These poems bring fresh vehemence to Robertson’s ongoing examination of the changing shape of feminism, the male-dominated philosophical tradition, the daily forms of discourse, and the possibilities of language itself.

Following in the footsteps of such category killers as Milk and Honey and Whiskey Words & a Shovel I, Fariha Róisín's poetry book is a collection of her thoughts as a young, queer, Muslim femme navigating the difficulties of her intersectionality. Simultaneously, this compilation unpacks the contentious relationship that exists between Róisín and her mother, her platonic and romantic heartbreaks, and the cognitive dissonance felt as a result of being so divided among her broad spectrum of identities.

Things aren't going Milo's way. His acting career is floundering, he got dumped, his miserable father vanished, and people keep moving into his house. He finally decides to take action - to help the only person he really likes, the autistic boy next door who's being bullied. But, well, that doesn't really go his way either.

While researching why Freud failed to win a Nobel Prize at the Nobel Archives in Sweden, a psychiatrist makes an unusual discovery. Among the piles of papers in the "Crackpot" file are letters addressed to the executor of Alfred Nobel's will, written by several notable Nobel laureates - including Rudyard Kipling and Marie Curie - each offering an explanation of why and how Stonehenge was constructed. Diligent research uncovers that Alfred Nobel added a secret codicil to his will, a prize for the Nobel laureate who solves the mystery of Stonehenge.

Divided into five chapters, this volume is a journey through the life cycle of wilting, falling, rooting, rising, and blooming. It is a celebration of love in all its forms.

In pieces that are at once brilliant, beautiful and hyper-imagined, Atwood gives voices to remarkably drawn characters – mythological figures, animals and everyday people – all of whom have something to say about what it means to live in a world as strange as our own. ‘How can one live with such a heart?’ Atwood asks, casting her singular spell upon the listener, and ferrying us through life, death and whatever comes next. Walking the tightrope between reality and fantasy as only she can, Atwood’s journey through poetry illuminates our most innate joys and sorrows, desires and fears.

Cap the narrator makes a deal with his pal Sam McGee that he will cremate him when he dies. Now the problem is where to do this deed in the frozen Yukon.

Once an amusing extrovert with a reputation as a prankster, Mr. Rosen is entering his senior years as a stoic, thirty-year converted introvert who hates change, has little to no interest in people and is more than content to have his wife sit in the navigator's seat of his life. Since becoming a practising introvert, there have been almost no changes in his life, and for the few that there were, his wife had walked him through them, including the recent move to a much smaller home in a lower/middle-class neighbourhood.

The first murder of a child raised eyebrows; the second raised alarms. Ten-year-old Dewey is moving, and he couldn't be more excited; though, he's alone in his enthusiasm. Lisa, his mother, and recently retired Avriel, his next door neighbor and best buddy, don't share in his excitement regarding the move from their suburban bungalow to a dirty basement level apartment in the lower class area, where two murders have recently occurred.

This is both a single novel and three separate novels in one. In the first, Mauve Desert, 15-year-old Mélanie drives across the Arizona desert in a white Meteor chasing fear and desire, cutting loose from her mother and her mother's lover, Lorna, in their roadside Mauve Motel. In the second book, Maudes Laures reads Mauve Desert, becomes obsessed with it, and embarks on an extraordinary quest for its mysterious author, characters and meaning. The third book - Mauve, the Horizon - is Laures's eventual translation of Mauve Desert.

In this stunning new poem, Canisia Lubrin’s signature epic vision distills her elegy to her mother, along an interwoven and unresolvable axis of astonishment that belongs as much to history as to today. Her lucid attention to what might be the oldest metaphor for grief is drawn from the searing gravity and resonance of the modern poet’s decisive, interior, and inexpressible meditation on love, time, and loss in the excesses of life’s ambitions.

Margaret, Elsie, Phoenix, Cedar : quatre femmes, mères et filles, issues de la communauté amérindienne du North End, un quartier défavorisé de Winnipeg, Manitoba. Quatre membres d'une même famille, les Stranger, chacune hantée par ses propres démons. Quatre personnages qui cherchent désespérément la lumière. Dans cette fresque poignante, Katherena Vermette immerge le lecteur dans l'univers mouvant d'une lignée de femmes autochtones, dessinant la force de leurs liens, la souffrance héritée du passé et l'espoir de briser enfin la fatalité.

Alcools (1913) est un recueil de poèmes de Guillaume Apollinaire qui illustre la transition entre tradition et modernité. Riche et varié, le recueil mêle des formes classiques et des innovations audacieuses, telles que l'absence de ponctuation. Les thèmes abordés oscillent entre amour, mélancolie, souvenirs et quête d'un idéal.

Indigenous communities have been organizing against violence since newcomers first arrived, but the cases of missing and murdered women have only recently garnered broad public attention. Violence Against Indigenous Women joins the conversation by analyzing the socially interventionist work of Indigenous women poets, playwrights, filmmakers, and fiction writers.

A poetry audiobook with reflections on my life and powerful memories. Inspirational poems for all listeners.

Cette fresque familiale canadienne fut l'un des plus grands succès de la littérature nord-américaine, dès la parution en 1927 du premier des seize romans, aussi célèbre que Autant en emporte le vent de Margaret Mitchell. La famille s'est agrandie. Mary et Philippe ont eu deux fils : Eden et Piers. Renny, enfant du premier mariage de Philippe, est un adolescent difficile qui méprise les livres et adore les chevaux.

Ici, écrire rime avec réfléchir, et avec exister. Brefs, compacts et chargés, ces vingt-cinq essais philosophiques, qui entremêlent contemplation, opinion, souvenir, et sont magnifiquement couronnés d’exergues tirés de la grande littérature universelle. Ils traduisent une urgence existentielle d’immortaliser noir sur blanc sa pensée, une fébrilité de dire à peine dissimulée dans la main qui tient le stylo, mais aussi un poids de vivre devant le temps qui passe trop vite.

Through prose and poetry, A World Diverse is a personal account of David Edmond’s 34 plus year career in the Royal Canadian Air Force. His inspiration to pick up the pen came after the death of his wife due to complications from Parkinson’s disease. The opportunity to serve across Canada exposed him to a variety of personalities, and the chance to build strong friendships.

Cette fresque familiale canadienne fut l'un des plus grands succès de la littérature nord-américaine, dès la parution en 1927 du premier des seize romans, aussi célèbre que Autant en emporte le vent de Margaret Mitchell. Chargé de trouver une gouvernante pour les enfants de son frère Philip vivant au Canada, Ernest Whiteoak engage Mary Wakefield sur sa bonne mine. C'est en arrivant à Jalna que la jeune fille prend la mesure de son inexpérience mais, si ses élèves ne sont pas des anges faciles à mener, leur père n'a rien non plus du vieux veuf ventru qu'elle imaginait.