Showing titles in Australia, New Zealand & Oceania

Lullabies continues to explore the intricacies of love and loss. Love's poetic journey in this new, original collection begins with a duet and travels through interlude and finale with an encore popular piece from the best-selling Love & Misadventure. Lang Leav's evocative poetry speaks to the soul of anyone who is on this journey.

Annie Sherrington expects nothing from life – and is never disappointed. Cared for by the Foundling Hospital, then apprenticed to a housekeeper, she must live her life serving others. But when she’s falsely accused of theft, Annie is devastated to learn she’ll be transported to the far side of the world as a convict.

This poetic book tells the story of David, a farmer born in 1960s Australia who was expected to carry on his family’s traditions on the land. We follow his life from birth to an imagined death, spanning a turbulent time when small rural communities across Australia collapsed.

The Nanima Series is a unique story journalling the inner evolution of a spiritual seeker within the context of her relationships and life. It is set in the equally unique environment of rural Australia and has many important messages about the value of the Earth around us and the earth within us. Both ensure our health and happiness.

Although the history of Australian verse dates back to early colonial times, one of the first genuinely antipodean poetic voices was that of Adam Lindsay Gordon (1833-1870). During his short and tragic life, Gordon published two volumes of verse, the second of which was Bush Ballads and Galloping Rhymes, which appeared in the year of his death.

Part expression, part confession, part question, it is an intimate look at the impact of mental illness, trauma, and neglect. A critical dissection of the interconnected roles that family, religion, society, education, and government play, as well as their impacts upon an individual. A commentary on current affairs, historical trends, and the bleak potential of our collective future, Can’t Quite Express is also both an example of, and an encouragement for, writing therapy.

For the last nine centuries, Hawaiian tradition has used the wickedness of the Maui king Hua to depict the consequences of sacrificing righteousness for superficial political gains. His reign was known for its pointless warfare, waste of resources, and corruption. Condemning his dutiful high priest to death under false pretenses, Hua and his subjects finally earn the wrath of the gods. Drought and famine decimate Maui. The lush countryside of Hana becomes a wasteland. As they flee, the curse follows. Atonement resides with the sons of the murdered priest. If they can be found.

King David Kalākaua introduces us to the people upon whom the legend of the Pele family is based. They departed Samoa as war refugees in the 12th century, settling in the foothills of Mauna Loa. As earthquakes and eruptions occurred during their interactions with the Hawaiians, this family of kahuna were accorded what the king described as “unique sanctity and power”. Pele was as mighty as she was beautiful. The tales of the volcano goddess earned the attention of Kamapuaa, the outcast son of the chief of Oahu who terrorized the island with his band of renegades.

The fifth and final volume of poetry by the author of Wild Cat Falling was originally published in India in 2013. There are 45 poems from the Master of the Ghost Dreaming, as he reels and sways through his long held interest in Buddhism and the Blues. While still writing about rejuvenation and the great cycles of Life, there is a strong awareness of finality, of passing on, of Death. Always lyrical, this is a wonderful offering from the award-winning poet.

Spanning several centuries of history in the Pacific, The Legends and Myths of Hawaiʻi: Fables and Folk-Lore of a Strange People is a collection of Hawaiian stories that were preserved through the ages by oral tradition and documented for posterity by King David Kalākaua in 1887. This massive tome recalls the tales of chiefs and kings, explorers and pirates, prophets, sorceresses, and renegades. This is the first in a series of 22 parts.

Bound to the Wings of a Butterfly is a collection of poetry, written as an act of writing therapy. It is about healing, recovery, and self-acceptance. About the journey of discovery that comes with true internal healing, and about transforming our lives, towards positivity, beauty, and love. It introduces the process of writing poetry to heal. Breaking down the barriers to artistic expression, empowering the listener to pick up a pen, look inside, and let the words flow. Encouraging them to brave the darkness and to discover the light.

Romance and adventure collide in Australia's exotic outback as a deadly storm and a deadly killer wreak havoc on the occupants of of an isolated toxicology lab cut off from immediate respite or rescue.

Going back where you came from is harder if it's where you already are...Migrants arrive in the Lucky Country from lands their forebears knew for a thousand years. They know where they are and why they’re here and what they face. Then there are their children...born in a country that can't spell their names, and of a heritage that doesn't know they were born. Reminded every day that he doesn't quite belong, and reminding himself where others forget or couldn't care less, second generation Ed Kaspar sets out on a journey to not only be an Australian but to be his country.

Congo, 1964. Australienne de vingt-cinq ans, Anna Emerson retourne sur sa terre natale du Congo, pour se rendre au chevet de son père mourant, Karl, qu'elle n'a pas vu depuis dix-huit ans. Les retrouvailles sont brèves et, au lendemain de sa mort, un nouveau choc attend la jeune femme : Karl n'est pas son père biologique.

In his short life, Australian poet Barcoft Boake completed 30 poems, the most famous of which is the pastoral lament, "Where the Dead Men Lie", which was first published in the The Bulletin in December, 1891. This collection was prepared and edited by critic and anthologist, A. G. Stephens, who also appended a detailed memoir of the poet.

Life, love, and work intertwine with nature and a unique series of poems, in Tom's revised edition of his successful book of poetry. No matter what the day-to-day challenges are, as life unfolds, Tom shows us - through his poetry - that life is about enjoying what we can in every single moment.

Flloyd Kennedy's first collection of poems, songs, and stories have been gathered together in much the same way as she has lived her life - moving from place to place when the need arises, stopping to take note of the chaos and the kindness she encounters, and sharing her ideas with a dry Aussie sense of the ridiculous. She writes about her personal experience of life, not as memoir but as a means of making some kind of sense of life in general.

“These are poems that go beyond the limits of words. By wrestling with the poems in 3rd I, by engaging with them, the world is more intensely lived. This guy is offering us everything. This is heroic poetry.” (John Marsden)

Australian actress and author Vanessa de Largie is a survivor of domestic violence. Don't Hit Me! is the true diarised account of her time living with an abusive man. The story is conveyed through poems, journal entries, and fragments of lyrical prose. The book is a snapshot of domestic violence in real time. Raw, poignant and brave - it's a tale that will stay with you.

Été 1992, dans une lointaine banlieue de Sydney, en lisière du bush. Un été caniculaire durant lequel une puanteur infecte se dégage du lit de la rivière. Un été que Tikka, onze ans et deux mois, n'a jamais oublié : celui où les sœurs Van Apfel ont disparu. Les trois filles du pasteur - Hannah, l'aînée, Cordelia, la fantasque, somnambule à ses heures, et la petite Ruth avec son bec-de-lièvre - profitent de l'entracte du spectacle de l'école pour se faire la belle et s'évanouir dans la nature. Le corps de la plus jeune sera retrouvé coincé entre deux rochers.