Showing titles in Australia, New Zealand & Oceania

Dreaming in the Urban Areas is a poetry collection by Lisa Bellear that moves sharply between street-smart portrayals of poverty and dispossession, and the complexity of Black love, identity and experience. Written with poetic prowess and political bite, Bellear's work is a reckoning force set against a backdrop of urban community and strength.

American lawyer Julie Chen files a class-action lawsuit involving a multinational technology corporation and the Chinese government’s internet firewall, known as Golden Shield. When she hires her strong-minded sister Eva as her translator, what compromises will they make in order to win? And can they put aside their past differences to speak the same language?

The final installment in a long journey of healing is the fieriest of them all. Out of the Ashes offers a roadmap for listeners seeking to emerge from devastation. Divided into seven sections—The Destruction, The End, The Quiet, The Wrath, The Transformation, The Arising, The Resurgence—this very personal and engaging new collection from prolific poet Courtney Peppernell illuminates a powerful journey of resilience and survival. It masterfully charts the process of rising again after your life has been burned to the ground.

Alice Collins liebt ihren Großvater aus tiefstem Herzen. Selbst jetzt, obwohl er mit einem Liegegips zu Hause im winterlich kalten Liverpool festsitzt und sie sich mit all den alleinstehenden Frauen herumschlagen muss. Die beliefern ihn mit Essen, guten Ratschlägen und verliebten Blicken. Neben ihrer Arbeit als Webdesignerin ist Alice’ einzige Ablenkung der Austausch mit Informatikern auf einer IT-Plattform. Vor allem mit einem, der ihr nicht mehr aus dem Kopf geht, seit sie einander nicht nur schreiben, sondern den Videochat nutzen.

Herb Wharton, former drover now celebrated author, unleashes a strikingly original vision of outback Australia. From the riotous picnic races to the famous Mt Isa rodeo, from childhood in the yumba to gutsy outback pubs, Unbranded presents a rollicking cast of stockmen, shearers, barmaids and tourists. At its heart this is the story of three men: Sandy is a white man; Bindi, a Murri; Mulga is related on his mother's side to Bindi, and on his Irish father's side to Sandy. Their lives and enduring friendship cover 40 years in the mulga country of the far west.

Jade Jackson liebt Schafe – und ihren Job. Ihre Facharztausbildung im größten Krankenhaus ihrer Heimatstadt Las Vegas nähert sich dem Ende, als ein für Notärzte kaum nennenswerter Vorfall ihr die Freude an ihrem Beruf raubt. Ihr Bruder versucht, sie mit einem weiteren Schaf für ihre Sammlung aufzumuntern. Es hat ein Einhorn und ist in Zeitungspapier eingeschlagen, eine Anzeige ist rot eingekringelt. Spontan wie nie zuvor tauscht Jade die Wüstenstadt in Nevada gegen die atemberaubende Natur Neuseelands, die sterile Notfallambulanz gegen eine Schaffarm. Auszeit im Paradies!

South Sea Tales (1911) is a collection of short stories written by Jack London. Most stories are set in island communities, like those of Hawaii, or are set aboard a ship. Contents: The House of Mapuhi / The Whale Tooth / Mauki / "Yah! Yah! Yah!" / The Heathen / The Terrible Solomons / The Inevitable White Man / The Seed of McCoy

I wrote these poems incrementally, but collated, edited, and recorded them collectively. A process that was at first therapeutic and then brutally revealing. A lot of the pieces touch upon regret, lost possibilities, and missed opportunities born of trauma, neglect, mental illness, and fear, as well as the desperation that comes when you find yourself searching for hope inside of darkness.

Cockatoos in the Mangroves is confessional, and at the same time, an artfully expressive debut collection of poetry that will leave a fiery footprint on your spirit.

Although the history of Australian verse dates back to early colonial times, one of the first genuinely antipodean poetic voices was that of Adam Lindsay Gordon (1833-1870). During his short and tragic life, Gordon published two volumes of verse, the second of which was Bush Ballads and Galloping Rhymes, which appeared in the year of his death.

Part expression, part confession, part question, it is an intimate look at the impact of mental illness, trauma, and neglect. A critical dissection of the interconnected roles that family, religion, society, education, and government play, as well as their impacts upon an individual. A commentary on current affairs, historical trends, and the bleak potential of our collective future, Can’t Quite Express is also both an example of, and an encouragement for, writing therapy.

For the last nine centuries, Hawaiian tradition has used the wickedness of the Maui king Hua to depict the consequences of sacrificing righteousness for superficial political gains. His reign was known for its pointless warfare, waste of resources, and corruption. Condemning his dutiful high priest to death under false pretenses, Hua and his subjects finally earn the wrath of the gods. Drought and famine decimate Maui. The lush countryside of Hana becomes a wasteland. As they flee, the curse follows. Atonement resides with the sons of the murdered priest. If they can be found.

King David Kalākaua introduces us to the people upon whom the legend of the Pele family is based. They departed Samoa as war refugees in the 12th century, settling in the foothills of Mauna Loa. As earthquakes and eruptions occurred during their interactions with the Hawaiians, this family of kahuna were accorded what the king described as “unique sanctity and power”. Pele was as mighty as she was beautiful. The tales of the volcano goddess earned the attention of Kamapuaa, the outcast son of the chief of Oahu who terrorized the island with his band of renegades.

The fifth and final volume of poetry by the author of Wild Cat Falling was originally published in India in 2013. There are 45 poems from the Master of the Ghost Dreaming, as he reels and sways through his long held interest in Buddhism and the Blues. While still writing about rejuvenation and the great cycles of Life, there is a strong awareness of finality, of passing on, of Death. Always lyrical, this is a wonderful offering from the award-winning poet.

If you intend on a new start, avoiding the fractal vise of old entanglements, Escaping the Timeline is a restorative collection of poetry exploring the path between doing no harm and taking no crap.

Spanning several centuries of history in the Pacific, The Legends and Myths of Hawaiʻi: Fables and Folk-Lore of a Strange People is a collection of Hawaiian stories that were preserved through the ages by oral tradition and documented for posterity by King David Kalākaua in 1887. This massive tome recalls the tales of chiefs and kings, explorers and pirates, prophets, sorceresses, and renegades. This is the first in a series of 22 parts.

Bound to the Wings of a Butterfly is a collection of poetry, written as an act of writing therapy. It is about healing, recovery, and self-acceptance. About the journey of discovery that comes with true internal healing, and about transforming our lives, towards positivity, beauty, and love. It introduces the process of writing poetry to heal. Breaking down the barriers to artistic expression, empowering the listener to pick up a pen, look inside, and let the words flow. Encouraging them to brave the darkness and to discover the light.

Romance and adventure collide in Australia's exotic outback as a deadly storm and a deadly killer wreak havoc on the occupants of of an isolated toxicology lab cut off from immediate respite or rescue.

Congo, 1964. Australienne de vingt-cinq ans, Anna Emerson retourne sur sa terre natale du Congo, pour se rendre au chevet de son père mourant, Karl, qu'elle n'a pas vu depuis dix-huit ans. Les retrouvailles sont brèves et, au lendemain de sa mort, un nouveau choc attend la jeune femme : Karl n'est pas son père biologique.

In his short life, Australian poet Barcoft Boake completed 30 poems, the most famous of which is the pastoral lament, "Where the Dead Men Lie", which was first published in the The Bulletin in December, 1891. This collection was prepared and edited by critic and anthologist, A. G. Stephens, who also appended a detailed memoir of the poet.