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One of the world’s foremost writing teachers invites listeners on a joyful journey into the reading and origins of haiku.

The Bhagavadgita is part of the great Indian epic the Mahabharata, and it is one of the major religious documents of the world, occupying in Hinduism a position not unlike the Sermon on the Mount in Christianity. One of the most celebrated treasures of world literature as well, it is in the form of a poetic dialogue between the epic's hero, Arjuna, and his friend Krishna, believed to be an incarnation of God.

This enigmatic poem is attributed to Seng-t'san, the third Chinese patriarch of Zen, who died in 606 CE. The tone of the work is revealed in the opening stanza in which the patriarch recommends dynamic introspection as the ideal attitude in solving the apparent problems of life. He urges the seeker neither to become trapped in the "outer entanglements of life" nor to isolate himself in solitude, but to remain calm in the procession of personal vicissitudes, seeing the essential oneness of all things.

From acclaimed poet Franny Choi comes a poetry collection for the ends of worlds—past, present, and future. Choi’s third book features poems about historical and impending apocalypses, alongside musings on our responsibilities to each other and visions for our collective survival.

Beautiful, haunting, and grotesque, The Carp-Faced Boy and Other Tales offers stories reminiscent of traditional Japanese folktales alongside contemporary horror fiction. Matsuura’s unique voice, in its poignancy and lightheartedness, is unforgettable.

In the early 1960s, the Hungry Generation revitalized Bengali poetry in Calcutta, liberating it from the fetters of scholarship and the fog of punditry and freeing it to explore new forms, language, and subjects. Shakti Chattopadhyay was a cofounder of the movement, and his poems remain vibrant and surprising more than a half century later. In his ‘urban pastoral’ lines, we encounter street colloquialisms alongside high diction, a combination that at the time was unprecedented.

Through this book Rujuta tackles pretty much every myth and fad to do with exercise, demystifies exercise for everyone, and presents it as not a brainless activity but a science which has the potential to combat all lifestyle disorders, including diabetes and obesity, way better than any drug. Strength training, cardio and yoga get a detailed chapter each along with their pre- and postworkout meals, an often neglected but crucial aspect.

From the menacing vision of a red umbrella, to the ominous atmosphere of the Laughing Mountain; from the waking dream of virtual working to the sinister games of the locked room . . . this is a fascinating insight into the spine-chilling voices working within China today-a long way from the traditional expectations of hopping vampires and hanging ghosts.

New Delhi, 3 heures du matin. Une Mercedes roulant à vive allure manque un virage et, en un instant, cinq personnes sont tuées. C'est la voiture d'un homme riche. Mais lorsque la poussière retombe, le chauffeur s'avère n'être qu'un domestique en état de choc qui ne peut expliquer l'étrange série d'événements qui a mené à ce crime. Tout comme il ne peut prévoir le drame qui est sur le point de se dérouler.

「現代文で聴く樋口一葉」。原文は句点が極端に少なく、ほとんどの方には読みこなすのは困難です。日本初の「職業女流作家」である樋口一葉の作品を多くの人に知ってほしいと、現代文のオーディオブックにしました。一葉の小説の中で最も写実性の高いものとなっている「にごりえ」で、明治の庶民の風俗を感じ取って下さい。

日本語の文章を論理的にしっかりと書けることでは右に出るものがいないとされる有島武郎の実に見事な作品です。最後の文は我々に希望を与える素晴らしいメッセージです。これにより救われる人も多いのではないでしょうか。

Mirabai was a Rajput princess born to the Rathore clan in 1498 in Kudaki, Rajasthan, in northern India. Despite being one of the most significant saints in the Bhakti tradition and an immensely popular Hindu mystic and religious poet, very few facts are actually known about her life including her date of birth. It is clear that her mother died when she was very young and she was greatly influenced by her father, also a worshipper of Krishna. From a young age, Mirabai’s devotion to Krishna was absolute surrender and complete devotion.

Nevada-Tan is a genre-bending new play that introduces us to Nick, a young man who struggles to escape loneliness and isolation in the years following the tragic Columbine shooting of 1999. Nick’s quest leads to a decade-long fixation with Nevada-Tan, a Japanese schoolgirl who committed a horrific crime in Sasebo in 2004. Mixing horror and dark humor, Nevada-Tan is a shocking exploration of secrets, tragedy and obsession, thrilling listeners with its surprising twists and turns.

"Kvindemasker" af den japanske forfatter Fumiko Enchi (1905-1986) er et modernistisk japansk værk, der udforsker klasse, seksualitet og undertrykkelse af kvinder i et traditionelt patriarkalsk samfund. Det er et ildevarslende og dragende trekantsdrama og en mystisk besættelsesfortælling om hævn og bedrag.

Après sa Divine Comédie, voyage sonore dans la Mythologie européenne, la romancière Amélie Nothomb nous accompagne, dans une deuxième saison très personnelle, à la rencontre du Japon de son enfance, avec ses mythes, ses rites et ses cultures. Dans ce documentaire audio de 10 épisodes, enrichi en son binaural, nous explorons les mythes et spiritualités japonais aux côtés d’Amélie Nothomb. Nous découvrons, dans ses yeux, un pays vecteur de réalisations personnelles.

Have you ever wondered about the origin of the terrifying Wendigo? How about the Philippine shape-shifting vampire? What about the Māori forest spirits? Join award winning podcaster and researcher Kamuela Kaneshiro as he takes you on a thrilling trip through Asia, the Americas, and other fascinating cultures touching the Pacific Ocean. And as you marvel at this captivating assortment of deities, monsters, and historical backdrops, you’re sure to have your imagination sparked by the wonders of the world.

The Tao Te Ching (or Daodejing, in pinyin) is a classic Chinese Taoist text dating from at least the fourth century BC. According to tradition it has its origins even earlier, around the sixth century BC. The title may be translated as Instruction Regarding the Way of Virtue. Consisting of 81 short sections in a poetic style, the text ranges widely in content, from practical advice to universal wisdom, embracing politics, society and the personal.

This Hindi play by Mohan Rakesh debuted in 1958 and is considered the first modern Hindi play. The play received a Sangeet Natak Akademi Award for best play in 1959. Before this play was written, Hindi plays were either idealistic or didactic, devoid of any connection with contemporary reality; above all their language remained the language of literature, which wasn't suitable for the stage. This play changed it all. Mohan Rakesh went on to write two more plays and left one unfinished at the time of his death in 1972.

Natsuki n'est pas une petite fille comme les autres. Son meilleur ami est un hérisson en peluche qui la somme de sauver les Terriens, et elle passe tous ses étés à la montagne avec son cousin Yû, espérant qu'un vaisseau spatial la ramène d'où elle vient vraiment. Quand un événement menace de séparer les cousins pour toujours, ils se font une promesse : survivre, quoi qu'il arrive. Des années plus tard, Natsuki est mariée et semble mener une vie normale. Mais les ombres de son enfance refont surface et la jeune femme se réfugie chez Yû.

Depuis l'enfance, Keiko Furukura a toujours été en décalage par rapport à ses camarades. À trente-six ans, elle occupe un emploi de vendeuse dans un konbini, sorte de supérette japonaise ouverte 24h/24. En poste depuis dix-huit ans, elle n'a aucune intention de quitter sa petite boutique, au grand dam de son entourage qui s'inquiète de la voir toujours célibataire et précaire à un âge où ses amies de fac ont déjà toutes fondé une famille. En manque de main-d'œuvre, la supérette embauche un nouvel employé, Shiraha, trente-cinq ans, lui aussi célibataire.