Showing results by publisher "audible originals" in World Literature

Kit Harington (Games of Thrones) and Johnny Flynn (Beast) smolder and burn as sparring brothers in Sam Shepard’s darkly comic 1980 drama. The live theatre production of True West was performed at the Vaudeville Theatre in London, United Kingdom, in 2019. It was produced by Joseph Smith and John Brant for Smith & Brant Theatricals and James Bierman for Empire Street Productions.

A woman (Alison Pill) finds herself grappling with both grief and anger following the sudden death of her mother and the shocking revelation of her father’s infidelity. Her father (Reed Birney), on the other hand, is just trying his best to verbalize his own complicated feelings about love, loss, lust…and household chores. And the other woman (Marsha Mason) simply wonders: Is she still “the other woman” when the original woman is gone?

What’s the cost of comfort? In The Fever, playwright, actor, and cultural icon Wallace Shawn (My Dinner with André, The Designated Mourner) captures the crisis of conscience of a privileged American traveler visiting a war-torn country. Faced with the disparity between her rarified world and the real world, she can’t help but wonder if she’s part of the solution or part of the problem.

"Alors que vous êtes pépère dans le métro à écouter de la musique, vous sentez une présence - quelque chose ou quelqu'un - vous épier. Vous n'osez pas vous retourner, car vous avez vu suffisamment de films qui collent les miquettes pour savoir que dès qu'on se retourne, on risque d'avoir très mal. Par chance, cette crise de paranoïa ne durera qu'un temps : le temps pour le musicien de métro de passer près de vous, et de vous offrir sa version, toute personnelle, du "Temps des fleurs".

"Tchou-tchou !" faisait le petit train en sinuant parmi les vallées de notre beau pays. Aujourd'hui, propulsé par l'électricité, il ne fait plus de fumée, ni plus aucun bruit... Il fonce et nous n'apercevons plus qu'à peine son beau fuselage chromé. Où es-tu, petit train ? Les écrivains te pleurent dans leurs livres, les écrivains t'admirent, les écrivains t'aiment. Petit train, ta machine superbe nous ouvre les yeux sur le monde avec un maximum de confort. Petit train, tu es notre porte sur l'inconnu. Petit train, dis-nous qui tu es !

Laissez-nous rêver, chantaient les poètes-philosophes du groupe Gold. C'est vrai, ça, le rêve a toute sa place dans la littérature, il faut faire quelque chose ! Oui faisons-le, ce quelque chose ! Et dans la bonne humeur ! N'ayons pas peur : tels des Aladins lettrés sur nos tapis volants, allons vers le bleu des rêves, allons vers le merveilleux des rêves, allons vers ce nouveau monde en couleurs où personne ne nous dit qu'il est interdit de croire au bonheur !

Ms. Sun is a charming, cash-strapped teaching artist put in charge of a rambunctious group of 10th graders at a public school in the Bronx. While directing her students in a play, Ms. Sun must lift them up while everything around them is falling apart. Written and performed by acclaimed playwright Nilaja Sun and based on her eight-year experience with arts education in New York City, No Child is an inspiring, multi-character solo show that examines America’s broken school system - and reveals the life and love that fill every classroom.

In After Anatevka, Alexandra Silber picks up where Fiddler on the Roof left off. Second-eldest daughter Hodel takes center stage as she attempts to join her socialist-leaning fiancé Perchik at the outer reaches of a Siberian work camp. But before Hodel and Perchik can finally be together, they both face extraordinary hurdles and adversaries - both personal and political - attempting to keep them apart at all costs.

Written by Pulitzer Prize-winning playwright David Auburn, this critically acclaimed Broadway hit chronicles the lives of two young mothers as they forge an unlikely bond during the summer of America’s Bicentennial. As the days heat up, they navigate a tumultuous relationship and discover how friendships define us, divide us, and permanently alter our sense of ourselves.

Drunk, dazed, disoriented, and stumbling down Clifton Street at 11:30 a.m., Effie is the kind of girl you’d likely avoid eye contact with while silently labeling a drifter or a delinquent. You’d probably pass judgment, assuming you know her - but you don’t know the half of it. As Effie’s life spirals through a mess of excess, drama, and addiction plaguing her at every turn, she has nothing to look forward to but a hangover worse than death itself each morning. Until one night gives her the chance to become something more.

Middle class, middle aged, multicultural mother of millennial sons, Sudha lives a ‘squeezed middle’ life in Wimbledon. As she navigates her career, family and returning to India as a NRI (Non-Resident Indian), she is prompted to investigate her own sense of home and place in the world. Evening Conversations is a warm-hearted monologue inspired by Sudha’s banter with her dual-heritage (Pakistani/East African Indian) millennial sons who have grown up in leafy Wimbledon while her life has spanned three continents. She invites her boys to ‘crack open a cold one’ and share their views on life.

In an era of public versus private personas, a young woman decides to shake up her ordinary life by becoming a contestant on a reality television show. The manufactured paradise has no clocks, no way to contact the outside world, and nothing but time, a pool, and gorgeous people. As the days or weeks or months pass by, she discovers more about herself through the people around her and challenges her notions of identity and love. In a paradise where the only game is to fall in love, what will she do to win?

After 40 years with his beloved wife, Henry is alone for the first time. His sudden bachelorhood is a struggle for him and his daughter Lisa, who is feeling pressure to fill the void. To give Henry the companionship he’s craving, Lisa buys him a personal robotic assistant. The device transforms Henry’s life and inspires him to embrace the possibility of romance during his golden years.

Only for Audible, Martin Moran performs his hit Off-Broadway play, heralded as "a translucent memoir of a play…shattering” by The New York Times and "surprising and moving! Startling, marvelously told" by New York Newsday.

Imagine living with a fear so visceral each day that simply walking down the street draws terror to one’s core. That’s the best case scenario for a woman on the streets of Juárez, Mexico. Kate del Castillo (La Reina del Sur) delivers a stunning one-woman performance that transports listeners from a New York stage to the treacherous streets of Juárez, Mexico, where thousands of women have been murdered in an ongoing epidemic of violence.

In 1951, chemist Rosalind Franklin (Anna Chlumsky) works relentlessly in her King’s College London lab, closing in on a major discovery that could unlock the mysteries of the DNA molecule. Undermined by her colleague Maurice Wilkins (Omar Metwally), she struggles to compete with rival team Watson and Crick (David Corenswet and Aasif Mandvi) as pressure intensifies to produce results.

Nkechi was a good Nigerian American girl. She did everything right. Went to med school. Made plans. Then life happened. And plans changed. A first-generation coming-of-age journey of love, loss, and growing into adulthood, Good Grief follows Nkechi as she navigates Pennsylvania’s suburbs alongside her childhood crush, her would-be-philosopher brother, and her immigrant parents.

When Howard makes a surprise cross-country trip to visit his college-aged, TikTok-loving daughter, he’s forced to confront the realities of their relationship and the rift between them—a rift caused by Howard’s refusal to face memories of his life as a young man in China.

Fiddler on the Roof revival cast member Alexandra Silber continues the story of the beloved characters from the Broadway classic.

A humanities professor at a liberal arts college is terrified of what she feels is an inevitable act of violence, fearing that one day, she will be the victim of a disgruntled student’s aggression. As a single mother, no one matters more than her little boy. So when a senseless act of violence changes her life forever, she finds herself inexplicably drawn to the very weapon used to perpetrate the crime—and to the irresistible feeling of power that comes from holding life and death in her hands.