Showing titles in Death, Grief & Loss

A new volume of poetry from Robert Hass is always an event. In Summer Snow, Hass further affirms his position as one of our most highly regarded living poets. Hass’s trademark careful attention to the natural world, his subtle humor, and the delicate but wide-ranging eye he casts on the human experience are fully on display in his masterful collection. Touching on subjects including the poignancy of loss, the serene and resonant beauty of nature, and the mutability of desire, Hass exhibits his virtuosic abilities and expansive intellect, and tremendous listenability.

Courage is a common hope that we can cultivate together. These prayers and poems can be listened to in group settings—among friends, families, and worshipping communities—and are also ideal for personal reflection.

Emory Hall’s debut poetry collection follows the anatomy of a river, swelling with loss and grief, and dances with the sacred waters of transformation and motherhood. Full of magic and deep emotion, Made of Rivers will wash anew those who come to it, uncovering hidden corners of the self. It draws upon Emory’s wellspring of experiences, hardships, triumphs and revelations.

Seeds Planted in Concrete is Bianca Sparacino's raw testament to the beauty that is found within the contrasts of life. Speaking truthfully about the intricacies of both love and loss, Sparacino's first collection of work will speak to the very depths of those who hear it, inspiring a will to love and live. This collection is a manifesto of the journey every human being takes throughout life - an assembly of words that celebrates the resilience of the human heart through stages of hurting, feeling, healing, and loving.

The poems in An Interesting Detail confront our shared, layered past (both planetary and human) and its knotty relationship to the present, stretching from today to prehistory, in a voice that is knowing and yearning, sincere and sardonic, and at times defiant. Campanello’s prose poems, brief lyric outbursts, and poetic sequences ludically navigate catastrophe and sweep us up in the minutiae of everyday life, which includes pain and illness, machinations of power and moments of suspended connection.

Sabrina Benaim, author of Depression & Other Magic Tricks, has connected deeply with readers and reached millions of viewers through her poetry, breaking down the stigma around mental illness. Now, she dives into challenging and universal territory: grief over a relationship’s end, loneliness in a world under lockdown, and the anxiety of caring for a loved one from afar in the wake of a serious diagnosis.

The powerful new collection of poetry and prose from social media’s answer to Carol Ann Duffy, Charly Cox. She Must Be Mad explores coming-of-age: the pain and beauty of love, the relief and the agony of turning from girl to woman, the isolation of an untethered mind and the power and subjugation of the body. Charly captures the formative experiences of today’s young women from the poignant to the prosaic in writing that is at once witty, wry and heartfelt.

Kae Tempest is one of the most exciting and innovative performers to have emerged in spoken-word poetry in many years; her dramatic poem "Brand New Ancients" won the prestigious Ted Hughes Prize for innovation in poetry. Tempest's wholly unique blend of street poetry, rap, and storytelling - combined with the spellbinding delivery of an open-air revivalist - has won her legions of followers all over the UK. Her remarkable stage presence is wholly audible in this poem, a spoken story written to be told with live music.

Our quoted authority is not the people in white coats but those with a quill, a heart and a soul that can take these feelings of love and loss and with the ink of words put to verse feelings and emotions that can be re-lived and shared by all. As they venture through depression, war, slavery to heartache and the loss of loved ones our eyes may mist and tears gently fall at what collectively we have done, have experienced, have witnessed and lost.

Herein lies a raw exploration of duality, darkness, and desire. A collection of sonnets, haikus, and free verse that brings to the surface our fractured pieces and celebrates how the light and the dark blend to make us whole. An invitation to embrace the shadow and give it its rightful place as a part of the self.

By turns moving, playful and wise, the poems gathered in Dearly are about absences and endings, ageing and retrospection, but also about gifts and renewals. They explore bodies and minds in transition, as well as the everyday objects and rituals that embed us in the present. Werewolves, sirens and dreams make their appearance, as do various forms of animal life and fragments of our damaged environment.

From Finnish saunas and soppy otters to grief, grandparents and Kellogg's anti-masturbation pants, Slug is a book which holds a mirror lovingly up to the world, past and present, through Hollie's driving, funny, hopeful poetry and prose. Slug is about the human condition: of birth and death and how we manage the possibilities in between.

I hope this book feels like a warm hug to you. I wrote this book for the ones who feel everything too deeply. You’re right, I wrote this book for you. This book was meant to find you if you’ve ever loved someone who didn’t love you back, if you’ve ever over-invested in the wrong people or if you have a hard time letting go. I Don’t Love You Anymore is a book that’ll feel like home to you. I promise it’ll hold you gently on your worst days.

Softening Time is both autobiography and self-help, poetry and inspiration. Drawing on events in her own life, particularly her experiences as a mother, daughter, sister, and friend, Brower writes poignantly on themes of love, loss, healing, and rebirth.

An astonishing collection about interconnectedness—between the human and nonhuman, ancestors and ourselves—from National Book Critics Circle Award winner, National Book Award finalist and U.S. Poet Laureate Ada Limón.

Take a look into the mind of the undead bohemian Jack Townson, an artist who found himself trapped in a world of nightmares, a life without sunlight, never to feel the warmth of day or the permanence of true love. Jack dives inward to put pen to paper, filling each minute with forbidden secrets—from the loves he's lost, to the friends he's made, to the villains who have plagued him, and the dreams of tomorrow. Step into the shoes of a child of dusk trying to find his way back into the dawn.

Inspired by writer and philosopher Audre Lorde’s famous claim 'Poetry is not a luxury', this anthology proves the vitality of poetry as a crucial source of inspiration, comfort and delight. Each poem within has been chosen from centuries of verse from around the world, with an emphasis on living poets. Friends old and new await, with selections from Rita Dove, Victoria Chang, Ross Gay, Naomi Shihab Nye, C.D. Wright, Eileen Myles, Ada Limón,Ross Gay, Ilya Kaminsky, Jos Charles and more.

After the bestselling I Wish I Knew, Donna Ashworth has now produced an extraordinary three-volume collection of poems that will touch and inspire every listener in the ups and downs we all face in love, in life and in loss. These brilliantly accessible poems bring delight, comfort and strength in the height of romance, the darkness of grief and the endlessly unpredictable moments in between.

Emily Dickinson was one of the most reclusive of all poets. She spent much of her life in seclusion in her father’s house in Amherst, and only a handful of her 1800 poems were published in her lifetime. Credit for the posthumous publication of her work must be given to her editor and friend Thomas W. Higginson, who reported that, in spite of the voluminous correspondence which passed between himself and Dickinson, he only met her twice in person.

A diaspora of memories runs through this poetry collection—a multiplicity of voices, bodies, and houses hold archival material for one another, tracing paths between Brooklyn, Beirut, and Jerusalem. Boundaries and borders blur between space and time and poetic form—small banal moments of daily life live within geopolitical brutalities and, vice versa, the desire for stability lives in familiarity with displacement.