Showing results by publisher "Random House Audio" in Themes & Styles

The deliciously book-length story of "The Vineyard" is set in and around the little house in Oyster Ponds where the poet spends the summer months. In freeflowing lines and pages that turn with the calendar, the poem unspools impressions that seem confided rather than written, as Galassi observes the "pretend peace'' of this quiet village house and garden, his oasis in the great swirl of dailiness.

After storming the scene with Stereo(TYPE), the PEN America Award–winning poet makes his highly anticipated return—with a virtuosic sophomore collection that plunges the reader into the tenebrous realm between dreams and reality, and firmly establishes him as an essential voice in American poetry.

Observing the fragility of the body and soul in a world of threat, these startling poems stem from a central boyhood memory—the author’s near-drowning in a swimming pool on Crete. The observant child was troubled that none of the statues they saw had arms—and then it was his father’s arms lifting him from the water, saving his life.

A world-bending, lyrically rich poetry collection that reimagines the U.S.-Mexico border as both a real place and a living simulation—and tells the story of a pair of siblings trapped between the two.

Fever of Unknown Origin opens at a remote crossroads, where the speaker considers the intersection of history, beauty, and destruction: “the past / is paper / and the present, a match . . .” What follows is an urgent tour of landscapes—environmental, political, and personal—that reframes our perception of modern America and leads the listener into “An empire of rags and photons” where we must look to the past to clarify our futures.

In this powerful gathering of poems about her own "influencers," as well as poems on Dadaist artist Meret Oppenheim and the young choreographer Lauren Lovette, Brenda Shaughnessy dwells in memories of the women who set her on her artistic path. In flowing stair-step tercets, Shaughnessy leads us down into her generative core, exposing moments of spiritual and intellectual awakening, her love of art and the written word, and her sense of the life force itself, which is ignited by the conversation—across time and space—with other women.

“I will consider a slice of pizza," opens Phillips's poem "Jubilate Civitas." "For rare among pleasures in Gotham, it is both / exquisite and blessedly cheap." Thus, as throughout this collection, he celebrates a simple pleasure that "in a time of deceit . . . is honest and upright, steadfast and good"; even the busted buttons we press when waiting to cross the street make for elegy in a collection that brings us this poet at his burnished best.

Walking Gentry Home tells the story of Alora Young’s ancestors, from the unnamed women forgotten by the historical record but brought to life through Young’s imagination; to Amy, the first of Young’s foremothers to arrive in Tennessee, buried in an unmarked grave, unlike the white man who enslaved her and fathered her child; through Young’s great-grandmother Gentry, unhappily married at fourteen; to her own mother, the teenage beauty queen rejected by her white neighbors.

D. Nurkse’s immigrant parents met on a boat out of Europe in 1940; he was a child of the generation whose anxieties were forged in the shadow of Hiroshima and the aftermath of WWII. His poems extend that child’s dignified ignorance into an open encounter with the cataclysms of the latter twentieth century and with family structures.

The title poem, a series of sonnet-sized Zoom meetings - a classroom, a memorial service, an encounter with a new baby in the family - finds humor and pathos in our age of social distancing and technology-induced proximity. Salter shows too how imagination collapses time and space: In “Island Diaries”, the pragmatist Robinson Crusoe meets on the beach a shipwrecked dreamer from an earlier century, Shakespeare’s Prospero.

Whether it's the fireflies of a Louisiana summer caught in a mason jar (doomed by their collection), or his grandmother, Mama Annie, who latches the screen door when someone steps out for just a moment, all that makes up our flickering precarious joy, all that we want to protect, is lifted into the light in this moving book. Stones becomes an ode to Young's home places and his dear departed, and to what of them - of us - poetry can save.

"Dios aprieta, pero no ahorca" ("God squeezes, but He doesn't strangle")—the epigraph of Machete—sets the stage for a powerful poet who summons a variety of ways to endure life when there's an invisible hand at your throat. Tomás Morín hails from the coastal plains of Texas, and explores a world where identity and place shift like that ever-changing shore.

Nico Tortorella's debut poetry collection presents a singular voice honed through years as an actor, podcaster, and advocate, one colored with love, wonder, and endless curiosity. But it is also more than just words - it is a sensuous journey into who we are and how we relate to the world around us, showing how the connections we make are vital to understanding why we are here. Provocative, enlightening, and emotionally charged, all of it is you. is a poetry experience like no other.

James Brown. John Brown's raid. Brown v. the Topeka Board of Ed. The prize-winning author of Blue Laws meditates on all things "brown" in this powerful new collection. Divided into "Home Recordings" and "Field Recordings", Brown speaks to the way personal experience is shaped by culture, while culture is forever affected by the personal, recalling a black Kansas boyhood to comment on our times.

With his dazzling ability to set words spinning, Amit Majmudar brings us poems that sharpen both wit and knives as he examines our "life in solitary". Equally engaged with human history and the human heart, Majmudar transfigures identity from a locus of captivity to the open field of his liberation....

A breathtaking collection of love poems from one of our great contemporary poets - stunning odes of obsession, loss, and the desire for a renewed self.

Brooks Haxton has been writing for years about the connections between human beings and the creatures we find fascinating. Mister Toebones, his new collection, draws its title from a nickname Haxton gives to a daddy longlegs he sees at his father's grave. In another poem, the poet and his mother, in search of a swimming hole, find a copperhead rearing to strike, about to birth its live young. Elsewhere, waist-deep in the Mississippi River, under the Atlantic Ocean, on the cracked ice of a frozen pond, even in outer space, the poet explores forces that seem past endurance.

The poet's art is revealed in stages in this "making-of" book, where we watch as poems take shape - first as dreams or memories, then as drafts, and finally as completed works set loose on the world. In the long poem "Must We Mean What We Say", a woman reader narrates in prose the circumstances behind poems and snippets of poems she receives in letters from a stranger. Who made up whom?

Dirty Pretty Things is the international best seller by Michael Faudet. A finalist in the 2015 Goodreads Readers Choice Awards, his whimsical and often erotic writing has already captured the hearts and minds of literally thousands of people from around the world. He paints vivid pictures with intricate words and explores the compelling themes of love, loss, relationships, and sex. All beautifully captured in poetry, prose, quotes, and little short stories.

Michael Faudet's latest book takes the listener on an emotionally charged journey, exploring the joys of falling madly in love and the melancholy world of the brokenhearted. Beautifully captured in poetry, prose, and short stories, Faudet's whimsical and sometimes erotic writing has captured the hearts and minds of thousands from around the world.