Showing results by publisher "Random House Audio" in Poetry

With the publication of her first book of poems in her sixty-third year, Amy Clampitt rose meteorically to fame, launching herself from obscurity to the upper ranks of American poetry all but overnight, and living a whirlwind eleven years, until her death in 1994. Years later, as renowned poetry scholar Willard Spiegelman wades into her papers and poems, he discovers a woman of dazzling intellect, staunch progressive politics, and an inexhaustible sense of wonder for the world and the words we’ve invented to describe it.

In this powerful gathering of poems about her own "influencers," as well as poems on Dadaist artist Meret Oppenheim and the young choreographer Lauren Lovette, Brenda Shaughnessy dwells in memories of the women who set her on her artistic path. In flowing stair-step tercets, Shaughnessy leads us down into her generative core, exposing moments of spiritual and intellectual awakening, her love of art and the written word, and her sense of the life force itself, which is ignited by the conversation—across time and space—with other women.

Zwei Sprachliebhaber präsentieren ihr Herzensprojekt. Ulrich Tukur und Christian Redl wollen an die Anfänge, an den Ursprung von Theater erinnern: den Text, die Sprache mit der man eine gute Geschichte erzählt. Neben ihren Lieblingsgedichten haben sie sich dazu eine zu Unrecht fast in Vergessenheit geratene Form ausgesucht: Die Ballade. Wie der Kriminalroman lebt sie von Spannungsmomenten und Knalleffekten. Und wie in diesem verwandten Genre geht es immer um Mord, Ehebruch, Verführung, Kindsmord und unerwiderter Liebe.

“I will consider a slice of pizza," opens Phillips's poem "Jubilate Civitas." "For rare among pleasures in Gotham, it is both / exquisite and blessedly cheap." Thus, as throughout this collection, he celebrates a simple pleasure that "in a time of deceit . . . is honest and upright, steadfast and good"; even the busted buttons we press when waiting to cross the street make for elegy in a collection that brings us this poet at his burnished best.

Walking Gentry Home tells the story of Alora Young’s ancestors, from the unnamed women forgotten by the historical record but brought to life through Young’s imagination; to Amy, the first of Young’s foremothers to arrive in Tennessee, buried in an unmarked grave, unlike the white man who enslaved her and fathered her child; through Young’s great-grandmother Gentry, unhappily married at fourteen; to her own mother, the teenage beauty queen rejected by her white neighbors.

D. Nurkse’s immigrant parents met on a boat out of Europe in 1940; he was a child of the generation whose anxieties were forged in the shadow of Hiroshima and the aftermath of WWII. His poems extend that child’s dignified ignorance into an open encounter with the cataclysms of the latter twentieth century and with family structures.

The title poem, a series of sonnet-sized Zoom meetings - a classroom, a memorial service, an encounter with a new baby in the family - finds humor and pathos in our age of social distancing and technology-induced proximity. Salter shows too how imagination collapses time and space: In “Island Diaries”, the pragmatist Robinson Crusoe meets on the beach a shipwrecked dreamer from an earlier century, Shakespeare’s Prospero.

When Opus Posthumous first appeared in 1957, it was an appropriate capstone to the career of one of the most important writers of the 20th century. It included many poems missing from Stevens' Collected Poems, along with Stevens' characteristically inventive prose and pieces for the theater. Now Milton J. Bates, the author of the acclaimed Wallace Stevens: A Mythology of Self, has edited and revised Opus Posthumous to correct the previous edition's errors and to incorporate material that has come to light since original publication.

Whether it's the fireflies of a Louisiana summer caught in a mason jar (doomed by their collection), or his grandmother, Mama Annie, who latches the screen door when someone steps out for just a moment, all that makes up our flickering precarious joy, all that we want to protect, is lifted into the light in this moving book. Stones becomes an ode to Young's home places and his dear departed, and to what of them - of us - poetry can save.

"Dios aprieta, pero no ahorca" ("God squeezes, but He doesn't strangle")—the epigraph of Machete—sets the stage for a powerful poet who summons a variety of ways to endure life when there's an invisible hand at your throat. Tomás Morín hails from the coastal plains of Texas, and explores a world where identity and place shift like that ever-changing shore.

Nico Tortorella's debut poetry collection presents a singular voice honed through years as an actor, podcaster, and advocate, one colored with love, wonder, and endless curiosity. But it is also more than just words - it is a sensuous journey into who we are and how we relate to the world around us, showing how the connections we make are vital to understanding why we are here. Provocative, enlightening, and emotionally charged, all of it is you. is a poetry experience like no other.

An inspirational rallying call about education, race, and the true nature of equality - the Harvard Graduate School of Education convocation speech praised as “powerful” by Hillary Rodham Clinton in Teen Vogue and “inspired” by Justin Timberlake. In emotionally charged spoken-word poetry, Livingston shares a message of hope and hard truths, declaring that education can become an equalizer only if we first acknowledge the inequality and racial divides holding back America’s future.

Lars Ruppels Slam-Poetry kommt daher wie Ringelnatz in Baggy Pants, wie Heinz Erhardt in Nietenjacke, wie ein Feuilletonist auf Speed auf einem Scooter-Konzert. Lars Ruppel macht sich einen Reim auf Redensarten. Wer weiß schon, wer der liebe Herr Gesangsverein ist, was Herr Specht nicht schlecht macht oder gar Schmidts Katze im Schilde führt? Poetisch-anarchisch, höchst unterhaltsam und famos gereimt.

Since 1998, the Alfred A. Knopf Publishing Group has celebrated National Poetry Month by e-mailing a poem a day throughout the month of April to over 25,000 devoted poetry fans. In April 2006, Knopf introduced the Poem-a-Day podcast, which featured poets including Kevin Young and James Merrill reading their own poems, as well as Knopf authors, such as Joan Didion and Toni Morrison, reading work by their favorite poets.

James Brown. John Brown's raid. Brown v. the Topeka Board of Ed. The prize-winning author of Blue Laws meditates on all things "brown" in this powerful new collection. Divided into "Home Recordings" and "Field Recordings", Brown speaks to the way personal experience is shaped by culture, while culture is forever affected by the personal, recalling a black Kansas boyhood to comment on our times.

With his dazzling ability to set words spinning, Amit Majmudar brings us poems that sharpen both wit and knives as he examines our "life in solitary". Equally engaged with human history and the human heart, Majmudar transfigures identity from a locus of captivity to the open field of his liberation....

A breathtaking collection of love poems from one of our great contemporary poets - stunning odes of obsession, loss, and the desire for a renewed self.

Brooks Haxton has been writing for years about the connections between human beings and the creatures we find fascinating. Mister Toebones, his new collection, draws its title from a nickname Haxton gives to a daddy longlegs he sees at his father's grave. In another poem, the poet and his mother, in search of a swimming hole, find a copperhead rearing to strike, about to birth its live young. Elsewhere, waist-deep in the Mississippi River, under the Atlantic Ocean, on the cracked ice of a frozen pond, even in outer space, the poet explores forces that seem past endurance.

Piercy has long been known for her political poems, and here we have her thoughts on illegal immigrants, dying languages, fraught landscapes, abortion, president-speak. She examines her nonbeliever's need for religious holidays and spiritual depth, and the natural world is appreciated throughout. On the Way Out, Turn Off the Light is yet more proof of Piercy's love and mastery of language - it is moving, stimulating, funny, and full of the stuff of life.

The poet's art is revealed in stages in this "making-of" book, where we watch as poems take shape - first as dreams or memories, then as drafts, and finally as completed works set loose on the world. In the long poem "Must We Mean What We Say", a woman reader narrates in prose the circumstances behind poems and snippets of poems she receives in letters from a stranger. Who made up whom?