Showing results by publisher "-emdashery books-" in Gothic

In the aftermath of a family tragedy, an aspiring author is torn between love for her childhood friend and the temptation of a mysterious outsider. Trying to escape the ghosts of her past, she is swept away to a house that breathes, bleeds...and remembers.

Chuck Dutton built Music City Salvage with patience and expertise, stripping historic properties and reselling their bones. Inventory is running low, so he's thrilled when Augusta Withrow appears in his office offering salvage rights to her entire property. This could be a gold mine, so he assigns his daughter, Dahlia, to personally oversee the project. The crew finds a handful of surprises right away. Firstly, the place is in unexpectedly good shape. And then there's the cemetery, about 30 fallen and overgrown graves dating to the early 1900s.

In his quest to destroy the Dark Fae, the Dragon King known as Kiril goes to Ireland as a spy. When a gorgeous, mysterious woman tries to seduce him, Kiril instantly sees through her glamour to the Dark Fae beneath. Shara isn't just any Dark; she's from one of the most powerful bloodlines. And despite the dangers, Kiril can't stay away from her. He is enthralled by her smile and enslaved by the undeniable passion. Shara has one chance to make things right with her family and to prove her worth.

I'm an offering. A test. A pawn in an agreement I know little about. Fly to Andorra Sector. Allow them to experiment. Mate an X-Clan wolf alpha. Hope for the best. Those are my orders. My fate. My current existence. There's nowhere to run, and the moon is a clock I can't ignore. One of these alphas will claim me, assuming our genetics are a match. And if not, well, that's a fate worse than death.

For ages, the town of Bitterburn has sent tribute to the Keep at the End of the World, but a harsh winter leaves them unable to pay the toll that keeps the Beast at bay. Amarrah volunteers to brave what no one has before - to end the threat or die trying.

I wasn’t supposed to be at Olympus that night. And I definitely wasn’t supposed to witness a murder - or be caught by the killers. Hades, Apollo, and Ares run the mysterious masked fight club, and they wield more power in this town than I could dream of holding. They destroy my life with one decree: Kora Sinclair doesn’t exist. Sterling Falls was my chance to start over, but one night derails everything. My scholarship, my job - gone. I could run home, but giving up my dreams isn’t an option. Desperate times call for desperate measures.

Perdido, 1928. Torn apart by the continuing tensions between Mary-Love and her daughter-in-law Elinor, the Caskey family must also confront other crises. As the economy plummets and relationships sour, something sinister is prowling the darkest recesses of the Caskey household. Patient, implacable, waiting to catch its next victim in its deadly web…

In the tourist town of Wharton, on the coast of Lake Superior, Tess Bell is renovating her old family home into a bed-and-breakfast during the icy dead of winter… As the house’s restoration commences, a shuttered art studio is revealed. Inside are paintings Tess’s late grandfather, beloved and celebrated artist Sebastian Bell, hid away for generations. But these appear to be the works of a twisted mind, almost unrecognizable as paintings she and others familiar with his art would expect.

In the midst of the woods stands a house called Lichen Hall. This place is shrouded in folklore—old stories of ghosts, of witches, of a child who is not quite a child. Now the woods are creeping closer, and something has been unleashed. Pearl Gorham arrives in 1965, one of a string of young women sent to Lichen Hall to give birth. And she soon suspects the proprietors are hiding something. Then she meets the mysterious mother and young boy who live in the grounds—and together they begin to unpick the secrets of this place.

The grand, Gothic Wyndemere House is a labyrinth, containing as many secrets as it does corners obscured in shadow. It's home to the Davenports, a wealthy and distinguished family, and Fern Corey and her mother have lived there as servants for Fern’s entire young life. Despite their difference in station, Fern and Dr. Davenport’s son, Ryder, have always been extremely close. Which was never a problem...until they came of age.

When Eleanor Harper becomes the director of a renowned artists' retreat, she knows nothing of Cliffside Manor's dark past as a tuberculosis sanatorium, a "waiting room for death". After years of covering murder and violence as a crime reporter, Eleanor hopes that being around artists and writers in this new job will be a peaceful retreat for her as much as for them.

Miranda has had a rough few years. Her successful career as a social media influencer has come crashing down after the controversial flop of her fertility app. Humiliated, she moves reluctantly back home to her judgmental father and cold stepmother's house to nurse her wounds, feeling more than ever the loss of her mother. Miranda's mother, well-known author Tessa Summer, died when Miranda was young, leaving behind her best-selling book, The House of Brides - a book that chronicled the generations of brides, each more notorious and tragic than the last.

They call me a monster. Murderous and hateful. Beautiful but broken. Nothing can calm the ever raging storm inside of me. As the ruthless leader of the Doubeck family, there is a certain standard of brutality, I have to uphold. Then I meet her. Beautiful, innocent, and so very afraid. Valentina is a rival family's daughter, and the little temptress has purposely tangled herself in my dark web. She seeks me out, needing my help, but the price for what she wants will be steep.

One claiming mark on her throat, another at her shoulder, Brenya Perin stands amidst the soft breeze above the glittering city ruled by her mate. And trembles. She'd tried to run from her fate. And failed. Punishment came in the mania of her mate's obsession, in the Commodore's constant need for her.

Ember is a succubus, consuming in every sense. My theory is proven when I specifically ignore Ember for an entire month, yet her scent remains in my nostrils, the vision of her in my mind’s eye. Her peppery musk dances along the back of my tongue, ruining my taste for anyone else. Savannah Merricourt is labeled as my intended, and I should accept it, as I do everything, because my father’s too powerful and I’ve been locked in the basement too many times.

From the first night I bedded her, I knew I was playing with fire. And now I must face the consequences. I betrayed my best friend. A man who was more a brother to me than my own blood. And now I fear I have lost her too. She claims men hold all the power in our world, but she has brought me to my knees. I love her. I know that now. Too little too late. Breaking a heart is easy. Mending one is more complicated. But a predator lies in wait of her. And I’ll do anything I must to keep her safe.

It is the year 1715, and Thomas True has arrived on old London Bridge with a dangerous secret. One night, lost amongst the squalor of London's hidden back streets, he finds himself drawn into the outrageous underworld of the molly houses. Meanwhile, carpenter Gabriel Griffin struggles to hide his double life as Lotty, the mollies' silent guard. When the queen of all 'he-harlots', Mother Clap, confides in him about a deadly threat, he realises his friends are facing imminent execution. To the horror of all mollies, there is a rat amongst them.

In a crumbling mansion on the edge of nowhere, the Merrye children live a secret life, watched over by their devoted caretaker Bruno and cursed by a rare genetic condition that causes them to regress into violent, childlike states while retaining the strength and appetites of adults. Virginia catches flies in her imaginary web—then slashes them to pieces with butcher knives. Elizabeth sulks and plots. And Ralph… well, Ralph scuttles in the shadows, twitching, grinning, watching. When distant relatives arrive to claim the family estate, Bruno can only hope the “children” remember their manners.

Browsing an antiques shop in Wiltshire, Alison Bannister stumbles across a delicate old portrait - identified as the doomed Tudor queen Anne Boleyn. Except Alison knows better. The subject is Mary Seymour, the daughter of Katherine Parr, who was taken to Wolf Hall in 1557 and presumed dead after going missing as a child. And Alison knows this because she, too, lived at Wolf Hall and knew Mary...more than 400 years ago.

Gia has found Dravin's truth, and he isn't the only one she belongs to. Can she accept what she means to his family? When she finds out how dangerous they are and what they are capable of, will she accept how far they will go to keep her? Her best friend is in trouble, but the danger surrounding her and Jess has Gia questioning everything except the love in her heart. Danger surrounds them, and the Order is not to be trusted. After all, they are still prey.