Showing titles in Gothic

Pera Sinclair was nine the day the pilot intentionally crashed his plane into her family's grand home, killing everyone inside. She was the girl who survived the tragedy, a sympathetic oddity, growing stranger by the day. Over the decades she rebuilt the huge and rambling building on the original site, recreating what she had lost, each room telling a piece of the story of her life and that of the many people who died, both before and after the disaster. And while she doesn't believe in ghosts, she's not above telling a ghost story or two to those who come to visit Sinclair House.

Charm is a witch, and she is alone. The last of a line of conquered necromantic workers, now confined within the yard of regrown bone trees at Orchard House, and the secrets of their marrow. Charm is a prisoner, and a survivor. Charm tends the trees and their clattering fruit for the sake of her children, painstakingly grown and regrown with its fruit: Shame, Justice, Desire, Pride, and Pain. Charm is a whore, and a madam. The wealthy and powerful of Borenguard come to her house to buy time with the girls who aren't real.

In Metsan Valo, her family home on Lake Superior, Anni Halla’s beloved grandmother has died. Among her fond memories, what Anni remembers most vividly is her grandmother’s eerie yet enchanting storytelling. By firelight she spun tall tales of spirits in the nearby forest and waters who could heal - or harm - on a whim. But of course those were only stories.

Dorian Gray, giovane e bellissimo dandy della società londinese del diciannovesimo secolo, plagiato e iniziato dall'amico esteta Lord Henry, esprime, contemplando un proprio ritratto, il desiderio di poter rimanere sempre giovane e bello. Per un terribile sortilegio è il dipinto a portare i segni dell'età che avanza e della decadenza umana e morale ...

Professor David Ullman is among the world's leading authorities on demonic literature. Not that he's a believer. He sees what he teaches as a branch of the imagination and nothing more. So when offered a luxury trip to Venice to consult on a 'phenomenon', he accepts, taking his 11-year-old daughter, Tess, with him. Amidst the decadent splendour of the city, David makes his way to the address he's been asked to visit. What he witnesses in the tiny attic room shakes him to the core: a man restrained in a chair, clearly insane. But what David hears the man say is worse.

Every autumn, John Pentecost returns to the farm where he grew up to help gather the sheep down from the moors for the winter. Very little changes in the Endlands, but this year, his grandfather - the Gaffer - has died and John's new wife, Katherine, is accompanying him for the first time. Each year, the Gaffer would redraw the boundary lines of the village, with pen and paper, but also through the remembrance of tales and timeless communal rituals, which keep the sheep safe from the Devil.

Alike in every single way...with one dark exception. As identical twins, their mother insists that everything about them be identical: their clothes, their toys, their friends...the number of letters in their names: Haylee Blossom Fitzgerald and Kaylee Blossom Fitzgerald. If one gets a hug, the other must, too. If one gets punished, the other must be, too.

After a serious case of school bullying becomes too much to bear, sisters July and September move across the country with their mother to a long-abandoned family home. In their new and unsettling surroundings, July finds that the deep bond she has always had with September - a closeness that not even their mother is allowed to penetrate - is starting to change in ways she cannot entirely understand. Inside the house the tension among the three women builds, while outside the sisters meet a boy who tests the limits of their shared experiences.

The charm of spending the Christmas holidays in South Wales, with its crumbling castles and ancient myths, seems the perfect distraction from the nightmares that have plagued literary agent Lyn Ravenshaw since the loss of her baby five years ago. Instead she meets an emotionally fragile young widow who's convinced that Lyn's recurring dreams have drawn her to Castle Farm for an important purpose - and she's running out of time.

Prof. Ewart Masters spends his convalescence, following a car accident, at the home of his nephew Jason Masters, pursuing his studies of ancient civilizations, during which he makes startling discoveries about the hidden city beneath the Yorkshire moors. His search to unravel the mystery of the green figurines, his efforts to assess the implications of Robert Krug's manuscript, lead ultimately to Devil's Pool and the surviving world of Lh'yib, culminating in a series of dream-like adventures as he wanders through the nightmare corridors of his new environment.

Just beyond the waking edges of Lucerìa, an 18th-century town in the kingdom of Naples, lies the Night: an enigmatic fiefdom governed by seven immortals and fueled by Moira, the power to reshape one’s destiny. On this porous border separating Day from Night, Oriana spends her time fantasizing about becoming a smith in her father’s forge and eavesdropping on whispered tales of beasts and men who roam the nocturnal realm. But in the Night, these stories come alive, as Oriana saw for herself after she inadvertently trespassed into the Secret Market of the Dead.

Strangling vines and meat-hungry flora fill this unruly garden of strange stories, selected for their significance as the seeds of the villainous (or perhaps just misunderstood) 'killer plant' in fiction, film and video games. Step within to marvel at Charlotte Perkins Gilman's giant wisteria and H.G. Wells' hungry orchid; hear the calls of the ethereal women of the wood and the frightful drone of the moaning lily; and do tread carefully around E. Nesbit's wandering creepers. Every strain of vegetable threat can be found within this new collection.

Published in 1820 and written by the Protestant curate Charles Maturin, Melmoth the Wanderer is considered one of the greatest works of Gothic literature. Consisting of a series of stories within stories, the narrative features the scholar John Melmoth, condemned to wander the earth in search of a victim to take his place and free him from his eternal torment.

Years on the run taught me fate always catches up. And that's what happened when Sage Jackson found me. My destiny. My keeper. My father's enforcer. Sage owes the club a favor, and now that I'm back, it's his time to pay up. My freedom for his. A task he's happy to accept when I'm the reason his father is dead.

Harry Adams has always loved horror movies, so it’s not a total coincidence that she took the job cleaning house for movie director Javier Castillo. His forbidding graystone Chicago mansion, Bright Horses, is filled from top to bottom with terrifying props and costumes, as well as glittering awards from his career making films that thrilled audiences—until family tragedy and scandal forced him to vanish from the industry.

Run, run, run! They're chasing me, even into my dreams. And when I awake, I see him. Striking blue eyes with a hint of the devil inside. He's my savior and my worst nightmare combined. Because he owns me. He found me. He saved me. But I don't want to be owned. I want to be free. Even if it kills me.

Eliza lives darkness’ dream. A maid in a great house, owned by indifferent aristocrats, run by their three cruel daughters. Daily beatings, tricks, and cruelties by the Norlane sisters have left Eliza a mute shell, a vacant vessel besieged by fear. Yet, alone as she feels, as small and insignificant as her life seems, something is watching her. Darkness lives in the forbidden forest beyond the neat and orderly civility of Norlane Hall. Wickedness hears Eliza’s silent tears, rises to the vibrations of her body that quivers in terror.

December, 1989, and Ashley Smith - a bright-eyed American studying in London - has unexpectedly been invited by her classmate Emma Chapman to spend Christmas at her family's Cotswolds manor house, Starvewood Hall. The holiday is a true English fantasy: woodland walks, charming pubs and elaborate dinners at the manor, with the added romantic potential of Emma's twin brother, Adam, who feels like Ashley's wildest dreams come true. But is there something strange about the old house, both stately and rundown.

1589. Scottish housemaid Geillis and Danish courtier Margareta lead opposite lives, but they both know one thing: when a man cries “witch”, no woman is safe. Yet when the marriage of King James VI and Princess Anna of Denmark brings Geillis and Margareta together, everything they supposed about good, evil, men, and women, is cast in a strange and brilliant new light. For the first time in history, could black magic – or rumours of it – be a very real tool for women’s political gain?

I ignored Aida's warnings, and now I’m ensnared in a ruthless man’s trap. When I confronted Fabio Alteri, I never anticipated the forbidden twist our encounter would take. Aida advised against it, but fueled by anger and alcohol, I dared to confront the dangerous don. He ripped my friend away from me, his own daughter, and I couldn't bear it. But then, our eyes locked, igniting a fire within my soul. I shouldn't desire this ruthless Sicilian mafia don.