Showing titles in Renaissance

Roma, settembre 1683. In una locanda nel cuore della Città Santa la morte improvvisa di un viaggiatore semina il panico: veleno o peste? Per paura del contagio, gli ospiti vengono rinchiusi in quarantena nelle proprie stanze. Tra loro c'è l'abate Atto Melani, ex cantante castrato e ora agente segreto del Re Sole, deciso a scoprire cosa si celi dietro quella strana morte. Atto dovrà scontrarsi con le reticenze e le paure degli altri ospiti, con lo spettro della peste che aleggia sulla locanda.

Wir schreiben das Jahr 1535. Der Bischof von Münster hat die Stadt von den Wiedertäufern zurückerobert, und auch das Moordorf Ahlbeck, wo der Bauernsohn Ambros Vortkamp mit seinem Vater lebt, ist von dem Aufruhr nicht unberührt geblieben. Ein verwundeter Müller erscheint im Dorf und will die Wassermühle wieder aufbauen, die vor Jahren durch ein Feuer zerstört wurde.

Karwoche 1814. In Europa toben die Befreiungskriege gegen Napoleon, die Welt ist in Aufruhr. Auch das Leben des westfälischen Bauernsohns Jeremias Vogelsang, der sich mit anderen geduldeten Deserteuren in seiner Heimat aufhält, gerät aus den Fugen. Vorgeblich, weil Jeremias desertiert ist, in Wahrheit jedoch, um sich des unerwünschten Liebhabers seiner Tochter zu entledigen, ruft Amtmann Boomkamp zur Hatz auf den "Verräter" auf.

Jane Popyncourt was brought to the court as a child to be ward of the king and a companion to his daughters - the princesses Margaret and Mary. With no money of her own, Jane could not hope for a powerful marriage, or perhaps even marriage at all. But as she grows into a lovely young woman, she still receives flattering attention from the young men flocking to serve the handsome new king, Henry VIII, who has recently married Catherine of Aragon. Then a dashing French prisoner of war, cousin to the king of France, is brought to London, and Jane finds she can't help giving her heart to a man she can never marry.

Stroke by stroke, color by color, the past comes alive as a young woman in Lombardy, Italy, trains to paint with the masters. Will her ambition be too much for them? Or will she secure her place in the world of Renaissance art, despite them? As Sofonisba struggles to make her name, the Spanish empire invades Italy. With Michelangelo as her mentor and her father as her champion, Sofonisba dreams of painting the Spanish king.

In this short prequel to Alison Weir's new novel, Elizabeth of York, The Last White Rose, the young princess is born - and the future of England hangs in the balance. The Palace of Westminster, 1466. As the queen of England lies in her chamber, exhausted from childbirth, the court awaits news of the longed-for heir.

Beatrice yearns to escape the clutches of her abusive father and determined to find a way back to Rome, enlists the help of Olimpio, the castle’s keeper. Soon the love that grows between them will transform Beatrice’s fortunes, for better and for worse. History has sold her short. She is no doe-eyed victim of her father’s brutality, nor the cunning murderer who plotted her father’s demise. No, this Beatrice - a woman pregnant by her lover, incarcerated in a remote castle by her father, and brim-full of white-hot rage - is both innocent and guilty, saint and sinner.

Highland Scotland was no place for a woman in the early 1500s. Life was turbulent and short, battles were waged, and sisters and daughters were traded as pawns in marriage. Catherine Campbell was one such young bride, betrothed to Lachlan Maclean and sent from her fine home to join him on the Isle of Mull, to bear his sons and heirs. But Lachlan proved to be nothing like the man of Catherine’s dreams, and she was forced to resign herself to enduring life with him for the sake of duty. Until the day when he threatened to take away the one thing she couldn’t sacrifice: her daughter.

A Serpent in the Garden is set in London in 1592, with a young Will Shakespeare struggling to pen his newest play, Richard III, made more difficult by the closure of the theatres due to a plague outbreak. Via association with the outspoken Christopher Marlowe, Will is drawn into the shadowy world of Elizabethan espionage. Caught between two of the most powerful men in the country, he’s tasked with uncovering the truth behind the mysterious death of a high-ranking lady and rooting out a suspected Popish plot.

Winter, 1607. A man is struck down in the grounds of Battle Abbey, Sussex. Before dawn breaks, he is dead. Home to the Montagues, Battle has caught the paranoid eye of King James. The Catholic household is rumoured to shelter those loyal to the Pope, disguising them as servants within the abbey walls. And the last man sent to expose them was silenced before his report could reach London. Daniel Pursglove is summoned to infiltrate Battle and find proof of treachery. He soon discovers that nearly everyone at the abbey has something to hide.

Girolamo Savonarola was a Dominican friar living in Florence at the tail end of the fifteenth century. An anti-corruption campaigner his hellfire preaching increasingly spilled over into tirades against all luxuries that tempted people towards sin. These sermons led to the infamous ‘Bonfire of the Vanities'—a series of fires lit throughout Florence for the incineration of everything from books, extravagant clothing, playing cards, musical instruments, make-up and mirrors, to paintings, tapestries and sculptures.

Kit Marlowe: playwright, poet, lover. In the plague-stricken streets of Elizabethan England, Kit flirts with danger, leaving a trail of enemies and old flames in his wake. His plays are a roaring success; he seems destined for greatness. But the queen's eyes are everywhere and the air is laced with paranoia. When Marlowe is arrested on charges of treason, heresy and sodomy—all of which are punishable by death—he is released on bail with the help of Thomas Walsingham, a man he presumes to be his friend, but who has in fact hired the infamous assassin Robin Poley to take care of Marlowe.

In Oberammergau herrscht kurz vor Pfingsten 1670 helle Aufregung. Bei den Proben zum berühmten Passionsspiel wird der Christus-Darsteller tot aufgefunden. Er wurde gekreuzigt. Der Schongauer Henker Jakob Kuisl und der Bader Simon Fronwieser werden um die Aufklärung des Todesfalls gebeten, doch sie stoßen auf eine Wand des Schweigens. Als ein weiterer Darsteller den Märtyrertod stirbt, glauben die Dorfbewohner an eine Strafe Gottes und wollen erst recht nicht mit den beiden Fremden reden.

Un antiquísimo manuscrito desvela en sus páginas la más preciada fórmula alquimista: cómo fabricar oro. El canónigo Armenta tuvo que sufrir grandes avatares para dar con la fórmula, acechado por la Inquisición y por los rumores que le acusaban de practicar brujería. La reaparición casual del libro en Madrid, cinco siglos más tarde, pone en alerta a la CIA, al Mossad y a una poderosa mafia rusa, y activa una trepidante trama de inesperado final.

After centuries locked in an endless cycle of poverty, persecution, and barbarity, Europe has finally emerged into the Age of Enlightenment. Scientists, philosophers, scholars, and poets alike believe this to be a new era of reason and hope for all. But the forces of darkness haven’t completely dissipated, as Spain hunts and butchers any who dare to defy its ironclad Catholic orthodoxy. Only one nation can fight the black shadow that threatens this new age, and that is Britain, now ruled by a brilliant young Queen Elizabeth I.

Alexander “Sander” Cooke is the most celebrated “boy player” in the Chamberlain’s Men, William Shakespeare’s theatre company. Indeed, Sander’s androgynous beauty and deft portrayal of female roles have made him the toast of London, and his companionship is sought by noblewomen and -men alike. And yet, now at the height of his fame, he teeters on the cusp of adulthood, his future uncertain. Often, he wishes he could stop time and remain a boy forever.

Marie, la fille du seigneur de Croixmart, grand chasseur de sorciers et sorcières, au temps de François Ier, consulte une voyante qui lui prédit, entre autres choses, la mort de son père. Marie prévient son père et ce dernier saute sur l'occasion de faire condamner la "sorcière" qui, bientôt, brûle sur le bûcher. La foule, excédée par toutes ces exécutions, attaque le baron de Croixmart et le massacre. Renaud, le fils de la voyante, jure qu'il se vengera de la fille de Croixmart et la tuera.

Il capolavoro della letteratura italiana e la base dell' italiano corretto. L’ascolto ribalterà le cattive impressioni dovute al forzato apprendimento scolastico. Si apprezzerà un romanzo fresco, ironico, di grande spessore spirituale.Di grande attualità; una storia d’amoreAdatto a: tutti, iIn particolare a chi a scuola l’ha detestato e si è sempre chiesto se era un capolavoro oppure no; ai cultori del romanzo storico; a chi ha fede e a chi non ne ha, per un confronto con un’opera dalle infinite sfaccettature.

A marriage of dynasty: that is what is expected of Mary Sidney. A marriage to Sir Henry Herbert, earl of Pembroke, to be precise. But Mary’s sharp mind longs to work on her writing and translation projects and perhaps learn more of the alchemical arts at the elbow of the dazzling Walter Raleigh. Rose Commin, a young country girl with a surprising talent for drawing, is desperate to shrug off the slurs of witchcraft which have tarnished life at home. The opportunity to work at Wilton House, the Herbert’s Wiltshire home, is her chance.

Orphaned at birth, Eliza lives with her beloved Grandparents in a waterlogged Somerset cottage surrounded by willow beds where she ekes out a living making laundry baskets and eel traps. Although poor she is content, until childhood friend Clem regales her with tales of his adventures along the river and she begins to wonder what life is like beyond the Droves. When fate brings handsome, wealthy Theo to her workshop she is instantly attracted and a rosy future beyond the Droves beckons.