Showing titles in Urban

Maggie is 30, pregnant and broke. Faced with moving back to the town she fought to escape, she’s wondering if having a baby with boyfriend Ed will be the last spontaneous act of her life. Ed, meanwhile, is trying to run from his past with Maggie’s best friend Phil and harbouring secret dreams of his own. Phil hates his office job and is living for the weekend, while falling for his housemate, Keith. But there’s a problem: Keith has a boyfriend and there might not be room for three people in the relationship.

Dimple, Nikisha, Danny, Lizzie and Prynce are half-siblings who don't have much in common except abandonment issues. But when a catastrophic event forces them to reconnect with each other and with Cyril Pennington, the absent father they never really knew, things start to get complicated fast . . .

In therapy, they tell you to use your senses. List the things you know: Sermons recited with malice. A blood-soaked ritual. The sting of tears and gasping sobs of the dying. Rotting flesh. I grew up in a cage, tortured by the Lord Almighty's most twisted servant. Death and despair became my close companions as I watched years of slaughter at Pastor Michaels’ hand. Eighteen girls. Dead. Eighteen lives. Ended. Eighteen futures. Stolen.

Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.

Lydia imagines her new job running a Senior Citizen's Social Club three afternoons a week will involve drinking tea while playing gentle games of cards, listening to The Beatles and reminiscing about food rationing and The Blitz. She does not expect to find a failed actor addicted to shoplifting, a woman who's been hiding from a mysterious and very chequered past, and a prolific yarn-bomber. After a tragic accident means the council threatens to sell the community centre, the Social Club, aided by their friends in the nursery next door and a geriatric orphaned mongrel, set out to save it.

As Mara and Tom navigate their break-up/non-break-up, Mara becomes fixated on the perfect couple living in the flat above her. While her best friend accuses her of being self-involved and her already overfamiliar boss keeps getting her drunker and drunker, the Happy Couple become a symbol for everything Mara and Tom could have been – but, crucially, are not.

When elderly George Rainsford goes to investigate a suspicious noise one night, the last thing he expects to find is a bloodbath. A man has been killed and a woman brutally beaten, left for dead. The victims are Lois Craven and Kevin Hardaker - both married, but not to each other. Their spouses swear they knew nothing of the affair, and, besides, they both have alibis for the attack. With nothing else to link the victims, the investigation hits a dead end.

Two rural families flee to the city and find themselves sharing a great, breathing, shuddering joint called Cloudstreet, where they begin their lives from scratch. For 20 years they roister and rankle, laugh and curse until the roof over their heads becomes a home for their hearts.

One wild night gave me more than just regrets. Six years ago, I walked away from Igor Sokolov—New York’s most dangerous Bratva prince—and vowed never to look back. Or so I thought. Now, he’s found me. And worse, he’s discovered my biggest secret: our daughter. Igor doesn’t ask. He takes. With ruthless determination, he drags us back to New York, claiming it’s the only way to keep us safe. Safe from his enemies, maybe. But not from him. He’s possessive, demanding, and dangerously irresistible. And he’s made one thing crystal clear: I’m his.

Like currency, I’ve become part of a transaction. Blade took me to pay off a debt. I try to tell myself, Eve, you should hate him. He’s a bad guy. But then again, I’m not a good girl. Blade’s the president of the Disciples, the notorious motorcycle club. I should be frightened, yet somehow, he doesn’t scare me. If anything, I think I scare him.

Ever dreamed of starting over? Issy Randall can bake. No, more than that - Issy can create stunning, mouth-wateringly divine cakes. After a childhood spent in her beloved Grampa Joe’s bakery she has undoubtedly inherited his talent. So when she’s made redundant from her safe but dull City job, Issy decides to seize the moment and open up her own café. It should be a piece of cake, right?

Rachel is 24, a lapsed Jew who has made calorie restriction her religion. By day, she maintains an illusion of control by way of obsessive food rituals. At night, she pedals nowhere on the elliptical machine. Then Rachel meets Miriam, a young Orthodox-Jewish woman intent upon feeding her. Rachel is suddenly and powerfully entranced by Miriam - by her sundaes and her body, her faith and her family - and as the two grow closer, Rachel embarks on a journey marked by mirrors, mysticism, mothers, milk and honey.

The protagonist is Charles Croker, once a college football star, now a late-middle-aged Atlanta real-estate entrepreneur turned conglomerate king, whose expansionist ambitions and outsize ego have at last hit up against reality. Charlie has a 28,000-acre quail-shooting plantation, a young and demanding second wife—and a half-empty office tower with a staggering load of debt. When star running back Fareek Fanon—the pride of one of Atlanta's grimmest slums—is accused of raping an Atlanta blueblood's daughter, the city's delicate racial balance is shattered overnight.

Beginning eight years ago on the outskirts of Birmingham, where car factories have been replaced by Poundland, and London, where frenzied riots give way to Olympic fever, Middle England follows a brilliantly vivid cast of characters through a time of immense change.

Mickey Haller is a Lincoln Lawyer, a criminal defense attorney who operates out of the backseat of his Lincoln Town Car, traveling between the far-flung courthouses of Los Angeles to defend clients of every kind. Bikers, con artists, drunk drivers, drug dealers - they're all on Mickey Haller's client list. For him, the law is rarely about guilt or innocence; it's about negotiation and manipulation. Sometimes it's even about justice.

DCI Matilda Darke has returned to work after a nine-month absence. A shadow of her former self, she is tasked with reopening a cold case: the terrifyingly brutal murders of Miranda and Stefan Harkness. The only witness was their 11-year-old son, Jonathan, who was too deeply traumatised to speak a word. Then a dead body is discovered, and the investigation leads back to Matilda's case. Suddenly the past and present converge, and it seems a killer may have come back for more....

After scheming his way to power in House of Cards, Francis Urquhart made a triumphant return in To Play the King - a Sunday Times number one best-seller that became a BBC TV series, with Ian Richardson resuming his award-winning role as Francis Urquhart, and a hugely successful Netflix series.

Years on from Trainspotting Sick Boy is back in Edinburgh after a long spell in London. Having failed spectacularly as a hustler, pimp, husband, father and businessman, Sick Boy taps into an opportunity which to him represents one last throw of the dice. However, to realise his ambitions within the Adult industries, Sick Boy must team up with old pal and fellow exile Mark Renton.

After their treacherous trip from Utah to California, Matt, Jessica and their friends can finally take a breath. The Miller’s farm in the San Joaquin Valley seems like the perfect place to create a new home. That is, until they find out what the Emperors are up to.

A security gaurd, a feisty elderly woman, a passive son, a deranged gunman and one tragic event. A short story about a single event told in four different perspectives.