Showing results by publisher "Audible Studios" in Psychological

In the Forest, set in the west of Ireland, is the story of a young man who shoots dead three people in a forest glade. The young man, Mich O'Kane, is "not all there in the head" as one character puts it. By puberty, he is already committing petty crimes, ending up in borstal. By the time he is back home he has also served time in a British jail and is an institutionalised criminal.

New to town and delusionally confident, Slide imagined himself living in a glossy building with doormen and sweeping views of the skyline. Instead he's landed in a creaking, stuffy apartment with two roommates: a loping giant who hardly leaves his room, and a weight-obsessed neurotic who keeps no fewer than forty-seven lamps throughout the house, blazing at all hours. Unwilling to accept this fate, Slide—a barber with an opaque past—embarks on a quest for the perfect apartment, pinballing through the sprawling, madcap city of Polis and its endless procession of neighborhoods.

Barnes, the supervisor of a Hot Shot wildfire suppression crew, is haunted by the season past, when many members of his dedicated, young team were killed in a Colorado forest fire that went all wrong, scorching the Hot Shots as they fled, some as they struggled into their fire shelters. He wakes each morning in the presence of their ghosts as they proceed across his bedroom or assemble at his kitchen table, their eyes asking questions that he cannot answer.

Jack Slade and Sam Healey, flying partners during World War II, establish a bush pilot business in Alaska after the war. When their C-47 Dakota is forced down on a glacier by a wolverine in the cargo deck that breaks out of its cage, they discover a valley that offers the realization each man's dreams. To Jack Slade, it’s the ideal place to homestead, raise a family, and live simply as a professional hunting and fishing guide; to Healey, the pool of crude oil he locates under the glacial ice promises the wealth he always wanted.

The Fighter is a brilliant novel set against the dark and desolate backdrop of the Mississippi Delta, where Jack the Jaw, a washed-up bare-knuckle fighter, battles against decades of booze and drug abuse as he returns home to try to save all he has lost. The acres of fertile soil, the 200-year-old house, all gone. And so is the woman who gave it to him, the foster mother who now rests in hospice care, her mind eroded by dementia, the family legacy she entrusted to Jack now owned by banks and strangers.

Seventeen-year-old Tyler lives in one of Edinburgh’s most deprived areas. Coerced into robbing rich people’s homes by his bullying older siblings, he’s also trying to care for his little sister and his drug-addict mum. On a job, his brother Barry stabs a homeowner and leaves her for dead, but that’s just the beginning of their nightmare, because the woman is the wife of Edinburgh’s biggest crime lord, Deke Holt.

When reclusive novelist Senna Richards wakes up on her 33rd birthday, everything has changed. Caged behind an electrical fence, locked in a house in the middle of the snow, Senna is left to decode the clues to find out why she was taken. If she wants her freedom, she has to take a close look at her past. But, her past has a heartbeat... and her kidnapper is nowhere to be found. With her survival hanging by a thread, Senna soon realizes this is a game. A dangerous one. Only the truth can set her free.

Eva and Simon have spent most of their adult lives together. He is a physician and she is a teacher, and they have three grown daughters and a comfortable home. Yet what binds them together isn’t only affection and solidarity but also the painful facts of their respective histories, which they keep hidden even from their own children. But after the abrupt dismissal of their housekeeper and Simon’s increasing withdrawal into himself, the past can no longer be repressed.

Set in the American Midwest and Southwest, the novel opens in 1976, when the young teenage protagonist, Erica, is in a psychiatric hospital following a suicide attempt. In the present day, Erica, now in her 50s, takes a phone call at work telling her that her mother has died. From this point the story moves backwards in time, with each chapter shedding light - and dramatic irony - on those it follows. This mother-daughter relationship seesaws.

Morris Duckworth teaches English to the pampered rich of Verona, and Morris is not pleased. Living a meager existence in a squalid apartment, he regards his privileged students with envy and disdain, first wreaking revenge by petty theft and then, like all good criminals, graduating to grander larceny. When one of those students, a beautiful but vapid heiress named Massimina, falls in love with him, Morris can almost smell upward mobility.

Therese Wolley is a mother who has made a promise. She works as a secretary, shops for groceries on Saturdays, and takes care of her two girls. She doesn’t dwell on the fact that her girls are fatherless, mostly because her own father abandoned her before she was born and she has done just fine without him. Even though her older daughter regularly wakes with nightmares and her younger one whispers letters under her breath, she doesn't shift from her resolve that everything will be fine.

Stevie is a kiler. But she brings her victims back to life again, to demand, "What Do You See?" Now she's about to find out for herself. After an accident in which her mother dies, Stevie has a near-death experience, and finds herself in a room full of people - everyone she's ever annoyed. They clutch at her, scratch and tear at her. But she finds herself drawn back to this place, again and again, determined to unlock its secrets. Which means she has to die, again and again. And Stevie starts to wonder whether other people see the same room...when they die.

A woman falling out of sync with the world; a king’s servant hypnotized by his murderous horse; a transplanted ear with a mind of its own—the characters in these 25 stories live as interlopers in a world shaped by mysterious disappearances and unfathomable discrepancies between the real and imagined, revealing the breadth and depth of Evenson’s uncanny vision.

The charm of spending the Christmas holidays in South Wales, with its crumbling castles and ancient myths, seems the perfect distraction from the nightmares that have plagued literary agent Lyn Ravenshaw since the loss of her baby five years ago. Instead she meets an emotionally fragile young widow who's convinced that Lyn's recurring dreams have drawn her to Castle Farm for an important purpose - and she's running out of time.

Beverley may be close to ninety, but when her granddaughter announces her plans to leave home and husband for a glamorous actor, she’s already considering how she can stir up a little trouble. And so are the kehua outside. Quite how these Maori ghosts arrived outside the kitchen window is the origin of your writer’s tale. Suffice to say that everyone is haunted by the traumas of the past, that Beverley’s female bloodline carry a weighty spiritual burden - and that murder is at the root of it all....

The obituaries for Gerald Candless were respectful. He had been, after all, an admired and popular writer, and his sudden death at his home in Devon was a loss to literature as well as to his family and friends. The trouble was, as his daughter Sarah soon discovered, that it seemed that her father had taken on a different identity that he wasn't Gerald Candless at all. But if he wasn't Gerald Candless, who was he?

They called them the Orchid Girls. Grace. Molly. Charlotte. One of them is in love. One of them is a liar. One of them is dead. On a jagged Dorset cliff, wind whipping their hair, waves crashing on the rocks below, three friends became two when Charlotte’s body was pulled out of the sea. Fifteen years later Grace and Molly are worlds apart. Grace has a glittering career and a loving husband. Molly is a lonely, unemployed alcoholic. Grace has everything to lose. Molly has nothing.

Every year on the same day, on the anniversary, I receive a single black rose. Thirteen years of dark petals, jagged thorns, dredging up memories I’ve tried to forget. I’ve packed up my life. All my belongings are carefully sealed, my suitcases ready for my big move. I’m just days away from a new life abroad with my boyfriend, Ben. No one knows the real reason I’m desperate to leave. My best friend, Lena, is throwing me a leaving party. A celebration, to say goodbye. Champagne to toast my farewell. Speeches, full of fond memories. No one knows what I’m running from.

When Eleanor Harper becomes the director of a renowned artists' retreat, she knows nothing of Cliffside Manor's dark past as a tuberculosis sanatorium, a "waiting room for death". After years of covering murder and violence as a crime reporter, Eleanor hopes that being around artists and writers in this new job will be a peaceful retreat for her as much as for them.

In 1968, after the first zombie outbreak, Wanda Mayhall and her three young daughters discover the body of a teenage mother during a snowstorm. Wrapped in the woman's arms is a baby - stone-cold, not breathing, and without a pulse. But then his eyes open and look up at Wanda, and he begins to move.The family hides the child - whom they name Stony - rather than turn him over to authorities who would destroy him. Against all scientific reason, the undead boy begins to grow....