Showing titles in Psychological

He’s as handsome as I remember: broad shoulders, piercing blue eyes, hair the color of burnt toffee. The man who once meant the world to me. The reason I fled 11 years ago. I’ve never told anyone the terrible mistake I made that night. The secret we share. I’m still haunted by the crashing waves at the bottom of the cliffs, the blood.... But what is he doing at my sister’s house?

In his debut collection of short stories, Robert Sheehan disappears into characters, challenging the complacencies of everyday experience, often from entirely unexpected angles. Informed by the author’s peripatetic life, Disappearing Act reflects on the absurdity of human behaviour. Sheehan delves deep into his characters’ streams of self-talk and self-imposed delusions, exploring the dark impulses that lurk below the shiny surfaces of many outwardly normal lives.

Eighteen years ago Simone Porter's six-month-old daughter, Helena, was abducted. Simone and husband Matt have slowly rebuilt their shattered lives, but the pain at losing their child has never left them. Then a young woman, Grace, appears out of the blue and tells Simone she has information about her stolen baby. But just who is Grace - and can Simone trust her? When Grace herself disappears, Simone becomes embroiled in a desperate search for her baby and the woman who has vital clues about her whereabouts.

This is Nadia. She is fiercely independent, with an excellent sense of humour and a love of smoking alone on her balcony late at night. This is Saeed. He is sweet and shy and kind to strangers. He also has a balcony but he uses his for stargazing. This is their story: a love story, but also a story about how we live now and how we might live tomorrow.

Mark and Melissa Cain are thrilled to have found Jade, a babysitter who is brilliant with their young children. Having seen her own house burn to the ground, Jade needs them as much as they need her. Moving Jade into the family home can only be a good thing, can’t it? As Mark works long hours as a police officer and Melissa struggles with running a business, the family become ever more reliant on their babysitter, who is only too happy to help. And as Melissa begins to slip into depression, it’s Jade who is left picking up the pieces. But Mark soon notices things aren’t quite as they seem. Things at home feel wrong, and as Mark begins to investigate their seemingly perfect sitter, what he discovers shocks him to his core. He’s met Jade before. And now he suspects he might know what she wants.

A woman's teenage son takes his own life. It is incomprehensible. The woman is a writer, and so she attempts to comprehend her grief in the space she knows best: on the page, as an imagined conversation with the child she has lost. He is as sharp and funny and serious in death as he was in life, and he will speak back to her, unable to offer explanation or solace but not yet, not quite, gone.

Carolyn, Bronnie, Elise, and Kendall are bound together by one thing - their four daughters are best friends at the highly competitive Orla Flynn Academy for the Performing Arts. Last year the foursome exploded because of brutal bullying between the girls, but they've since forgiven each other. The mothers, however, haven't been able to move on. When new threats surface and 'accidents' begin to happen - just as a mysterious new girl enters the scene - the mothers take matters into their own hands.

Eleven-year-old Anna O'Donnell stops eating, but remains miraculously alive and well. A nurse, sent to investigate whether she is a fraud, meets a journalist hungry for a story. Set in the Irish Midlands in the 1850s, Emma Donoghue's The Wonder – inspired by numerous European and North American cases of 'fasting girls' between the sixteenth century and the twentieth – is a psychological thriller about a child's murder threatening to happen in slow motion before our eyes.

Maddie and Kiara have been best friends since they met on their first day at university. They have always shared everything with each other--everything except one big secret, which Kiara knows would tear them apart…. When the police knock on Maddie’s front door as she and husband Nick are getting ready for the morning school run, she’s not expecting to hear what they have to tell her. Kiara is dead.

Nicholas has plenty of reasons to feel unstable: he’s fifteen, the child of divorced parents, living with his absent dad in the bleak Chicago suburbs, and an outsider at school. Then, one day in geometry class, he forgets how to breathe. The doctor says it’s just panic, but Nicholas suspects that his real problem might not be a psychiatric one: maybe the Greek god Pan is trapped inside his body.

Rachel's husband adores her. When she hit rock bottom, he was there with her every step of the way as she slowly regained her confidence, and her sanity. But his mysterious behaviour forces her to probe for the truth about her beloved husband. How can she feel certain that she ever knew him? And was she right to ever trust him?

Martin Gilmour is an outsider. When he wins a scholarship to Burtonbury School, he doesn't wear the right clothes or speak with the right kind of accent. But then he meets the dazzling, popular and wealthy Ben Fitzmaurice and gains admission to an exclusive world. Soon Martin is enjoying tennis parties and Easter egg hunts at the Fitzmaurice family's estate, as Ben becomes the brother he never had.

A sniper opens fire on a crowded Californian schoolyard but is killed before any children are harmed. When the sniper’s identity is revealed, a media frenzy erupts – why would they want to take innocent lives? Psychologist Alex Delaware is brought in to help the kids cope with the ordeal but is quickly drawn into exploring the motives of the would-be assassin. Alex soon finds himself on a bloody and twisted trail into the world of political extremism from which there may be no way back…

Growing up abandoned by her father and raised by a single mother, Celeste was determined to create the perfect family - but even perfect families have secrets. Her days are filled with a rewarding career, a devoted husband, and her four-year-old daughter. Celeste is the only one who knows the precarious house of cards her family is built upon - until the day her daughter falls critically ill. Then her world quickly spirals out of control, her secret threatening to destroy her marriage, family, reputation, and sanity.

This dark psychological fantasy is more than a moral tale. It is also a product of its time, drawing on contemporary theories of class, evolution and criminality, and the secret lives behind Victorian propriety, to create a unique form of urban Gothic.

There is something truly wrong at Boucher House on the Old Pearl River. Some hidden evil lurking deep inside the woods. Nothing about their blissful life is what it seems. Because just when they think they have it all, he shows up to take it back....

With his marriage over and his career in freefall, journalist Tom decides to reconnect with his fourteen-year-old daughter, Frankie. Desperate to spend precious time together now that they live an ocean apart, he brings her to Hollow Falls, a cabin resort deep in the woods of Maine. From the outset there’s something a little eerie about the place - strange whispers in the trees, windchimes echoing through the forest - but when Tom meets true-crime podcasters David and Connie, he receives a chilling warning. Hollow Falls has a gruesome history.

Conducting a strange and urgent experiment on the Arctic icefield, a team of scientists has planted sixty powerful explosive charges that will detonate at midnight. Before they can withdraw to the safety of their base camp, a shattering tidal wave breaks loose the ice on which they are working. Now they are hopelessly marooned on an iceberg during a violent winter storm. The bombs beneath them are buried irretrievably deep...and ticking. And they discover that one of them is an assassin with a mission of his own.

My son has been taken. And I’ve been given a choice.... Kill a patient on the operating table. Or never see him again. The man lies on the table in front of me. As a surgeon, it’s my job to save him. As a mother, I know I must kill him. You might think that I’m a monster. But there really is only one choice. I must get away with murder. Or I will never see my son again.

Stacy Keach and Jane Kaczmarek star in this 1949 masterpiece by Arthur Miller, a searing portrait of the physical, emotional, and psychological costs of the American dream. Willy Loman (Keach) is the play's iconic traveling salesman, whose family is torn apart by his desperate obsession with greatness and social acceptance. As his two sons cast about aimlessly for their station in life, Willy begins to come unraveled when the reality of his life threatens his long-cherished illusions.