Showing titles in Contemporary Fiction

Edwina Dawling is the golden girl of Australian television. The former pop singer is now the country's most popular actress, an international star thanks to the hit TV soap The Glitter Game. But behind the seductive glamour of television is a cutthroat world where careers are made or destroyed with a word in the right ear...or a night in the right bed. Where success breeds envy and corruption, concealed in the flashing smiles at every premier event, every party.

Luke and Anna, 30-something and restless, decide on a sea change. Worn down by city life and wounded by a loss neither can talk about, they flee to a sleepy village by the coast. There, surrounded by nature, they begin to feel rejuvenated. But when bushfire threatens their new home, they must confront what they have tried to put behind them. Vertigo is a fable of love and awakening by one of Australia's finest writers, about the unexpected way emotions can return and life can change.

Einer der Größten des Kinos, vielleicht der größte Regisseur seiner Epoche: Zur Machtergreifung dreht G.W. Pabst in Frankreich; vor den Gräueln des neuen Deutschlands flieht er nach Hollywood. Aber unter der blendenden Sonne Kaliforniens sieht der weltberühmte Regisseur mit einem Mal aus wie ein Zwerg. Nicht einmal Greta Garbo, die er unsterblich gemacht hat, kann ihm helfen. Und so findet Pabst sich, fast wie ohne eigenes Zutun, in seiner Heimat Österreich wieder, die nun Ostmark heißt.

In 1796, a young cabin boy, Will Martin, goes on a voyage of discovery in the Tom Thumb with Matthew Flinders and Mr. Bass: two men and a boy in a tiny boat on an exploratory journey south from Sydney Cove to the Illawarra, full of hope and dreams, daring and fearfulness. Set on the banks of Lake Illawarra and spanning four centuries, Storyland is a unique and compelling novel of people and place which tells the story of Australia. All these characters are all connected—not only through the same land and water, but also by tendrils of blood, history, memory and property.

Historian Anna Bennett has a book to write. She also has an insomniac toddler, a precocious, death-obsessed seven-year-old, and a frequently-absent ecologist husband who has brought them all to Colsay, a desolate island in the Hebrides, so he can count the puffins. Ferociously sleep-deprived, torn between mothering and her desire for the pleasures of work and solitude, Anna becomes haunted by the discovery of a baby's skeleton in the garden of their house.

"I'll see you in twenty-five years." Laura Palmer. "Also, ich musste wieder auf ein paar Tage nach Zürich. Es war ganz schrecklich. Aus Nervosität darüber hatte ich mich das gesamte verlängerte Wochenende über so unwohl gefühlt, dass ich unter starker Verstopfung litt. Dazu muss ich sagen, dass ich vor einem Vierteljahrhundert eine Geschichte geschrieben hatte, die ich aus irgendeinem Grund, der mir nun nicht mehr einfällt, 'Faserland' genannt hatte. Es endet in Zürich, sozusagen auf dem Zürichsee, relativ traumatisch."

Etta Bancroft - sweet, kind, still beautiful - adores racing and harbours a crush on one of its stars, the handsome high-handed owner-trainer Rupert Campbell-Black. When her bullying husband dies, Etta‘s selfish, ambitious children drag her from her lovely Dorset house to live in a hideous modern bungalow in the Cotswold village of Willowwood and to act as an unpaid Nanny to their children.Her neighbour, powerful tycoon and ex-footballer Valent Edwards, has bought the big house next door.

Olivier is a young aristocrat, one of an endangered species born in France just after the Revolution. Parrot, the son of an itinerant English printer, wanted to be an artist but has ended up in middle age as a servant. When Olivier sets sail for the New World - ostensibly to study its prisons, but in reality to avoid yet another revolution - Parrot is sent with him, as spy, protector, foe and foil.

Twenty-five-year-old Jinni lives in Mumbai, works in a hip animation studio and is perfectly happy with her carefree and independent existence. Until her bossy grandmother shows up and announces that it is Jinni s 'duty' to drop everything and come and contest the upcoming Lok Sabha elections from their sleepy hometown, Bittora.

Michael Cunningham's luminous, compassionate new novel begins with a vision. It's November 2004. Barrett Meeks, having lost love yet again, is walking through Central Park when he is suddenly and inexplicably inspired to look up at the sky, where he sees a pale, translucent light that seems to regard him in a distinctly godlike way. Although Barrett doesn't believe in visions - or in god, for that matter - he can't deny what he's seen.

De sa plume inimitable, Christian Signol dessine avec tendresse et justesse une fresque de la société française, des années 60 à nos jours, au cœur d’une famille traversant à la fois des évènements historiques marquants et des drames et bonheurs de la vie de tous les jours.

It's the summer holidays and eleven-year-old loner, Seymour, lodged with a fussy guardian in an inner-city suburb, is bored and unhappy in his confined world. By chance he meets Angie, beautiful, charismatic Angie. He is bewitched, and his world is opened as she takes him on unexpected holiday outings and shopping sprees. Angie, however, is not what she seems.

Winona is a young Lakota orphan adopted by former soldiers Thomas McNulty and John Cole. Living with Thomas and John on the farm they work in 1870s Tennessee, she is educated and loved, forging a life for herself beyond the violence and dispossession of her past. But the fragile harmony of her unlikely family unit, in the aftermath of the Civil War, is soon threatened by a further traumatic event, one which Winona struggles to confront, let alone understand.

Der junge Arzt Dr. Roy Basch verbringt sein erstes Praxisjahr im "House of God". Voller Enthusiasmus und Erwartungen, beseelt von dem Wunsch, zu helfen und zu heilen, muss er im Alltag bald erkennen, dass die Medizin ein dreckiges Geschäft ist. Verstört und desillusioniert versuchen er und seine jungen Kollegen, sich einen letzten Rest an Nächstenliebe zu bewahren. Drastisch und makaber stellt Shem einen bis heute vollkommen normalen Krankenhausalltag dar, in dem ein einzelner Mensch wenig, Profit dagegen alles zählt.

「島崎、わたしはこの夏を西武に捧げようと思う」。各界から絶賛の声続々、いまだかつてない青春小説！2020年、中２の夏休みの始まりに、幼馴染の成瀬がまた変なことを言い出した。

Als Jack und Elizabeth 1993 ein Paar werden, spricht alles gegen sie. Doch der junge Fotograf mit den bäuerlichen Wurzeln und die Psychologiestudentin aus gutem Hause heiraten – und erleben in der vibrierenden Kunstszene Chicagos aufregende erste Jahre. Doch nicht alles läuft glatt. Inmitten von Achtsamkeitsseminaren, polyamourösen Bekanntschaften und schrillen Immobilienträumen droht ihre Ehe zu scheitern.

「人が死ぬのって、素敵よね」彼女は僕のすぐ耳もとでしゃべっていたので、その言葉はあたたかい湿った息と一緒に僕の体内にそっともぐりこんできた。

Here is a bold and dazzling new story from the controversial creator of A Million Little Pieces. Welcome to Los Angeles, City of Contradictions. It is home to movie stars and down-and-outs. Palm-lined beaches and gridlock. Shopping sprees and gun sprees.

From the best-selling author of The Ice Cream Girls, The Woman He Loved Before, and My Best Friend's Girl, an emotional story about love, identity, and the meaning of family. ‘Where are you coming from with that accent of yours?’ he asks. ‘Nowhere,’ I reply. ‘I’m from nowhere.’ ‘Everyone’s from somewhere,’ he says. ‘Not me,’ I reply silently. Clemency Smittson was adopted as a baby, and the only connection she has to her birth mother is a cardboard box hand decorated with butterflies.

Helen Grant is a mystery to her daughter. An extrovert with few friends who has sought intimacy in the wrong places; a twice-divorced mother-of-two now living alone surrounded by her memories, Helen (known to her acquaintances as 'Hen') has always haunted Bridget. Now, Bridget is an academic in her forties. She sees Helen once a year, and considers the problem to be contained. As she looks back on their tumultuous relationship - the performances and small deceptions - she tries to reckon with the cruelties inflicted on both sides. But when Helen makes it clear that she wants more, it seems an old struggle will have to be replayed.