Showing titles in Coming of Age

Tristan's Folly. An ageing fortress built over 50 years ago to repel the invading hordes of the Witch-King, Daleth, an invasion that never materialized - until now. Now the stronghold is a crumbling reflection of its former might, with a mere 1,500 men all that stand between Daleth's savage horde of a hundred thousand, and certain doom.

I found Reed and loved him more than I loved myself. We were young... beautiful... entitled. Money and private schools, our families' lavish parties, and posh New York City apartments - it was all mere window dressing. What was real was our obsessive love, which grew right along with us as we moved toward adulthood. It consumed me, and only in his arms did I feel wanted and safe. But I have a secret. It's big and, to some, unforgivable. And it's why I let Reed destroy me, or maybe I destroyed us.

Marianne Clifford, 15, only child of a peppery army colonel and his vain wife, Lal, falls helplessly and absolutely for Simon Hurst, 18, whose cleverness and physical beauty suggest that he will go forward into a successful and monied future, helped on by doting parents. But fate intervenes. Simon's plans are blown off course, and Marianne is forced to bury her dreams of a future together. Narrating her own story, characterising herself as ignorant and unworthy, Marianne's telling use of irony and smart thinking gradually suggest to us that she has underestimated her own worth.

Samantha passionately hopes that her dreams of becoming an artist are more than girlish fancy. All she has to do for them to come true is change her major from accounting to art, but she fears her parents will fly off the handle when she reveals her intentions. Christos Manos, the ultimate bad-boy boyfriend, is committed to staying by Samantha's side, nurturing her and helping her discover her potential, no matter what obstacles are thrown in her way.

Italy, 1950. The dawn of a new decade brings with it the promise of lasting peace and prosperity as the hardships of war are consigned to the past. In Pieve Santa Clara, a tiny village in rural Lombardy, Graziella Ponti, now a teenager, lives a simple life with her widowed mother and aunt. But Italy is transforming around Graziella at great speed and, as her childhood gives way to the start of her womanhood, she must learn to navigate this ever-changing new world.

Lucas, the star quarterback, seems to have it all—superstar athletic abilities, expensive clothes, cars, and women who will stop at nothing to be his, if only for a night. Tessa is a young woman who lives her life always doing what is right. She tries desperately to hold herself accountable to the demanding expectations of her family, and everyone around her, while remaining virtuous. However, when two worlds collide, sparks fly and ignite in a fiery passion that neither Lucas nor especially Tessa are ready for. Will the fire and passion of first love win, or will it destroy them?

Stella Shakespeare isn’t having a good day, or month come to think of it. She’s been unceremoniously dumped by her boyfriend, cut off from the bank of dad and at at thirty-two years old, she doesn’t know what she’s doing with her life. What Stella really wants is to find love. She wants all-consuming, can’t-think-about-anything-else, can’t-even-manage-to-eat kind of love. What she found beside her in bed that morning wasn’t love. But when a tall, handsome man in a well-fitting suit walks into her life, she thinks she’s finally found The One.

Charlotte ('Lot') and Ellen ('Nelly') are sisters who were once so close a Venn diagram of the two would have formed a circle. But a great deal has changed since their mother's death, years before. Clever, beautiful, gentle Lot has been unfailingly dutiful - basically a disaster of an older sister for much younger Nelly, still haunted by their mother in her early thirties. When the pair meet at a silent retreat in a strange old house in the Tasmanian countryside, the spectres of memory are unleashed.

Miscellaneous “Lanie” Stones is the necromancer that Doédenna, god of Death, has been praying for. True, she's always been more interested in books and pastries than in creating abominations and raising armies of the undead. But still—she lives to love and serve Saint Death. And damn it duodecifold, Saint Death needs her! Lanie has many talents—her powers of death magic are growing more complex and stranger every day—but first and foremost is her ability to lay the unrestful dead to their unending slumber.

Rosie Jones has been dumped by every boyfriend she’s ever had - most recently by Dinosaur Dave, live on TV, during the ‘phone-a-friend’ segment of a quiz show. After the footage goes viral Rosie receives a bunch of flowers with a message: I love you, I should have never let you go, I want you back x But who sent them?

Eight-year-old Kahu craves her great-grandfather's love and attention. But he is focused on his duties as chief of a Maori tribe in Whangara, on the East Coast of New Zealand - a tribe that claims descent from the legendary 'whale rider'. In every generation since the whale rider, a male has inherited the title of chief. But now there is no male heir - there's only Kahu. She should be the next in line for the title, but her great-grandfather is blinded by tradition and sees no use for a girl. Kahu will not be ignored.

When Cara stumbles across a stash of old postcards in the attic, their contents make her question everything she thought she knew. The story she pieces together is confusing and unsettling, and appears to have been patched over with lies. But who can tell her the truth? With her father sinking into Alzheimer’s and her brother reluctant to help, it seems Cara will never find the answers to her questions. One thing is clear, though: someone knows more than they’re letting on.

On a summer evening in 1931, Lilly Blackwood glimpses circus lights from the grimy window of her attic bedroom. Lilly isn't allowed to explore the meadows around Blackwood Manor. She's never even ventured beyond her narrow room. Momma insists it's for Lilly's own protection, that people would be afraid if they saw her. But on this unforgettable night, Lilly is taken outside for the first time - and sold to the circus sideshow.

Eighteen-year-old Debbie White lives on a dairy farm with her mother, Maeve, and her uncle, Billy. Billy sleeps out in a caravan in the garden with a bottle of whiskey and the stars overhead for company. Maeve spends her days recording her dreams, which she believes to be prophecies. This world is Debbie's normal, but she is about to step into life as a student at Trinity College in Dublin. As she navigates between sophisticated new friends and the family bubble, things begin to unravel. Maeve's eccentricity tilts into something darker, while Billy's drinking gets worse.

Elvira Carr is 27 and neuro-atypical. Her father - whom she suspects was in the secret service - has passed away and, after several Unfortunate Incidents growing up, she now spends most of her time at home with her overbearing mother. But when her mother has a stroke, Elvira is suddenly forced to look after herself or risk ending up in sheltered accommodation. Armed with her Seven Rules, which she puts together after online research, Elvira hopes to learn how to navigate a world that's full of people she doesn't understand.

When his grandfather dies, a boy named Jay travels south with his family to the property he left them, a once flourishing farm that has fallen into disrepair. The trees are diseased, the fields parched from months of drought. Still, Jay’s father, Jack, sends him out to work the land, or whatever land is left. Over the course of these hot, dense days, Jay finds himself drawn to Chuan, the local son of the farm’s manager, different from him in every way except for one.

Like stars in the night sky, freckles are scattered across Allegra Bird’s arms, a legacy from her beloved father. Her legacy from her mother is more complicated–until one question from a stranger inspires a change. What if it isn’t about fitting in, but finding the people who make you who you are? Who would those people be? As she searches for connection, Allegra is about to find out that it is our differences that make life worth living–if only someone can help you to join the dots . . .

Seven years have passed since Mordecai’s battle with the Shining God, Celior. Since that time, his control of his abilities has vastly improved. He has, at last, envisioned a use for the ‘God-Stone’, but the gods want vengeance and now seek to destroy everything he has built. The secrets of the past threaten the future of his kingdom, his family, and perhaps humanity itself, unless Mordecai can discover the meaning of ‘Illeniel’s Doom’.

Penguin presents the audiobook edition of On the Bright Side by Hendrik Groen, read by Patrick Ryecart. Everyone's favourite octogenarian is back and - together with the Old-But-Not-Dead Club - is more determined than ever to wreak havoc. After a year mourning the death of his beloved friend Eefje, Hendrik picks up his pen once again to chronicle the goings on both inside his care home and in the increasingly confusing world outside.

While the Celtic Tiger rages, and greed becomes the norm, Johnsey Cunliffe desperately tries to hold on to the familiar, even as he loses those who all his life have protected him from a harsh world. Village bullies and scheming land-grabbers stand in his way, no matter where he turns. Set over the course of one year of Johnsey’s life, The Thing About December breathes with his grief, bewilderment, humour and agonising self-doubt.