Showing results by publisher "Audible studios" in Coming of Age

"I wonder today how no one else could see the bad thing coming. Not that I knew back then what the bad thing was; and if I had - if I'd known one of us was going to die - would there have been anything I could have done to prevent it? I play it all back in my mind, over and over. The clues were all there." On New Year's Eve, eleven-year-old Ruth and her brother and sister sit at a bedroom window, watching the garden of their new Dublin home being covered in a thick blanket of snow.

Lucinda is a nice, middle-class girl fresh out of university, determined to 'repay her debt to society'. But when she signs up as a volunteer 'mentoring' ex-cons, it is not long before she is seduced by the darker side of life.

A novel about Catholic girls poised - hilariously- on the brink of going all the way, Virgins recalls in aching detail what it was like to be an 18-year-old Catholic high school senior...in the '50s. This book contains the rules and regimen, hijinks and longing of that time.

This is not a hair book. It's a dark comedy of a spiritual misfit, a child with a dream born into the wrong town. Religious cults, corporate cults, and insane clients - Francis can't catch a break. Francis has observed his own inability to fit in since birth, and his decision to be a professional cosmetologist only exacerbates his innate oddness.

Written in an urban vernacular that’s electrifying and intimate, On the Come Up introduces a heroine whose voice is irrepressible, dynamic, and unstintingly honest. Thirteen-year-old AnnMarie Walker dreams of a world beyond Far Rockaway, where the sway of the neighborhood keeps her tied to old ideas about success. While attending a school for pregnant teens, AnnMarie comes across a flyer advertising movie auditions in Manhattan. Astonishingly, improbably, and four months before she’s due to give birth - she lands a lead role.

Despite being a straight-A student and voracious reader, eight-year old Sandrine Miller is treated as little more than a servant by her mother, who forces Sandrine to clean house, do chores and take care of her younger half-sister, Yolanda. On top of the despair of her life at home, Sandrine must confront growing up against the harshness of life in 1970s-era New Orleans, where men in cars follow her home from school and she is ostracized because she is a light-skinned black girl.

The seventh game of the World Series is about to be played, and more than the world championship is at stake. A man’s destiny is on the line. Johnny Longboat, one of baseball’s greatest pitchers, is taking the mound for the New York Mohawks in what may be his final game. With millions of eyes upon him, only he is aware of the conflicts tormenting him. At 41, Johnny is a man trying to make sense of his past while fearing what the future could bring when his playing career ends.

Growing up in the 1970s has never before been portrayed with such delightful ludicrousness and heartrending tenderness as in Why Aren't You Smiling? When teenage Leonard decides to quit being a Dweeb and instead join the Burnouts, his "good kid" persona is abandoned as he embarks on a comically painful journey of self-discovery through his unconventional friendship with Rick, an older Jesus freak barefoot hippie. The farcical parallel story of how Irving Mandelbaum from Los Angeles transmogrifies into rag-tag cult leader Rick of The Forever Family paints an indelible portrait of California during one of its most preposterous eras.

Meet Hickey, an American school teacher in his late 30s, an American school teacher who burns his bridges with the school board and goes to Africa as an aid worker. Working for an agency in Nairobi, one of his jobs is to drive food and medical supplies to Southern Sudan to an aid station run by Ruth, a middle-aged woman, who acts as nurse, doctor, hospice worker, feeder of starving children, and witness. Ruth is gruff but efficient, and Hickey, who is usually drawn to youth and beauty, is struck by her devotion. Returning to Nairobi, he can’t forget what he has seen.

Two best friends from high school, Peggy Morrison and Constance Masters, reunite in Washington and continue their indecent behavior. One becomes a Capitol Hill gossip columnist and the other is a prize-winning journalist, and both exploit their feminine wiles to get what they want.

Nothing can mend a broken heart quite like family. Sherry has struggled all her life to understand who she is, where she comes from, and, most important, why her mother slapped her cheek one summer afternoon. The incident has haunted Sherry, and it causes her to dig into her family's past. Like many family histories, it is fractured and stubbornly reluctant to reveal its secrets. But Sherry is determined to know the full story. In a few days' time, her extended family will gather for a reunion, and Sherry sets off across the country with her mother, Dumpling, to join them.

From the start of Elizabeth McKenzie’s beguiling fiction debut, we are drawn into the offbeat worldview of sharp-eyed, intrepid Ann Ransom. Stop That Girl chronicles Ann’s colorful coming-of-age travails, from her childhood in a disjointed family through her tender adolescence and beyond. Along the way, she discovers the absurdities that lurk around every corner of a young woman’s life, by way of oafish neighbors, overzealous boyfriends, prurient vegetable salesmen, sour landlords, and an iconoclast grandmother, known even to her family as Dr. Frost.

She's on a roll: A glamorous job at a glossy magazine. A home of her own. A cute live-in boyfriend. Annie Rafferty has worked damn hard for all of it. If demands are made, she delivers. If people need her, she's there. And if she suspects something is missing? Well, she ignores it. But cracks start to appear. Her boyfriend leaves his job, and Annie is paying the bills. Work descends into a handbags-at-dawn struggle for survival, and there's a new exec in the office - rude, opinionated but strangely attractive - questioning exactly what she's trying to prove.

A brilliantly nuanced, psychologically astute crime debut that explores the fault-lines of a small community - their hidden desires and their other, secret selves. 13-year-old Emily Houchens doesn't have many friends. She spends her time alone in the woods near her house - her safe place, until she finds the body of a young woman. Susanna Mitchell is searching for her sister, Ronnie, who vanished after leaving a late-night bar. The more she discovers about Ronnie's life, the more she realises that her sister began to disappear long before she went missing.

Elise loves the farm that is her home; she loves playing with beetles and chameleons in the garden, buying sweets from the village shop and listening to the stories of spirits and charms told by her nanny, Beauty. As a young white girl in 1990s Zimbabwe, her life is idyllic. Her clothes are always clean and ironed, there is always tea in the silver teapot, gin and tonics are served on the veranda, and, in theory at least, black and white live in harmony.

Fleece Skaggs has disappeared, along with drug dealer Lawrence Gruel's reefer harvest. Deciding that the best way to discover what happened to his older brother is to take his place as a drug runner for Gruel, James Cole plunges into a dark underworld of drugs, violence, and long hidden family secrets, where discovering what happened to his brother could cost him his life. A genre-subverting literary mystery told from the alternating viewpoint of different characters, Ghosting is both a simple quest for the truth - what exactly happened to Fleece Skaggs? - and a complex consideration of human frailty.

Daron Marks is a young guitar player with a dream: to make it big like the guys he grew up idolizing in New Jersey - or at least escape his dysfunctional family. He makes it as far as music school in Rhode Island and the rock clubs of Boston beckon him. But it's hard to succeed from the closet.

Maya has always seen color around people’s bodies, and can sometimes even hear what’s going on inside their heads. These insights make everyone a bit more interesting, but the one person she'll never figure out is her mother. Marigold has never been like the other moms, but still, Maya sometimes feels like she is all she has.

Riley refuses to call herself a battered woman - she doesn't fit the profile. When her boyfriend Ben hits her, she doesn't know what to call it. She does know to pack her things and run to the one place that feels safe - home. Riley discovers she's pregnant and her emotions become tangled. She can't shake the fact that she's still in love with Ben...A horrific accident then turns Riley's world even more upside down, forcing her to accept help from those around her. Before she can begin to heal, she must learn the difference between being independent and being alone.

A seventeen-year-old London girl flies to Los Angeles for the funeral of her mother Lily, from whom she has been estranged since her childhood. Stealing a suitcase of letters, clothes and photographs from her mum's bedroom at the top of a hotel on Venice Beach, the girl spends her summer travelling around Los Angeles, returning love letters and photographs to the men who had known her mother.