Showing titles in City Life

Trois destins parallèles s'entrecroisent, trois vies dont le seul point commun est le manque d'amour : Marie, une jeune Californienne d'une beauté rare, Caroline, une Parisienne trentenaire, enfin Marcus Marcus, le salaud, le mégalo, le parano. Construit par séquences, dans une écriture et sur un rythme qui varient selon les personnages, cette "comédie humaine" dresse de manière drôle, critique et profondément attachante, un portrait captivant de nos contemporains.

Thirtysomething Page was content with her life in New York City - until it went to the dogs. Unceremoniously dumped by her boyfriend of four years and fired from her art gallery job in the same week, she flees to Washington, DC, and moves in with her big brother. She hopes the new setting and familial comfort will help her finally find her bearings. What Page finds instead is an unlikely refuge: a park for the neighborhood’s poshest pooches, and a quirky pack of companionable dog-run regulars who become fast friends.

Distinguished for his talents as a rat killer, the nameless protagonist of Hye-young Pyun's City of Ash and Red is sent by the extermination company he works for on an extended assignment in C, a country descending into chaos and paranoia, swept by a contagious disease and flooded with trash. No sooner does he disembark than he is whisked away by quarantine officials and detained overnight. Still worse, when he finally manages to reach an old friend, he is told that his ex-wife's body was found in his apartment and that he’s the prime suspect.

Ruth dares to dream of another life—far away from the horrors within the walls of Bethnal Green’s infamous orphanage. Luckily she has her friends, Amy and Ellen—but she can’t keep them safe, and the suffering is only getting worse. Surely there must be a way out of here? But when Ruth breaks free from the shackles of confinement and sets out into East London, hoping to make a new life for herself, she finds that, for a girl with nowhere to turn, life can be just as tough on the outside.

Sharif is a good person. He knows that he is good because he’s aware of the privilege that he holds as a white man. He knows he is good because he chose to be a social worker at a nonprofit in Brooklyn, scraping by in New York City. And he knows he is good because his wife, Adjoua, a progressive Black novelist, has always said so.

Eighteen-year-old Lizzie Vogel finds herself a new job in a dentist's surgery after answering a classified advert in the Leicester Mercury for a 'mature lady with a strong interest in dental issues'. Working for an eccentric dental surgeon who's obsessed with becoming a Freemason, Lizzie's life is uneventful until Andy Nicolello turns up one day to deliver a crown. Lizzie seizes her chance to find love and soon begins calling him her boyfriend even though they have never so much as kissed or even sat next to each other on the sofa.

When Gemma, Dan and Casey meet one scorching July, the connection is instant. Yet they’re all used to protecting themselves from heartbreak by keeping their distance. Now that fate—and a small scruffy terrier—have brought them together, can they find the courage to connect? A story of bravery in all its guises, Eva Carter's Owner of A Lonely Heart is about taking the plunge even when it frightens you—because it's never too late to find the people who make your world make sense.

Stefan Zweig was born on the 28th November 1881 in Vienna, then part of the Austro-Hungarian Empire, and into a wealthy Jewish family with interests in banking and textiles. Zweig first published in 1900 and two decades later was a popular and highly regarded author in many parts of the world, although not in England. He was also the librettist with Richard Strauss of two operas and a keen collector of autographed musical manuscripts. His collection of over two hundred pieces was later donated to the British Library.

1884 - When Betsan Morgan’s mother succumbs to a devastating illness, she doesn't think her life could get much worse. But then her father moves in his new beau, an unserious flitty woman and coincidentally also the bargirl in the pub he works in, and she soon learns her house is no longer a home. All she can do is sit in the attic and stare at the portrait of her mother. Her new stepmother, Elinor, couldn’t even let them have the grace of keeping it in the hallway.

The Cities Classics Collection: London, Paris, New York allows you to step into the vibrant streets of three of the world's most iconic cities through a carefully curated collection of literary masterpieces. From the foggy alleys of London to the grand boulevards of Paris, and the buzzing avenues of New York, these stories bring to life the essence of urban life, capturing the triumphs, tragedies, and timeless experiences of the people who shaped these cities.

Spanning four decades in the mid-nineteenth century, the interconnected novellas of Old New York lay out the complex and inscrutable codes, customs, and taboos of New York society in classic Wharton style.

Валер'ян Підмогильний створив модерний роман, в якому, на відміну від традиційної селянської і соціальної тематики, акцент перенесений на урбаністичну проблематику, порушені філософські питання буття й аналізована психіка героїв, а конфлікт розгортається між людьми з різними світоглядами. Місто — перший урбаністичний роман в українській літературі, з новими героями, проблематикою та манерою оповіді.

As Babbitt grapples with the suffocating monotony of suburban life, societal expectations, and his own unfulfilled desires, Lewis paints a timeless portrait of conformity, materialism, and self-deception. A biting critique of the American Dream, Babbitt explores the search for meaning in a world that seems more obsessed with status than substance.

Jhilli has come to New York for a few months from Kolkata for training at the School of Social Sciences, staying with her childhood friend Shipra in Queens. Through Jhilli’s eyes, we see the wonders of New York, meet their Bengali friends, and experience their friendships and romances with native New Yorkers Gloria, Joshua, and Benjamin.

Conceptually unique, hilarious, and frightening, a: A Novel is the perfect literary manifestation of Andy Warhol's sensibility. In the late sixties, Warhol set out to turn a trade book into a piece of pop art, and the result was this astonishing account of the artists, superstars, addicts, and freaks who made up the Factory milieu.

Addy Loest is harbouring a secret - several, in fact. Dedicated overthinker, frockaholic and hard-partier, she’s been doing all she can to avoid the truth for quite some time. A working-class girl raised between the Port Kembla Steelworks and the surf of the Illawarra coast, Addy is a fish out of water at the prestigious University of Sydney. She’s also the child of German immigrants, and her broken-hearted widower dad won’t tell her anything about her family’s tragic past.

Present-day. American movie star Patrick and British bookseller Will’s worlds collide when Patrick comes to the UK to shoot a blockbuster superhero movie, in which he plays the starring role. Patrick’s life as a Hollywood celebrity may be glamorous, but it’s all an act: his contract obliges him into play up to his status as a public sex symbol, which means he can’t let anyone find out that he’s gay.

When her husband suggests a romantic break, Claire feels obliged to say yes but immediately regrets it. After all that they've been through, how can one weekend in Paris save their marriage? Claire and Ronan aren't the only people on a make-or-break visit to the City of Love. There is a big-shot movie producer from Hollywood, full of regret for a life ill-lived; a student from Boston, torn between love and duty; a Ukrainian refugee struggling to protect her little sister; and an old woman from Dijon, hoping to be braver than she has ever had to be before.

Joachim von Hartmann is born into a wealthy Argentine banking family and spends his early years in Buenos Aires. Blond-haired and blue-eyed, he has inherited the looks of his German ancestors, while his twin brother, Javier, could not be more different. Following the death of their father and when details emerge about Joachim’s maternal grandfather’s wartime activity, both boys and their mother, Liese, are cast out from the family. After the years of glamour and luxury, she must raise them alone with no financial support.

Liz Ward believed that it was possible to have it all. A glittering career, a successful marriage and a happy family. But it doesn't take too long for Liz to realise that taking the job of programme controller at Metro TV could be the biggest mistake of her life. When she confesses to her friends, they are scandalised - Liz is their role model, and she is shattering the myth they must all live by. But she is tired of pretending that there is no price to pay for her success.