Showing titles in Essays

Nino Haratischwili – international gefeierte Bestsellerautorin und Theatermacherin – ist nicht nur eine der wichtigsten literarischen Stimmen der deutschsprachigen Literatur, sie ist auch eine der wichtigsten politischen deutschsprachigen Autorinnen unserer Zeit. Aktuell ist unsere Zeit geprägt von politischer Aggression und einem gesellschaftlichen Klima des Hasses, Umbrüche und konkreter kriegerischer Bedrohung.

Crescere dei bambini non è affatto facile, e a volte perdere la pazienza sembra inevitabile. Ma, quando la situazione lo richiede, come fare a imporre divieti e limitazioni, e a sedare epici capricci, senza urlare e minacciare punizioni o senza diventare troppo permissivi? L'autrice ha trovato la risposta nel metodo dell'educazione gentile, che insegna ai genitori a crescere i bambini con l'amore e la serenità che serve a entrambi.

Migraine is an age-old – the first recorded instances date back over two thousand years – and often debilitating condition, affecting a 'substantial minority' of the population across the globe. In Migraine, Oliver Sacks offers at once a medical account of its occurrence and management; an exploration of its physical, physiological, and psychological underpinnings and consequences; and a meditation on the nature and experience of health and illness.

Three years ago, Stacey Duguid's happily ever after imploded messily, snottily, disastrously, and she is still clearing up the debris. The dream marriage she'd spent an entire lifetime pursuing shattered, leaving her half a person and angry. Who suggested 'happily ever after' was even a given thing? In this collection of essays, Stacey draws upon her own life to touch upon everything taboo today: divorce, dating and sex in mid-life, affairs, miscarriage, drugs, and challenges the societal expectations and ideologies of needing a partner to live a full life.

Born in Canada to a Taiwanese mother and a Welsh father, steeped in both literary and scientific traditions, Jessica J. Lee is a perfectly placed observer of our world in motion. In this vibrant book of linked essays she explores the entanglements of the plant and human worlds, and the echoes and counterpoints she detects in the migration of plants and people - and the language we use to describe them.

In his "Industrial Society and Its Future" (also called the "Unabomber Manifesto"), he argued that his bombings were extreme but necessary to attract attention to the erosion of human freedom necessitated by modern technologies requiring large-scale organization.

In Ghost Dogs, Dubus’s nonfiction prowess is on full display in his retelling of his own successes, failures, triumphs, and pain. In his longest essay, “If I Owned a Gun,” Dubus reflects on the empowerment and shame he felt in keeping a gun, and his decision, ultimately, to give it up. Elsewhere, he writes of a violent youth and of settled domesticity and fatherhood, about the omnipresent expectations and contradictions of masculinity, about the things writers remember and those they forget.

How to Die is both an absorbing excursion through some of Western literature’s most compelling works on the subject of death as well as an anecdote-driven argument for cultivating a better understanding of death in the belief that, if we do, we’ll know more about what it means to live a meaningful life.

This book is a critical assessment of five years of the brand of economics Prime Minister Narendra Modi has championed, often referred to as "Modinomics". Brought into power with the biggest political mandate in almost three decades, did the NDA government succeed in gainfully transforming India's economic trajectory or did it squander a once-in-a-generation opportunity? The book conjectures it is the latter, and analyses why the Modi government's stewardship of the economy is a "great disappointment".

Politics of the Womb proves that there can be broken babies and breaking mothers; it rips away the romanticism around uterus transplants, warns of genetic theft and "designer babies", and points to the human element being sacrificed, as artificial reproduction uses, reuses, and recycles the woman. Pinki Virani combines investigation with analysis to question those who lead the worldwide onslaught on the woman’s womb in the name of babies, and squarely confronts what has become the business of baby-making by a chain of suppliers that manufactures on demand.

At a remote little inn not far from the Kansas homestead of Laura Ingalls Wilder lived the Bender family. These pioneers welcomed unwary visitors with jackrabbit stew and a sledgehammer to the skull. In time, their apple orchard gave up its secrets - a burial ground for their mutilated victims, each stripped of their possessions. The devilish enterprise on “Hell’s Half-Acre” would earn the Bloody Benders an undying place in the annals of American infamy. But it was the mysterious fate of eldest daughter, Kate, that would make them the stuff of mythic campfire prairie tales.

Orthodoxy, first published 1908, is Chesterton's spiritual autobiography. Subtitled, 'The romance of faith', Chesterton declares that people need a life of 'practical romance; the combination of something that is strange with something that is secure.'

"The intersectional feminist anthology we all need to read" (Bustle), edited by a remarkable and inspiring 19-year-old activist whom the BBC named one of 100 "inspirational and influential women" of 2016. Why is it difficult for so many women to fully identify with the word feminist? How do our personal histories and identities affect our relationship to feminism? Why is intersectionality so important? Can a feminist movement that doesn't take other identities like race, religion, or socioeconomic class into account even be considered feminism?

Elena Ferrante is the best-selling author of My Brilliant Friend, now an HBO original series. Collected here for the first time are the seeds of future novels, the timely reflections of this internationally beloved storyteller, the abiding preoccupations of a writer who has been called “one of the great novelists of our time” (New York Times).

In the era of wolf-whistle politics, women are sick of being degraded. When Sarah Hanson-Young called out the abuse she received from male parliamentarians as slut-shaming, she sparked a national conversation about the rampant sexism in politics. Placing the responsibility on women to defend themselves is the same cheap trick as asking, why didn't she just fight back? After witnessing verbal abuse levelled at female parliamentarians and public figures, Hanson-Young is convinced that now is the time to call it out and not retreat.

Author and adventurer Bruce Chatwin was one of the 20th Century’s most charismatic writers. His first book, In Patagonia, changed the face of travel writing and made him a literary sensation. Collected here are dramatisations and readings of some of his best-known work, as well as a bonus programme shedding light on his relationships and writing.

You Don’t Know Us Negroes is the quintessential gathering of provocative essays from one of the world’s most celebrated writers, Zora Neale Hurston. Spanning more than three decades and penned during the backdrop of the birth of the Harlem Renaissance, Montgomery bus boycott, desegregation of the military, and school integration, Hurston’s writing articulates the beauty and authenticity of Black life as only she could.

If Only You People Could Follow Directions is a spellbinding debut by Jessica Hendry Nelson. In linked autobiographical essays, Nelson has reimagined the memoir with her thoroughly original voice, fearless writing, and hypnotic storytelling. At its center, the book is the story of three people: Nelson’s mother Susan, her brother Eric, and Jessica herself.

What made FDR a more successful leader during the Depression crisis than Hoover? Why was Eisenhower more effective as supreme commander during World War II than he was as president? Why was Grant one of the best presidents of his day, if not in all of American history? What drove Bobby Kennedy into the scrum of electoral politics? Find the surprising and revelatory answers to these questions and more in this collection of new essays by great historians.

In 1956, Caedmon had the great fortune to record Eudora Welty reading some of her finest stories. In her sweetly vibrant Mississippi drawl, Ms. Welty deftly draws the listener in to the uproariously multilayered "Why I Live at the P.O.", the spontaneous "Powerhouse", and the insightful voice of women's truths in "Petrified Man". Ms. Welty's reading brings immediacy and resonance to these wonderful tales.