Showing titles in Essays

In Eating the Dinosaur, Klosterman is more entertaining and incisive than ever. Whether he's dissecting the boredom of voyeurism, the reason why music fan's inevitably hate their favorite band's latest album, or why we love watching can't-miss superstars fail spectacularly, Klosterman remains obsessed with the relationship between expectation, reality, and living history. It's amateur anthropology for the present tense, and sometimes it's incredibly funny.

A striking and nuanced collection, bringing to life awkward college students, disgraced public figures, raunchy grandparents, and mystical godmothers. To listen to these stories is to experience the transporting joys of discovery and affirmation, and to realize that story writing in America continues to flourish.

This collection of short essays examines the place of women in the history of psychedelics. While some of the subjects are pioneers in their own right, the authors in this collection go beyond merely adding women to the past in psychedelic history, exploring some of the significant ways that women have contributed to psychedelic knowledge.

『美ST』連載が待望の書籍化！　“効かせ甲斐のあるお年頃”を迎えて改めて考える、美の楽しみ方と向き合い方とは。「どうせ生きるなら、好きな自分で生きていきたい」「誰に遠慮する人生じゃなし、自分のための

When Paul Auster was asked to join NPR's Weekend All Things Considered program to tell stories, he turned the proposition on its head: he would let the stories come to him. He invited listeners to submit brief, true-life anecdotes about events that touched their lives.

Thirty-five years after her first collection, the classic Against Interpretation, America's most important essayist chose more than 40 longer and shorter pieces from the previous 20 years. "Reading", the first of three sections, includes ardent pieces on writers from Sontag's own private canon - Machado de Assis, Barthes, W. G. Sebald, Borges, Tsvetaeva, and Elizabeth Hardwick.

This recording features the highlights of this historic 1995 event sponsored by the Temple of Understanding and includes a talk by the late cosmologist Carl Sagan. Visions for the 21st Century was a powerful forum for religious leaders, diplomats, nongovernmental organizations, and educators to present their visions for the next century.

The Uncollected Essays of Elizabeth Hardwick is a companion collection to The Collected Essays, a book that proved a revelation of what, for many, had been an open secret: that Elizabeth Hardwick was one of the great American literary critics, and an extraordinary stylist in her own right. The thirty-five pieces that Alex Andriesse has gathered here-none previously featured in volumes of Hardwick's work-make it clear that her powers extended far beyond literary criticism.

A literary treasure of over 100 unpublished letters from National Book Award-winning author Flannery O'Connor and her circle of extraordinary friends. Flannery O’Connor is a master of 20th-century American fiction, joining, since her untimely death in 1964, the likes of Hawthorne, Hemingway, and Faulkner. Those familiar with her work know that her powerful ethical vision was rooted in a quiet, devout faith and informed all she wrote and did.

In these impassioned, powerful essays, an award-winning journalist deals forthrightly with what it means to be Black in Trump’s America. South Carolina-based journalist Issac J. Bailey reflects on a wide range of complex, divisive topics which have taken on a fresh urgency with the protest movement sparked by George Floyd’s killing. Bailey has been honing his views on these issues for the past quarter of a century in his professional and private life, which included an 18-year stint as a member of a mostly white Evangelical Christian church.

Locked in his desk for 25 years, What Is Man? was Twain's most serious, philosophical, and private work. The narrative appears in the form of a Socratic dialogue between a romantic young idealist and an elderly cynic. The pair debate issues of mankind, such as whether man is free to act or is more of a machine, whether personal merit is meaningless given how the environment shapes us, and if man truly has impulses other than to pursue pleasure and avoid pain.

The Hidden Lamp is a collection of 100 koans and stories of Buddhist women from the time of the Buddha to the present day. This revolutionary book brings together many teaching stories that were hidden for centuries, unknown until this volume. These stories are extraordinary expressions of freedom and fearlessness, relevant for men and women of any time or place. In this audio, we meet nuns, laywomen practicing with their families, famous teachers honored by emperors, and old women selling tea on the side of the road.

What does it take to escape the plotlines mapped onto us? Searching for clues in the work of her literary foremothers, Lipson untangles what it means to be a girl, a woman, a lover, a partner, a daughter, and a mother in a world all too ready to reduce us to stock characters.

In I Wear the Black Hat, Klosterman questions the very nature of how modern people understand the concept of villainy. What was so Machiavellian about Machiavelli? Why don't we see Batman the same way we see Bernhard Goetz? Who's more worthy of our vitriol - Bill Clinton or Don Henley? What was O.J. Simpson's second-worst decision? Masterfully blending cultural analysis with self-interrogation and limitless imagination, I Wear the Black Hat delivers perceptive observations on the complexity of the anti-hero.

From the pages of The New Yorker comes a bold and telling portrait of Black life in America, with astonishing early work from Rebecca West’s account of a lynching trial and James Baldwin’s ‘Letter from a Region in My Mind’ (which later formed the basis of The Fire Next Time) to more recent writing by Toni Morrison, Ta-Nehisi Coates, Zadie Smith, Hilton Als, Jamaica Kincaid, Malcolm Gladwell, Elizabeth Alexander, Chimamanda Ngozi Adichie, Doreen St. Félix, Henry Louis Gates Jr., Kelefa Sanneh and more.

Known for his meaty seriocomic novels–expansive works that are simultaneously lowbrow and highbrow–Tom Robbins has also published over the years a number of short pieces, predominantly nonfiction. His travel articles, essays, and tributes to actors, musicians, sex kittens, and thinkers have appeared in publications ranging from Esquire to Harper’s, from Playboy to the New York Times, High Times, and Life.

Three years ago, Stacey Duguid's happily ever after imploded messily, snottily, disastrously, and she is still clearing up the debris. The dream marriage she'd spent an entire lifetime pursuing shattered, leaving her half a person and angry. Who suggested 'happily ever after' was even a given thing? In this collection of essays, Stacey draws upon her own life to touch upon everything taboo today: divorce, dating and sex in mid-life, affairs, miscarriage, drugs, and challenges the societal expectations and ideologies of needing a partner to live a full life.

We talk about achieving 'LGBTQ+ equality', but around the world, LGBTQ+ people are still suffering discrimination and extreme violence. How do we solve this urgent problem, allowing queer people everywhere the opportunity to thrive? In We Can Do Better Than This, 35 voices explore this question. Through deeply moving stories and provocative new arguments on safety and visibility, dating and gender, care and community, they map new global frontiers in the fight for LGBTQ+ rights.

Novelist, cultural observer and social satirist Lionel Shriver is among the sharpest talents of our age. A writer who embraces ‘under-expressed, unpopular or downright dangerous’ points of view, she regularly deplores the conformity of thought and attitude that has overtaken society. Bringing together thirty-five works curated from her many columns, features, essays and op-eds for the likes of the Spectator and Guardian, speeches and reviews, and some unpublished pieces, Abominations reveals Shriver at her most iconoclastic and personal.

Este libro descubre cómo nuestro orden político, cultural y religioso se basa en traducciones erróneas; cómo un oficio considerado casi doméstico está manchado por la sangre de quienes lo ejercen; cómo el prestigio de los escritores que se aventuran en este campo puede ser cuestionado; cómo, a pesar de su importante trabajo, las mujeres son también aquí invisibles. La traducción es un espejo donde el síndrome de la impostora cobra un hondo sentido existencial.