Showing titles in Poetry

Paradise Lost is a well-known part of the English literary canon. Told as an epic poem in blank verse, Paradise Lost is John Milton’s retelling of the biblical story of Satan’s fall from grace and the beginning of humanity. In the beginning of Paradise Lost, Satan has been banished to Hell and is working to organize the angels who fell with him and create his new kingdom. While a constant angelic war rages, Satan begins to wield his influence on the first humans created on Earth, and soon tempts them into defying God by using wit and logic to tempt Eve.

At the end of his life, William Blake (1757-1827) gave up hope of being widely understood, but the twentieth century brought to his work a new and intense interest and acclaim.

Li Po (AD 701-762) lived in T'ang Dynasty China, but his influence has spanned the centuries: the pure lyricism of his poems has awed readers in China and Japan for over a millennium, and through Ezra Pound’s translations, Li Po became central to the modernist revolution in the West. However ethereal in spirit, his poems remain grounded in the everyday experience we all share. He wrote 1,200 years ago, half a world away, but in his poems we see our world transformed.

Hafiz's Little Book of Life is a lush collection of more than 250 selections from his lifework (his divan). Alongside a Quran, a copy of his divan can be found in average homes in Iran—where stars can be heard singing his poetry on the radio, and lines from his poems are quoted on the street. His poetry is sure to strike a chord in the hearts of readers everywhere. This vital collection of mystical poetry focuses on the issues we encounter in everyday life. Each brief poem may be savored as an oasis of clarity in the hurried literacy of our time, or the entire book enjoyed in one sitting.

Experience the stunning Greek poetry of Homer in this collection of his two major works: The Iliad and The Odyssey. These epic poems are beloved for their presentation of Greek history and belief systems, their strong theming and lessons on Greek virtues, and their continued influence on the literary canon.

The Knight's Tale of medieval wars and chivalry is the first tale told to the pilgrims as they set out to Canterbury. It concerns Theseus, returning from fighting at Thebes, and two brother knights Palamon and Arcite, imprisoned but yearning for their loves. But the real hero of this recording is Richard Bebb who, with the help of Professor Derek Brewer, the leading expert on Chaucerian pronunciation, make the original Middle English not only comprehensible to the modern ear, but exciting.

Parzival is a romantic poem written by Wolfram von Eschenbach in Middle High German. Regarded as one of the masterpieces of the Middle Ages, the romance was the most popular vernacular verse narrative in medieval Germany. Dated to the first quarter of the 13th century, the poem tells the story of the Arthurian hero Parzival and his quest for the Holy Grail. The most notable elements of the work are an emphasis on the importance of humility, compassion, and sympathy. Richard Wagner based his famous opera Parsifal on Parzival.

The Greek poet, Hesiod, stands out as the first personality in European literature. The Theogony contains a genealogy of the gods from the beginning of time and an account of their violent struggles before the present order was established. The Works and Days, a compendium of advice for a life of honest husbandry, shines a unique and fascinating light on archaic Greek society, ethics, and superstition. Hesiod's poetry is the oldest source of the myths of Prometheus, Pandora, and the Golden Age.

One of the finest German medieval epic poems, The Lay of the Nibelungs is perhaps best known now as one of the principal sources for Wagner’s four-part music drama The Ring of the Nibelung. It is easy to see how Wagner was enthralled by the story and the poetry for the power of the tale drives the narrative: intense love, loyalty, jealousy, murder, duty, honour and massacre are all interwoven into a classic.

The 12 Lays of Marie de France offer one of the most striking collections of short narrative poems of the 12th century - two centuries before Chaucer. Written in Anglo-French, they contain beguiling and entertaining stories of love and romance, of chivalry and adventure with sometimes even a magical twist. They are especially unique in early literature by being ascribed to a female poet, Marie de France: in the very first Lay - 'Guigemar' - is the introductory line: ‘Hear my Lords, what Marie says, who does not wish to be forgotten in her time.’

Paradise Lost is one of the most brilliant works of poetry ever written in the English language. With ease and grace, John Milton's words paint a picture of the fall of man, epically layering his words with all the innocence and treachery that such a fantastic tale deserves. Through Milton's words we witness the downfall of Adam and Eve as well as the epic battle between good and evil.

Petronius’ Satyricon is a rampant and vivacious Roman adventure dating back to the first century, during the reign of Nero. It follows the exploits of Encolpius, an impoverished ex-gladiator, and his boy-lover Giton. The action is fleet and the narrative sweeping: over the course of their journey we meet a host of lewd and comical rogues, including beggars, prostitutes, poets, sodomites, and pedants, and witness many strange and curious events, including a remarkably vulgar multi-course feast, hosted by the pompous nouveau riche Trimalchio

The secret of their identities has fueled debate for hundreds of years: Who are the nameless nobleman and the dark-haired mistress? And what did they do to inspire the creation of more than 150 deeply intimate poems? Whether William Shakespeare's sonnets are pure fiction or the lingering echo of an autobiographical account, this exquisitely written collection defied traditional love poem conventions to explore the many layers of romance, the dangers of lust, and the nuances of beauty.

This remarkable poem, dedicated to Queen Elizabeth I, was Spenser's finest achievement: the first epic poem in modern English. The Faerie Queene combines dramatic narratives of chivalrous adventure with exquisite and picturesque episodes of pageantry. At the same time, Spenser is expounding a deeply-felt allegory of the eternal struggle between Truth and Error.

Paradise Lost is the greatest epic poem in the English language. In words remarkable for their richness of rhythm and imagery, Milton tells the story of Man's creation, fall, and redemption to "justify the ways of God to men."

Composed during the 14th century in the English Midlands, Sir Gawain and the Green Knight describes the events that follow when a mysterious green-coloured knight rides into King Arthur's Camelot in deep mid-winter. The mighty knight presents a challenge to the court: he will allow himself to be struck by one blow, on the condition that he will be allowed to return the strike on the following New Year's Eve.

A powerful and poignant translation of Vergil’s epic poem, newly equipped with introduction and notes.

Nearly three thousand years after they were composed, The Iliad and The Odyssey remain two of the most celebrated and widely read stories ever told, yet next to nothing is known about their author. He was certainly an accomplished Greek bard, and he probably lived in the late eighth and early seventh centuries BCE Authorship is traditionally ascribed to a blind poet named Homer, and it is under this name that the works are still published.

"Когда-то я в годину зрелых лет В дремучий лес зашел и заблудился..." – так начинается "Божественная комедия", бессмертная поэтическая трилогия, в которой Данте дерзко переосмыслил средневековую традицию "хождений" по загробному миру и религиозных "видений", и создал поистине уникальное произведение, в котором мистика сочетается с философией, а притча – с весьма ядовитым политическим памфлетом. Прошли века.

The Roman poet Publius Ovidius Naso (Ovid) is best known for his epic poem Metamorphoses, a collection of myths and legends from Ancient Greece and Rome. His works continue to be widely read and admired, and he is regarded as one of the most significant poets of ancient Rome. Ovid’s love poems are both brilliant and evocative. In Amores, the romantic mysteriousness of elegiac love-poetry is exploded by his witty and ironic treatment of the form. Ars Amatoria and Remedia Amoris both lay down the rules for the game of love, which both sexes can play.