Showing titles in Ancient, Classical & Medieval Literature

Narrated in Middle English by J.B. Bessinger, Jr.

The Iliad of Homer is the earliest work of European literature that we have. Created in the eighth century BC it has continued to arouse interest for over 2000 years. The author intended it to be heard, as delivered by a bard or rhapsode who had made the presentation of Greek epic poetry his profession, and who had command of the vocal resources and the dramatic power to move his audience.

On the Shortness of Life was written by Seneca around the year 49AD. He argues that we waste so much time because we do not properly value it. We expend great effort in protecting other valuables such as money and property, but because time appears intangible, we allow others to occupy it and take time away from us. Wise people, on the other hand, understand that time is the most valuable of all resources, and with effort can free themselves from external control to engage in meaningful introspection and create an intentional life.

The work opens with Serenus asking Seneca for counsel, and this request for help takes the form of a medical consultation. Serenus explains that he feels agitated and in a state of unstable immobility, "As if I were on a boat that doesn't move forward and is tossed about." Seneca uses the dialogue to address an issue that cropped up many times in his life: the desire for a life of contemplation and the need for active political engagement. Seneca argues that the goal of a tranquil mind can be achieved by being flexible and seeking a middle way between the two extremes.

Hippocrates earned the title “Father of Medicine” for his extensive work in ancient Greece. He effectively established medicine as a profession. Modern doctors still swear to uphold the ethical standards he laid out in the Hippocratic Oath. His work On Surgery provides a fascinating look into medical history and the historical practices of this great physician.

David Weir explores the conflicting attitudes towards modernity present in decadent culture by examining the difference between aesthetic decadence - the excess of artifice - and social decadence, which involves excess in a variety of forms, whether perversely pleasurable or gratuitously cruel. Such contrariness between aesthetic and social decadence led some of its practitioners to substitute art for life and to stress the importance of taste over morality, a maneuver with far-reaching consequences.

Christopher Marlowe's play about a man who sells his soul to the devil is not only one of the first of many works to explore this theme but also one of the most startling. Eschewing the usual division of the drama into acts, it presents the story of Faustus' fall in a series of apparently disconnected scenes. However, the integrity of the drama is maintained by the remorseless unraveling of Faustus' fortunes as he approaches his inevitable damnation.

Written in the Middle English of the late 14th century, Sir Gawain and the Green Knight survives in a single manuscript which also contains three religious poems including "Pearl", written it seems by the same author, who is therefore referred to as The Pearl Poet. The poem tells the story of an incident at the court of King Arthur, involving Sir Gawain’s acceptance of a challenge from the mysterious Green Knight, and leading to a test of his chivalry and courage.

The Tirukkural (honoured Kural) is one of the world's greatest literary and philosophical masterpieces. Composed in Tamil by Tiruvalluvar sometime between 2 BCE and 5 CE, its succinct couplets seek to explain and guide the listener through life's various situations: political, spiritual, domestic and social.

A classic performance of one of the Bard's classics.

Um marco da literatura italiana, A divina comédia é uma representação bucólica e sensível da jornada de um homem em busca do amor e da salvação, assim como uma grande amostra literária do cristianismo medieval de época. Escrita por Dante Alighieri, a Divina Comédia é dividida em...

A passage of diverse heroics and distant perseverance in quest of the Golden Fleece is with transcendent narrative and canonic rhythm in the Argonautica recounted. Jason and the Argonauts, sailing from Iolcos on the Argo, pass into the Euxine, or Black Sea, on their voyage to Colchis at the eastern end of the sea. F L Light's translation re-embodies the motive energy of metric Apollonius in this epic of golden probation in endurance and dispatch.

Judith Anderson and Anthony Quayle perform 'Medea', an ancient Greek tragedy written by Euripides. It is based upon the myth of Jason and Medea and first produced in 431 BC. The plot centers on the barbarian protagonist as she finds her position in the Greek world threatened, and the revenge she takes against her husband Jason who has betrayed her for another woman.

A tender love story, a serpentine villainess, a glittering setting in London society, and a showering of Wildean witticism are only a few of the reasons why this play has enjoyed hugely successful revivals in London, in New York, and on the silver screen. This 1895 drama is eerily prescient, as it examines the plight of a promising politician, desperate to hide a secret in his past. With empathy and wit, Oscar Wilde explores the pitfalls of holding public figures to higher standards than the rest of us.

Enheduanna, also known as En-hedu-ana or Enheduana, is widely regarded as the world's first known author and poet, as well as one of the earliest recorded female figures in history. She lived in ancient Mesopotamia during the 23rd century BCE, and held the esteemed position of high priestess in the city of Ur, which was a thriving center of Sumerian civilization.

This new version of the tragedy of Electra combines the plot lines of the three great tragedians Aeschylus, Sophocles and Euripides with a sprinkle of Eliot, a dab of Keats, a hint of Shakespeare, an essence of the Eurythmics, Walt Whitman, Nietzsche and others. It presents a feast of blood, anger, love, fear, fateful doubt, revenge and beautiful chaos. Tim Dalgleish and Sally Luff with Carabosse Theatre Company have created a modern take on one of the most profound myths of Ancient Greece.

The Apology of Socrates, written by Plato, is a Socratic dialogue of the speech of legal self-defense which Socrates spoke at his trial for impiety and corruption in 399 BC. Specifically, the Apology of Socrates is a defense against the charges of "corrupting the youth" and "not believing in the gods in whom the city believes, but in other daimonia that are novel" to Athens.

Plato (428/427 BC-348/347 BC), whose original name was Aristocles, was an ancient Greek philosopher, the second of the great trio of ancient Greeks - succeeding Socrates and preceding Aristotle - who between them, laid the philosophical foundations of Western culture. Plato was also a mathematician, writer of philosophical dialogues, and founder of the Academy in Athens, the first institution of higher learning in the Western world. Plato's brilliance as a writer and thinker can be witnessed by reading his Socratic dialogues.

À 75 ans, Victor Hugo a perdu sa femme, sa fille Léopoldine et ses deux fils. Il se retrouve seul avec ses deux petits-enfants, Jeanne et Georges. Alors que la vieillesse lui apparaît, elle s'entoure de la plus petite jeunesse, et l'art d'être grand-père s'impose à l'auteur : c'est obéir aux plus petits. Sa démarche littéraire se fond avec son dernier recueil poétique, rendre justice aux plus démunis, raconter leurs misères et leur héritage, accepter de n'être qu'un passeur et qu'il faut partir.

In this engaging series of lectures, theatre historian, Megan Lewis takes listeners on a journey from the ancient world of the Greeks and Romans to the modern era as she explores how theatre - a live event that synthesizes many other art forms and disciples in a collaborative process of storytelling - entertains, educates, and inspires us, as well as helps build community and reflect society.