Showing titles in Ancient, Classical & Medieval Literature

A selection of Euripides’ renowned Greek tragedies, adapted for BBC Radio Acclaimed by Aristotle as ‘the most tragic of the poets’, Euripides was one of the pre-eminent playwrights of 5th century Athens. Included here are seven of his masterpieces: powerful, shocking tales of passion...

Virtually all of the major building blocks of our culture (law, government, religion, science, medicine, drama, architecture, and more) derived ultimately from the ancient Greeks. In these 12 lectures, you'll explore the continuing influence of the classical Greek achievement on contemporary life. The point is not the often tedious claim that there is nothing new under the sun. Rather, it is to underscore the remarkable continuity of the Greek perspective and ethos preserved over several millennia.

A dark tale of hubris, lust, and self-destruction… as told by a man who famously fell prey to those same impulses in his own life. Oscar Wilde wrote his original interpretation of the Biblical story of Salomé in French, and the play was so controversial that no theatre in England would produce it for nearly four decades. Includes a conversation with director Michael Hackett and Wilde scholar David Rodes. An L.A. Theatre Works full-cast production.

Toward the end of the Hundred Years War between France and England, as Merlin predicted, a great warrior emerged, uniting a beleaguered nation and leading it to improbable victories. It was said this warrior was a messenger of God. And it may have been, for a country was saved and a kingdom restored. This great leader of men, this messenger who united a nation, was a 17-year-old maiden named Joan.

Greek tragedy was a dramatic form that flourished for less than a full century. And yet it remains vibrant, alive, and productive today. And the form's masterpieces help us-as perhaps they helped their original audiences-grasp a fuller sense of the terror and wonder of life. Professor Vandiver has designed these 24 rich and rewarding lectures to give you a full overview of Greek tragedy, both in its original setting and as a lasting contribution to the artistic exploration of the human condition.

Brilliantly manipulative and entirely amoral, the hero-villain Richard is one of Shakespeare's greatest roles. The Yorkists have emerged victorious from the civil wars and Edward IV wears the English crown. But Edward's misshapen brother Richard harbors kingly ambitions and will stop at nothing to achieve the throne. In a fatal battle on Bosworth Field, Richard meets the ghosts of all whom he has murdered and the Earl of Richmond, the future King Henry VII.

A 2009 Nautilus Gold Award Winner, Pure Water is Coleman Barks’ inspired live performance of the poetry of Jellaludin Rumi (1207-1273) - with Sufi stories and jokes, accompanied with music by Bach, O’Carolan, Friesen and others. The performance captured in this recording recalls the essence of the communal celebrations of poetry, stories, jokes, prayer, and music in which Rumi’s work was first uttered, but presents it in a distinctive contemporary setting. Coleman’s words combine with the cello of Grammy Award-winner Eugene Friesen.

Among the finest poets of ancient Greece was Hesiod, a contemporary of Homer, who lived in the eighth century B.C. It is still a matter of dispute whether Homer or Hesiod was the earlier poet, and sometimes whether they were one and the same person! At any rate, Hesiod's incredible poetry serves as a major source for our understanding of Greek mythology, farming practices, time keeping and astronomy. In and of itself, the "Works and Days" is unparalleled in its richness and beauty, easily rivaling Homer.

"It takes an entire lifetime to learn how to die", wrote the Roman Stoic philosopher Seneca (c. 4 BC-65 AD). He counseled readers to "study death always", and took his own advice, returning to the subject again and again in all his writings, yet he never treated it in a complete work. How to Die gathers in one volume, for the first time, Seneca's remarkable meditations on death and dying. Edited and translated by James S. Romm, How to Die reveals a provocative thinker who speaks with a startling frankness about the need to accept death or even, under certain conditions, to seek it out.

The story of Medea is only one part of a myth about the Argonauts' campaign. It portrays Jason joining a battle with fire-breathing bulls and a dragon guarding the Golden Fleece; Medea is helping him tame the beasts. She then follows him to Greece, because she falls in love. It is also a story of how a once young, beautiful and joyful woman transforms into a monster, hungry for revenge; she kills even her own children. A long trail of horrible deaths, tied to her life path, is hard to imagine.

The Odyssey is the greatest adventure story ever written, and one of the great epic masterpieces of Western literature For almost 3,000 years, it has been a storehouse of ancient Greek folklore and myth. It is also our very first novel, if we think of it in terms of romantic plot development, realistic characterizations, frequent change of scene, and heroic dramatic devices.

The body of Polynices, Antigone's brother, has been ordered to remain unburied by Creon, the new king of Thebes. Antigone defies the law, sealing her fate. Originally produced in Paris during the Nazi occupation, Anouilh's Antigone was seen by the French as theatre resistance and by Germans as an affirmation of authority.

Hamlet, which dates from 1600-1601, is the first in Shakespeare's great series of four tragedies. In writing this extraordinary play Shakespeare effectively re-invented tragedy after an interval of roughly two thousand years - you would have to go back to the Greek dramatists of 5th century Athens to find anything of comparable depth and maturity. This production features the voice of Anton Lesser as Hamlet along with a full cast.

Aristotle's assertion that in Greek tragedy there is no loftier work than Oedipus the King cannot be lightly contradicted. This drama is endued fearfully with nature, as she works against the conscientiousness of measure found in man. Heretofore no translation of this play has been a poem of Sophoclean worthiness and work. The rhythmic stature of this translation runs with the Greek in heat and light.

Judith Anderson and Anthony Quayle perform 'Medea', an ancient Greek tragedy written by Euripides. It is based upon the myth of Jason and Medea and first produced in 431 BC. The plot centers on the barbarian protagonist as she finds her position in the Greek world threatened, and the revenge she takes against her husband Jason who has betrayed her for another woman.

Oedipus Rex is an Athenian tragedy by Sophocles that was first performed about 429 BC (noted classicist Gilbert Murray, translator of this version of the play, rendered the title as Oedipus, King of Thebes). It tells the story of Oedipus, a man who becomes the king of Thebes, whilst in the process unwittingly fulfilling a prophecy that he would kill his father Laius and marry his mother Jocasta. The play is an example of classic tragedy, notably containing an emphasis upon how Oedipus's own faults contribute to his downfall.

Tao Te Ching, attributed to the ancient Chinese sage Lao Tzu, is a foundational text of Taoist philosophy and one of the most translated works in world literature. Composed of 81 brief, poetic chapters, the book offers timeless wisdom on living in harmony with the Tao—the natural way or path of the universe.

Shakespeare's drama tells the story of a young man who can only come into his own upon his father's death and the father who longs for immortality. Using only Shakespeare's words, this adaptation tells the deeply personal story of Prince Hal's coming of age and his relationships with two father figures: the mistrustful King Henry IV and the hilarious, irrepressible Falstaff. A Court Theatre Production.

C'est un classique et pourtant cette célèbre pièce de Molière reflète bien le monde actuel. Dans une société où la compromission est indispensable au respect de l'ordre social, Alceste, le misanthrope, ne peut trouver sa place.

Professor Esolen who has served as your guide through both the Inferno and Purgatory will guide you through the profound and elevated poetry of Paradise. An expert who has taught Dante to college students for more than 20 years, Professor Esolen is also the preeminent modern translator of the entire Divine Comedy from the original Italian. Discover the ineffable majesty of Paradise with Professor Esolen, and complete the journey of all men who have conquered the self through the sufferings of Purgatory.