Showing results by publisher "Wavesound from W. F. Howes Ltd" in Literature & Fiction

Nazi Germany has been crushed, but is the war really over? Klara, Hitler's personal cook, swears she glimpsed him fleeing the Berlin bunker via a secret tunnel. The world needs undeniable proof of the Fuhrer's death, but it's not that simple. While Allied intelligence agents scour Europe to find such proof, and a Hitler double—"the Wolf"—lays a false trail across two continents, the real Hitler hides out in a Polish monastery, desperate to find his gold train so he can fund the Fourth Reich.

When a tragic bushfire puts two kids in hospital, Indigenous teenager Andrew knows the police will come after him first. But Andrew almost wants to be caught, because at least it might make his dad come and rescue him from suburban Brisbane and his neglectful mother. Growing up in small-town Tasmania, Andrew struggled at home, at school, at everything. The only thing that distracted or excited him was starting little fires. Flames boosted his morale and purified his thoughts, and they were the only thing in his life he could control.

Funny Ethnics catapults listeners into the sprawling city-within-a-city that is Western Sydney and the world of Sylvia Nguyen: only child of Vietnamese refugee parents, unexceptional student, exceptional self-doubter. It's a place where migrants from across the world converge, and identity is a slippery, ever-shifting beast. Jumping through snapshots of Sylvia's life—from childhood to something resembling adulthood—this novel is about square pegs and round holes, those who belong and those on the fringes.

Caitlan is convinced she's going to die. Two years ago she was a normal 20-something with a blossoming career and a plan to go travelling with her best friend, until a fatal car accident left her with a deep, unshakeable understanding that she's only alive by mistake. She deals with these thoughts by throwing herself into work, self-medicating with alcohol and attending a support group for people with death-related anxiety, informally known as the Morbids.

After losing her family farm to an aggressive global conglomerate, ambitious farmer Georgie Henderson manages Stoney Creek, a cattle farm in the New England region of NSW, spending every waking moment plotting and saving to buy Tamban back from those corporate vultures. When an unlikely meeting with Armani-clad businessman Michael Delacourt at a rowdy B&S Ball sends them on a whirlwind romance, Georgie can't believe it's possible for life to be this good. But her world shatters when she discovers the shocking secret Michael has been trying to keep from her.

Beatrix is a loner. She has a love-hate relationship with her one friend, Ray, a hate-hate relationship with everyone else in her office and a genuine attachment to a stuffed canary named Horatio. She drinks alone far too much. Lately she's been finding the edge of the railway platform dangerously seductive. Her life needs to change. Then she crosses paths with an old woman who seems to be stalking her, and that's exactly what happens. Eighty-something Fred is smart, earthy, funny and not the harmless elderly lady she appears to be. She is, in fact, quite literally something else. But what?

Housesitting in rural Burdekin's Gap is not an obvious career move for PR executive Jaime Hanrahan, but retrenchment is a kicker. Soon Jaime is fending off stampeding cows, town ladies wielding clipboards, nude sportsmen and one very neurotic cat. So why does she feel like she's falling in love...with the life, with the breathtaking landscape, and with one very infuriating cowboy?

Every couple has a story. How they met, how they fell in love–their ups, their downs. What made them want to be in each other's arms day and night. The struggle of family expectations. The need to please each other, the desire to go their separate ways. It is about the private universe between two people as they try to hold to each other despite the barriers of geography, culture and class. Every couple has a beginning, a middle, and maybe an end.

Art conservator JJ Jego’s hobby is photography. When an incident involving the police unfolds on the pier she starts clicking away. Later she finds she has captured something unusual in the window of an apartment. It looks like a Vincent van Gogh—a print surely, but it's not just any Van Gogh: the original Six Sunflowers was destroyed in 1945. And that's not the only famous painting she glimpses.

Mai On is devastated when her landlord sells her building to a property developer and the bakery she’s worked so hard to build is threatened. The last thing she needs is an outsider tearing down everything that matters to her. She’s determined not to be swayed by the sexy, charming developer. After costing his company millions of dollars, Nicholas Shadbolt is desperate to prove himself. Taking on the re-development of a rundown building is just the stepping stone he needs towards redemption.

A shipload of migrant workers flees the pandemic-stricken UK, seeking a fresh start in Australia. For nine-year-old Cleary the journey promises adventure, for former nurse Billie it’s a chance to put a shameful mistake behind her, while struggling schoolteacher Tom hopes for a brighter future. But when a crew member is murdered and people start falling gravely ill, the Steadfast descends into chaos. Trapped on the ship, the trio must join forces to survive the journey and its aftermath.

Fact and fiction meld into one in this stirring family saga set against shifting landscapes and pivotal moments in Australian history. Lillian was born in 1892, the same year Henry Lawson wrote 'The Drover's Wife' and cemented his place in Australia's literary canon. When Lillian reads the short story as a teenager, she is convinced that it is based upon her own family and becomes determined to prove it. But as the years pass, the truth becomes more problematic, and Lillian must decide what is more important: holding onto the past or embracing the future.

It's not easy getting close to people. Amelia's meeting a lot of men but once she gets the sex she wants from them, that's it for her: she can't connect further. A terrible thing happened to Daniel last year and it's stuck inside Amelia ever since, making her stuck too. Maybe being a cosmetician at her family's mortuary business isn't the best job for a young woman. It's not helping her social life. She loves her job, but she's not great at much else. Especially emotion.

Meg and Nina are two sisters living very different lives. Meg is super organised and possibly OCD; Nina is so depressed she is living like a homeless person in her own flat and feels as though she has lost control of her life. As a result, she has become estranged from her family. But when Meg's repeated attempts to make contact with her eventually succeed, Nina can't refuse her request to head north with her and their younger sister Amber, whose drug addictions have torn the family apart.

Stacey was trying to live her best life, but now she's dead. But why hasn't she passed on? Could it be her fatal car accident is actually murder? Detectives Ed Beaufontaine and Rose Garafino have a long list of suspects, chief among them Stacey's fiancé, Liam. His business dealings and new relationship with Emily Jackson are raising a few eyebrows. As the detectives dig deeper, so does Stacey. With nothing but time on her hands, she forensically examines her past relationships realising she might have been better off without them.

1944. Emily Dean is sent to stay with relatives in rural Victoria. With grandmother determined to keep up standards despite the effects of the war; Della, the Bible-quoting cook, and her young and fearless aunt Lydia, who refuses to befriend her, Emily just wants to go home. But things start looking up when she encounters Claudio, the Italian prisoner of war employed as a farm labourer. And then Lydia’s brother, William, unexpectedly returns from the war. Wounded and bitter, he’s rude, traumatised and mostly drunk, yet a passion for literature soon draws them together.

France, 1673. Desperate to save herself and her only surviving son from an outbreak of plague, the widow Charlotte Picot flees her village. But her son is kidnapped by slavers, and she fears the boy has been taken to Paris, the terrible City of Crows. And so she resorts to witchcraft and summons assistance in the shape of a malevolent man. Meanwhile, a notorious criminal, Lesage, is unexpectedly released from the prison galleys where he has served a brutal sentence for sacrilege....

Two women from opposite ends of the earth begin corresponding by chance and start sharing the intimacies of their lives. An anguished email from Pamela Robinson in Australia to her ex-husband in Paris accidentally ends up in the inbox of New York State teacher Chrisanthi Woods. Chrisanthi is sympathetic to Pamela's struggles and the women begin to tell each other the stories and secrets of their lives. Pamela, responsible for raising her three sons, must re-invent the meaning of home following her divorce, and Chrisanthi, her dreams long dampened, must find home by leaving it.

Sarah and Hannah are on a cruise from San Diego, California, to Sydney, Australia. Sarah, Hannah's grandmother, is returning to the country of her birth, a place she hasn't seen since boarding the USS Mariposa in 1945. Then she, along with countless other war brides, sailed across the Pacific to join the American servicemen they had married during World War II. Now Hannah is the same age Sarah was when she made her first journey and, in hearing Sarah tell the story of her life, realises the immensity of what her grandmother gave up.

A mother cuts her daughter's hair because her own hair starts falling out. A woman leaves her boyfriend because he reminds her of a corpse, another undergoes brain surgery to try and live more comfortably in higher temperatures. A widow physically transforms into her husband so that she does not have to grieve. In She Is Haunted, these renditions of the author search for recognition and connection, and more than anything else, small moments of empathy.