Showing titles in Horror

Brought to you by Penguin. 'It is not the monster you have to fear, but the monster it makes of men.' Mary is the great-niece of Victor Frankenstein. She knows her uncle disappeared in mysterious circumstances in the Arctic but she doesn't know why or how. She and her husband are trying to make...

The lives of those residing in the isolated town of Burnt Sparrow, New Hampshire, are forever altered after three faceless entities arrive on Christmas morning to perform a brutal act of violence—a senseless tragedy that can never be undone. While the townspeople grieve their losses and grapple with the aftermath of the attack, a young teenage boy named Rupert Cromwell is forced to confront the painful realities of his family situation.

Eight stories of literary dark fiction from a master storyteller. Exploring the shadow side of love, these are tales of grief, obsession, control. Intricate examinations of trauma and tragedy in raw, poetic prose. In these narratives, a woman imagines horrific scenarios whilst caring for her infant niece; online posts chronicle a cancer diagnosis; a couple in the park with their small child encounter a stranger with horrific consequences; a toxic relationship reaches a terrifying resolution . . .

Eroan, one of the last elven assassins, lives for one purpose: Kill the queen. He would have succeeded if not for her last line of defense: Prince Lysander. Now, captured and forced into the queen's harem, Eroan sees another opportunity. Why kill just the queen when he can kill them all? It would be simple, if not for the troubled and alluring dragon prince.

A sweet sapphic romance takes a deadly dark turn in this sharp-as-a-knife novella with the slow build menace of Angela Carter's The Bloody Chamber—from a New York Times-bestselling author hailed by Chuck Wendig as "a storyteller working at the top of her class."

From the author of the viral sensation Things Have Gotten Worse Since We Last Spoke comes They Were Here Before Us, a novella written in pieces, designed to be consumed as a single cohesive work. The only thing more brutal than nature is love.

At the height of lockdown, a group of flailing twenty-something friends makes an illicit break for freedom. A grand country house stands empty. Once the home of Theo's great uncle, it seems like the perfect place to get high and hang out in the spring sunshine, as they eschew adult responsibilities.

Driven by the glory he'll earn from the Royal Horticultural Society for such an achievement, Gregor ignores the flaws in his plan: that intelligence cannot be controlled; that plants cannot be reasoned with; and that the only way his plant-beast will flourish is if he uses a recently deceased corpse for the substrate. The experiment-or Chloe, as she is named-outstrips even Gregor's expectations, entangling their strange household. But as Gregor's experiment flourishes, he wilts under the cost of keeping it hidden from jealous eyes.

Merryn grew up on the wilds of Bodmin moor, raised by her mother and her aunt in an old farmhouse. Here, the locals never leave the village, fear for the future of their farms and cling desperately to the folkloric tales that are woven into their history. Except Merryn, who has escaped to Manchester for university, briefly untethering herself from her past. When Merryn returns home for the memorial service of her ex-girlfriend Claud, she finds her childhood home stranger and more secretive than ever. She’s sure that her mother is hiding something.

What will the end of the world look like? Will it be an old man slowly turned to gold, flowers raining from the sky, or a hole cut through the wire fencing that keeps the monsters out? Is it someone you love wearing your face, or a good old fashioned inter-dimensional summoning? Does it sound like a howl outside the window, or does it look like coming home?

A brand-new collection of four intense, claustrophobic and terrifying horror tales from the Bram Stoker Award®-nominated and Splatterpunk Award-winning author of Things Have Gotten Worse Since We Last Spoke.

It’s the summer of ’97 and the Scottish town of Pitlaw is itching for change. Enter the Freakslaw – a travelling funfair populated by deviant queers, a contortionist witch, the most powerful fortune teller, and other architects of mayhem. It doesn’t take long for the Freakslaw folk to infiltrate Pitlaw’s grey world, where the town’s teenagers – none more so than Ruth and Derek – are seduced by neon charms and the possibility of escape. But beneath it all, these newcomers are harbouring a darker desire: revenge.

They say Cape Disappointment is haunted. That's why tourists used to flock there in droves. They'd visit the rocky shoreline under the old lighthouse's watchful eye and fish shells from the water as they pretended to spot dark shapes in the surf. Now the tourists are long gone, and when Meredith Strand and her young daughter return to Meredith's childhood home after an acrimonious split from her wife, the Cape seems more haunted by regret than any malevolent force. But her mother, suffering from early stages of Alzheimer's, is convinced the ghost stories are real.

Noel: I'm finally free and able to patrol my own territory without Marco being by my side. I really appreciated everything he's taught me, what can I say... that big, brutal bastard grew on me. However, before I can embark on my new life as a General, I have to fulfill a debt my Father owes to the dragon king, Evander. This should be interesting. At least I'm not going alone. Dante, newly-mated to Josef, will be going with me.

Fleeing her mistakes in Glasgow for a marriage of convenience, Norah Mackenzie’s new home on an estate far in the north of Scotland is a chance for freedom, a fresh start. But in the dim, draughty corridors of Corrain House, something is very wrong. Despite their warm correspondence, her distant, melancholic husband does not seem to know her. She is plagued by ghost ships on the sea, spectres at the corner of her eye, by winding, grasping roots. Her only possible companion, the housekeeper Agnes Gunn, is by turns unnerving and alluring, and harbours uncanny secrets of her own.

The end is scary. The perpetual is scarier. A suicidal house mate’s property regresses in ownership. A father is tormented by his immortal infant son. A school of fish offers communion with the heavens. A woman’s dead body multiplies across the world.

Cooper Causey spent a lifetime eluding the demons of his youth and suppressing the destructive power inside him. But a disconcerting voicemail lures Cooper back home to the coast of South Carolina and to Warfield, the deserted plantation where his darkness first awakened. While searching for his missing grandmother, Cooper uncovers the truth about his ancestry and becomes a pawn in an ancient war between two supernatural races. In order to protect the only man he's ever loved.

Elien Martel is a survivor, but surviving, he’s beginning to discover, isn’t the same thing as living. In the house he shares with his much older boyfriend, Elien spends his days trying to stay as far away from living as possible. Living, he has learned, means that sooner or later you’ll get hurt. When a member of Elien’s support group dies under strange circumstances, though, Elien finds himself in a web of bizarre coincidences. The responding officer turns out to be another member of Elien’s support group - who has made no effort to hide his dislike of Elien.

When the tale begins, a strange and sudden malady is claiming the lives of the local peasants in Styria. Laura, an innocent girl of eighteen, lives a lonely life there with her loving father and two governesses. Then a dramatic coach crash on Laura’s doorstep brings a mysterious, beautiful, but languorous young woman to stay with them. This is Carmilla.

Nico isn’t at all pleased his family moving to the dinky little town of Verona, Indiana. He’s also none too happy about being forced to join the football team and do community service, but that is the crap fest his life has become. If having to endure ignorant jocks isn’t bad enough, something strange is going on in his very own room. No matter how many times Nico tries to get rid of it, the 1957 autographed photo of the Indiana University football team keeps returning to his wall.