Showing titles in Coming of Age

Originally published in 1982 as the first of Edmund White's trilogy of autobiographical novels, A Boy's Own Story became an instant classic for its pioneering portrayal of homosexuality. The audiobook's unnamed narrator, growing up during the 1950s, is beset by aloof parents, a cruel sister, and relentless mocking from his peers, compelling him to seek out works of art and literature as solace-and to uncover new relationships in the struggle to embrace his own sexuality.

Winner of the Whitbread Prize for best first fiction. Oranges Are Not the Only Fruit is a coming-out novel from Winterson, the acclaimed author of The Passion and Sexing the Cherry. The narrator, Jeanette, cuts her teeth on the knowledge that she is one of God’s elect, but as this budding evangelical comes of age and comes to terms with her preference for her own sex, the peculiar balance of her God-fearing household crumbles.

After inexperienced seventeen-year-old Isaac loses his virginity through a dating app—a disappointing yet addictive experience—he spends his final months before university escaping into a dizzying new world of casual sex with forgettable men. This all changes when he meets twenty-eight-year-old Harrison at a party. Isaac is immediately infatuated by the handsome, charismatic artist, but while they grow closer, his sense of self becomes increasingly hazy

Molly Bolt is a young lady with a big character. Beautiful, funny and bright, Molly figures out at a young age that she will have to be tough to stay true to herself in 1950s America. In her dealings with boyfriends and girlfriends, in the rocky relationship with her mother and in her determination to pursue her career, she will fight for her right to happiness. Charming, proud and inspiring, Molly is the girl who refuses to be put in a box.

Inspired by Nigeria's folktales and war, Under the Udala Trees is a deeply searching, powerful debut about the dangers of living and loving openly. Ijeoma comes of age as her nation does; born before independence, she is 11 when civil war breaks out in the young republic of Nigeria. Sent away to safety, she meets another displaced child, and the star-crossed pair fall in love. They are from different ethnic communities. They are also both girls.

It’s the new millennium and the anxiety of midlife is creeping up on Sam Singer, a thirty-seven-year-old art advisor. Fed up with his partner and his life in New York, Sam flies to Berlin to attend a gallery opening. There he finds a once-divided city facing an identity crisis of its own. In Berlin the past is everywhere: the graffiti-stained streets, the candlelit cafés and techno clubs, the astonishing mash-up of architecture, monuments, and memorials.

It’s the summer of ’96 and best friends (and secret girlfriends) Hannah and Sam are driving across the country from Long Beach, New York, to the fabled queer paradise of San Francisco, free from the harsh gazes of their neighbors and the stifling demands of Hannah’s devout Orthodox Jewish mother. In San Francisco, they will finally be together as a real couple, out in the open, around other queer people . . . even if the move means leaving behind Hannah’s beloved Bubbe.

Caught between his well-meaning yet misapprehending family, his boisterous friends, and his self-assured partner Ben, Elom struggles to fit in. All he ever wants is to feel understood – but what does it mean to live authentically when the only thing changing faster than the world around you is the world within? Moving between Accra, Glasgow, London, and the islands of the outer Hebrides, Selali Fiamanya’s extraordinary debut asks what it means to love and be loved in return. Before We Hit the Ground is an intimate portrait of a family, and one man’s struggle to find his place.

When Paul enters university in early 1970s Pittsburgh, it’s with the hope of moving past the recent death of his father. Sensitive, insecure and like a stranger to his family, Paul feels isolated and alone. When he meets the worldly Julian in his freshman ethics class, Paul is immediately drawn to his classmate’s effortless charm. Paul will stop at nothing to prove himself worthy of their friendship. But Julian is as volatile and cruel as he is charismatic, and Paul begins to suspect that he can never live up to what Julian expects of him.

Samson Kabarebe is on the verge of stardom. At just nineteen, he's poised to take the football world by storm. Joining a struggling Premier League team, he steps into the spotlight, taking over the position-and squad number-of a rising homegrown talent who is wrestling with his own dreams and desires.

Thirteen-year-old Byron needs to get away and doesn't care how. Sick of being beaten up by lads for 'talkin' like a poof' after school. Sick of dad - the weightlifting, womanising Gaz - and Mam, who selfishly pissed off to Turkey. Sick of the people who shuffle about Hucknall like the living dead, going on about kitchens they're too skint to do up and marriages they're too scared to leave. It's a new millennium, Madonna's Music is top of the charts and there's a whole world to explore - and Byron's happy to beg, steal and skank onto a rollercoaster ride of hedonism.

True biz? The students at the River Valley School for the Deaf just want to hook up, pass their history finals and have politicians, doctors and their parents stop telling them what to do with their bodies. This revelatory novel plunges listeners into the halls of a residential school for the deaf, where they'll meet Charlie, a rebellious transfer student who's never met another deaf person before, Austin, the school's golden boy, whose world is rocked when his baby sister is born hearing and February, the headmistress, who is fighting to keep her school open and her marriage intact.

Brought up in a devout household in Ireland, Jay is now living in London with her girlfriend, determined to live day to day and not think too much about either the future or the past. But when she learns that her beloved older brother, who died in a terrible accident, may be made into a Catholic saint, she realises she must at last confront her family, her childhood and herself . . .

Eighteen years old, pregnant and working as a pizza delivery girl, our dysfunctional heroine is deeply lost and in complete denial about it all. She’s grieving the death of her father, avoiding her loving boyfriend and flagrantly ignoring her future. Her world is further upended when she becomes obsessed with Jenny, a stay-at-home mother new to the neighbourhood, who comes to depend on weekly deliveries of pickle-covered pizzas for her son’s happiness.

Savannah "Sav" Henry is almost the person she wants to be, or at least she's getting closer. It’s the second semester of her sophomore year. She’s finally come out as bisexual, is making friends with the other queers in her dorm, and has just about recovered from her disastrous first queer “situationship.” She is cautiously optimistic that her life is about to begin.

Jim, a handsome, all-American athlete, has always been shy around girls. But when he and his best friend, Bob, partake in “awful kid stuff,” the experience forms Jim’s ideal of spiritual completion. Defying his parents’ expectations, Jim strikes out on his own, hoping to find Bob and rekindle their amorous friendship.

One afternoon, a mother opens her front door to find the length of her son's body stretched out on the veranda, swaddled in akwete material, his head on her welcome mat. The Death of Vivek Oji transports us to the day of Vivek's birth, the day his grandmother Ahunna died. It is the story of an over protective mother and a distant father and the heart-wrenching tale of one family's struggle to understand their child, just as Vivek learns to recognise himself.

Lorel has always dreamed of becoming a witch—learning magic, fighting monsters, and exploring the world beyond the small town where she and her mother run the stables. Even though a strange plague is killing the trees in the Kingdom of Cekon and witches are being blamed for it, Lorel wants nothing more than to join them. There’s only one problem: all witches are women, and she was born a boy. When the coven comes to claim her best friend, Lorel disguises herself in a dress and joins in her friend’s place, leaving home and her old self behind.

Ren Yu is a swimmer. Her daily life starts and ends with the pool. Her teammates are her only friends. Her coach, her guiding light. If she swims well enough, she will be scouted, get a scholarship, go to a good school. Her parents will love her. Her coach will be kind to her. She will have a good life. But these are human concerns. The concerns of those confined to land. Ren grew up on stories of creatures of the deep, of the oceans and the rivers. Stories that called sailors to their doom. Stories that dragged them down and drowned them.

At a meatpacking facility in Missouri, Dee-Dee and her coworkers kill and butcher 40,000 chickens in a single shift. The work is repetitive and brutal, with each stab and cut a punishment to her hands and joints, but Dee-Dee's more concerned with what is happening inside her body. After a series of devastating miscarriages, Dee-Dee has found herself pregnant, and she is determined to carry this child to term.