Showing titles in Women

When they married Emperors Franz Joseph and Napoleon III, respectively, Elisabeth of Austria and Eugénie of France became two of the most famous women on the planet. Not only were they both young and beautiful-becoming cultural and fashion icons of their time-but they played a pivotal role in ruling their realms during a tempestuous era characterized by unprecedented political and technological change.

The harrowing, dramatic and profoundly moving story of the Australian and New Zealand nurses who served in the Great War. Now a major six-part television series. By the end of the Great War, 45 Australian and New Zealand nurses had died on overseas service and over 200 had been decorated. These were the women who left for war looking for adventure and romance but were soon confronted with challenges for which their civilian lives could never have prepared them.

Nova Reid, author of The Good Ally, delves into the untold stories of extraordinary, unsung Black women who created and shaped pivotal moments in world history, British culture and society. Through powerful storytelling, personal insights and new research, Nova delves into the lives of pioneers, journalists and rule-breakers who made vital contributions to civil rights, yet have been mythologised, are unknown or erased from history.

Nine Parts of Desire: The Hidden World of Islamic Women is the story of Brooks’ intrepid journey toward an understanding of the women behind the veils, and of the often contradictory political, religious, and cultural forces that shape their lives. In fundamentalist Iran, Brooks finagles an invitation to tea with the ayatollah’s widow—and discovers that Mrs. Khomeini dyes her hair.

Clarissa Eden, Countess of Avon, wife of Prime Minister Anthony Eden, once famously said: 'For the past few weeks I have really felt as if the Suez Canal was flowing through my drawing-room.' With her impressive intellect and acerbic wit, she was a highly influential muse to many leading figures over several decades.

The Tin Ticket takes us to the dawn of the nineteenth century and into the lives of Agnes McMillan, whose defiance and resilience carried her to a far more dramatic rebellion; Agnes's best friend Janet Houston, who rescued her from the Glasgow wynds and was also transported to Van Diemen's Land; Ludlow Tedder, forced to choose just one of her four children to accompany her to the other side of the world; Bridget Mulligan, who gave birth to a line of powerful women stretching to the present day. It also tells the tale of Elizabeth Gurney Fry, a Quaker reformer who touched all their lives.

This is the incredible story of Elzbieta Zawacka, the WW2 female resistance fighter known as Agent Zo, told here for the very first time. Agent Zo was the only woman to reach London from Warsaw during the Second World War as an emissary of the Polish Home Army command, and then in Britain she became the only woman to join the Polish elite Special Forces, known as the 'Silent Unseen'. She was secretly trained in the British countryside, and then the only female member of these SOE affiliated forces to be parachuted back behind enemy lines to Nazi-occupied Poland.

Commissioned in 1750, the Palazzo Venier was planned as a testimony to the power and wealth of a great Venetian family, but the fortunes of the Venier family waned, and the project was left abandoned and unfinished. Yet in the early 20th century, it attracted three fascinating women: Luisa Casati, Doris Castlerosse and Peggy Guggenheim.

Throughout the 20th century, the infamous 'Crippen murder' was told in such a way as to cast doubt on Crippen's guilt and to victim-blame his wife Cora, a music hall actress, for her own murder. It also astonishingly depicted Crippen's younger mistress Ethel as innocent of any involvement in the killing of her love rival. Not so, says Rubenhold. In fact, Ethel got away with murder, and the same Edwardian beliefs about women that demonised his wife also blinded society to Ethel's guilt.

In Mythica Emily Hauser tells, for the first time, the extraordinary stories of the real women behind some of the western world’s greatest legends. Following in their footsteps, digging into the history behind Homer’s epic poems, piecing together evidence from the original texts, recent astonishing archaeological finds and the latest DNA studies, she reveals who these women – queens, mothers, warriors, slaves – were, how they lived, and how history has (or has not – until now) remembered them.

All too often the focus of mainstream feminism is not on basic survival for the many, but on increasing privilege for the few. Meeting basic needs is a feminist issue. Food insecurity, the living wage and access to education are feminist issues. The fight against racism, ableism and transmisogyny are all feminist issues. White feminists often fail to see how race, class, sexual orientation and disability intersect with gender. How can feminists stand in solidarity as a movement when there is a distinct likelihood that some women are oppressing others?

In June 1941, when Hitler launched Operation Barbarossa, Lyudmila Pavlichenko left her university studies and ignored the offer of a position as a nurse to become one of Soviet Russia's 2,000 female snipers. Less than a year later, she had 309 recorded kills, including 29 enemy sniper kills. She was withdrawn from active duty after being injured. She was also regarded as a key heroic figure for the war effort.

Anne Boleyn has mesmerised the English public for centuries. Her tragic execution, orchestrated by her own husband, never ceases to intrigue. How did this courtier's daughter become the queen of England, and what was it that really tore apart this illustrious marriage, making her the whore of England, an abandoned woman executed on the scaffold? While many stories of Anne Boleyn's downfall have been told, few have truly traced the origins of her tragic fate.

On the 25th anniversary of the Scottish Parliament, this book captures an important moment in contemporary history: how a grassroots women's movement, harking back to the suffragettes and second wave feminists of the 1970s and 1980s, took on the political establishment - and changed the course of history. Through a collection of over thirty essays and photographs, some of the women involved tell the story of the five-year campaign to protect women's sex-based rights.

Every queen had ladies-in-waiting. Her confidantes and chaperones, they are the forgotten agents of the Tudor court. Ever present and yet hidden behind the scenes, these women held the secrets and the hearts of some of the Tudor period's most powerful men and women. Experts at survival, negotiating the competing demands of their families and their queen, the ladies-in-waiting of Henry VIII's wives were far more than decorative 'extras': they were serious political players who changed the course of history, and four of them became queen themselves.

Why Women Grow is a much-needed exploration of why women turn to the earth, as gardeners, growers and custodians. This book emerged from a deeply rooted desire to share the stories of women who are silenced and overlooked. In doing so, Alice fosters connections with gardeners that unfurl into a tender exploration of women's lives, their gardens and what the ground has offered them, with conversations spanning creation and loss, celebration and grief, power, protest, identity and renaissance.

As we grow and move through the world, it shrinks us and puts us in boxes - tells us who we should be, what we're capable of, and who to love. As a queer child of immigrants, Maria Thattil knows what it is like to struggle with belonging. To have confusing, disparate identities, none of them fitting traditional ideas of worth, power or success. In Unbounded, she shares galvanising stories of what she has lived and learned through experiencing racism, sexism, financial hardship, intergenerational trauma, homophobia and mental health challenges.

What was life really like for women in the medieval period? How did they think about sex, death and God? Could they live independent lives? And how can we hear the stories of women from this period?

As a woman, if you lived in Scotland in the 1500s, there was a very good chance that you, or someone you knew, would be tried as a witch. Witch hunts ripped through the country for over 150 years, with at least 4,000 accused, and with many women's fates sealed by a grizzly execution of strangulation, followed by burning. Inspired to correct this historic injustice, campaigners and writers Claire Mitchell, KC, and Zoe Venditozzi, have delved deeply into just why the trials exploded in Scotland to such a degree.

Until the 20th century, art history was, in the main, written by white, western men who tended to write about other white, western men. The idea that women in the West have always made art was rarely cited as a possibility. Yet, they have - and, of course, continue to do so - often against tremendous odds, from laws to religion and the pressures of family and public disapproval. Feminism has shaken up the story of art and, for the first time, cast light on the often-brilliant work by women artists who were often ignored, patronised or marginalised.