Showing titles in Renaissance

In Nature and Culture in the Early Modern Atlantic, historian Peter C. Mancall reveals how Europeans and Native Americans thought about a natural world undergoing rapid change in the century following the historic voyages of Christopher Columbus. Through innovative use of oral history and folklore maintained for centuries by Native Americans as well as original use of manuscript atlases, paintings that depict European representations of nature, and texts that circulated across the ocean, he reveals how the encounter between the old world and the new changed the fate of millions.

Five Tudor monarchs sat on the throne of England and Ireland from 1485 to 1603. The family earned their royal rights through strategic planning and battlefield prowess, and kept them because of intellect, strength, and sheer determination. The Tudors, one of England’s most powerful and famous royal dynasties, knitted together a fragmented and small island nation that became one of the world’s financial, colonial, and technological superpowers.

The French Invasion of Italy in 1494: The History and Legacy of the Conflict That Started the Italian Wars chronicles the decisive campaign that forever changed the Italian peninsula at the end of the 15th century. You will learn about the First Italian War like never before.

Rom befindet sich auf dem Gipfel der Hochrenaissance, als am 6. Mai 1527 ein Heer Kaiser Karls V. die Mauern der Ewigen Stadt erstürmt und in der Folgezeit ein regelrechtes Terrorregiment am Tiber errichtet - Sacco di Roma. Vorangegangen war eine Diplomatie der Illusionen und der Selbstüberschätzung Papst Clemens' VII, der nach der Einnahme Roms monatelang in der Engelsburg als Gefangener in seiner eigenen Hauptstadt ausharren muss.

This audiobook provides an easy-to-understand overview of British history in 50 events.You will learn about the foundation of London, the Great Viking Invasion, the Battle of Hastings, the Black Death, the Battle of Waterloo, the last public hanging, and much more!

This is a performance of the very first English translation of Niccolo Machiavelli's The Prince. This translation, published by Edward Dacres, first appeared in 1640. Machiavelli's original Italian edition was printed in 1532, five years after his death. Due to the evil associated with Machiavelli's book, it took 108 years for The Prince to be published in the English language.

In 1503, Pope Julius II had succeeded the notorious Alexander VI, and Julius II brought an appreciation for the arts to the papacy. After Michelangelo finished the flurry of works that he had worked on during the previous four years, he was commissioned by Pope Julius II to complete a tomb in the Pope's honor. The project was to be massive in scope, and the tomb was to be placed inside of St. Peter's Basilica, the construction of which was intended to take place while Michelangelo designed the tomb.

Who are the Medici brothers? And who is trying to assassinate them? Why was the Pitti Palace never completed? And what part did Leonardo play in all of this? Leonardo da Vinci is remembered as an artist and inventor. But who was he before anyone knew his name? This family-friendly novel explores the history and the legends of his early years in Florence. It also weaves a mystery of politics and power.

In every nation, in every era of history, there are inevitably one or two places that become the symbol of the times. Mention Valley Forge to an American and it will immediately conjure up visions of a hard won fight for freedom. Likewise, the word Dunkirk said to a Briton will elicit a sense of both pride and horror at the lives lost and saved at that desperate point in World War II. For the French, and those who study their history, Versailles is a symbol of, as Charles Dickens once put it, "the best of times...the worst of times."

Raffaello Sanzio da Urbino, known across the world simply by the name Raphael, stands as one of the main pillars of the High Renaissance, an iconic example of the balance between spirituality and humanistic inquiry that characterized the time period. Although he lived just 37 years, his career produced an amazingly rich output, and he completed more works than many artists do over careers spanning twice the length.

It's possible that Michelangelo is the most famous artist in history, but it's also possible that he's an underrated artist. The vast influence of his career is reflected by the fact that he is not only known for his own art but has also come to embody an entire epoch of Western art. Along with Leonardo da Vinci, there are no other artists who so fully capture the spirit of scientific and artistic discovery that characterized art during the late 15th and early 16th centuries.

Ever since Machiavelli penned The Prince, his 1513 treatise on princely rule and the politics of reality, a work that infamously advises rulers to abandon virtue and morality when necessary, his name has been synonymous with deceit, duplicity, and amoral pragmatism. Since then a sinister reputation has posthumously plagued the controversial Florentine. But is this depiction of Machiavelli as wicked and immoral accurate?

The Renaissance spawned the use of the label "Renaissance man" to describe a person who is extremely talented in multiple fields, and no discussion of the Renaissance is complete without the original Renaissance man, Leonardo da Vinci. Indeed, if 100 people are asked to describe Leonardo in one word, they might give 100 answers.

Of course part of what made Galileo such a monumental figure was the fact that he was ahead of his time and that he mostly refused to conform to the accepted dogmas of contemporary society. As he once put it, "Philosophy is written in that great book which ever lies before our eyes - I mean the universe - but we cannot understand it if we do not first learn the language and grasp the symbols, in which it is written."

It's safe to say there have been countless prophets and seers throughout history, but only one Nostradamus (1503-1566). Nostradamus has become a pop-culture fixture even among those who find nothing of note in his work. He is a cult figure among those who pore through his prophecies to look for proof that he foresaw major world events centuries ahead of time.

Histoire du conflit franco-anglais qui dura 116 ans, depuis la revendication du trône de France par Edouard III jusqu'à l'abandon des Anglais sous le règne de Charles VII.

Die Borgia sind die unheimlichste, schrecklichste und auf jeden Fall umstrittenste Familie der italienischen Renaissance...

Modern beer has little in common with the drink that carried that name through the Middle Ages and Renaissance. Looking at a time when beer was often a nutritional necessity, was sometimes used as medicine, could be flavored with everything from the bark of fir trees to thyme and fresh eggs, and was consumed by men, women, and children alike, Beer in the Middle Ages and Renaissance presents an extraordinarily detailed history of the business, art, and governance of brewing.

Welches der vergangenen zehn Jahrhunderte hat die größten Veränderungen erlebt, welches hat die Menschheit am weitesten vorangebracht? Was war das Besondere eines jeden Jahrhunderts? Auf einem Streifzug durch die vergangenen 1000 Jahre führt uns Ian Mortimer zu den großen Zeiten der Erkenntnis und des Wandels. Wir begegnen gottesfürchtigen Forschern, gewitzten Bauern, kühl kalkulierenden Unternehmern und willensstarken Frauen.

How did Africans become "Blacks" in the Americas? Becoming Free, Becoming Black tells the story of enslaved and free people of color who used the law to claim freedom and citizenship for themselves and their loved ones. Their communities challenged slaveholders' efforts to make Blackness synonymous with slavery. Looking closely at three slave societies - Cuba, Virginia, and Louisiana - Alejandro de la Fuente and Ariela J. Gross demonstrate that the law of freedom - not slavery - established the meaning of Blackness in law.