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The rise of China and its great power competition with the U.S. will be one of the defining issues of our generation. But to understand modern China, one has to understand the people who live there–and the way the Chinese state is trying to control them along lines of identity and free expression. In vivid, cinematic detail, Let Only Red Flowers Bloom tells the stories of nearly two dozen people who are pushing back.

In The Silk Road, Valerie Hansen describes the remarkable archaeological finds that revolutionize our understanding of these trade routes. The Silk Road is a fascinating story of archaeological discovery, cultural transmission, and the intricate chains across Central Asia and China.

From running guns to white-collar crimes in cyberspace and illegal seafood, the Triads, the mafia of China, are potent figures in the world of organized crime. Going by enigmatic names like the 14K Triad and the United Bamboo Gang, these criminal groups are enormous, with some organizations boasting memberships ranging in the tens of thousands. A powerful factor in China and throughout Asia, Triads are entrenched in society and the masters of multiple enterprises ranging from extortion, narcotics, prostitution, and white collar crime.

Conflicts over specific rules lie at the heart of the disputes, which are about much more than sovereignty over islands and rocks in the South and East China Seas. Instead, the main contests concern the strategic maritime space associated with those islands. To consolidate control over this vital maritime space, China's leaders have begun to implement "China's law of the sea": building domestic legal institutions, bureaucratic organizations, and a naval and maritime law enforcement apparatus to establish China's preferred maritime rules on the water and in the diplomatic arena.

The signs are everywhere. China unilaterally claims the entire South China Sea as sovereign territory, then builds artificial islands to bolster its claim. It suddenly activates an air defense identification zone over the East China Sea, and threatens to down any aircraft that does not report its position. It builds roads into Indian territory, then redraws the maps to show that it is actually Chinese territory. The People's Republic under President Xi Jinping is quickly becoming The Bully of Asia.

China today is never out of the news: from international finance to human rights controversies, global coverage of its rising international presence, and the Chinese "economic miracle". It seems to be a country of contradictions: a peasant society with some of the world's most futuristic cities, heir to an ancient civilization that is still trying to find a modern identity. This Very Short Introduction audiobook offers the listener an entry to understanding the world's most populous nation, giving an integrated picture of modern Chinese society, culture, economy, politics, and art.

Introducing an Asian mythology trilogy from the creator of the Captivating History series. This book includes three captivating books.

China's Great Wall of Debt is a penetrating examination of the country's opaque financial system and the complex factors - demographic shifts, urbanisation, industrialisation, a pervasive over-reliance on debt-fuelled investments - that have brought the country to the brink of crisis. Anchored by stories of China's cities and its people, from factory workers and displaced farmers to government officials and entrepreneurs, the narrative will take readers inside the country's ghost cities, zombie companies, start-ups, and regulatory institutions as McMahon explains how things got so bad, why fixing the problems is so hard, and what the economic outlook means for China and for the rest of us.

Over the past four decades, China's remarkable transformation has garnered admiration but also sparked concern. George Magnus draws on his intimate knowledge of this dynamic nation to uncover the origins of its ascent and show why the economic traps it faces at home and the political challenges it faces abroad pose a serious threat to its continued rise.

It is November 12, 1941, and the world is at war. In Shanghai, just weeks before Pearl Harbor, thousands celebrate the birthday of China's founding father, Sun Yat-sen, in a new city center built to challenge European imperialism. Across town, crowds of Shanghai residents from all walks of life attend the funeral of China's wealthiest woman, the Chinese-French widow of a Baghdadi Jewish businessman whose death was symbolic of the passing of a generation that had seen Shanghai's rise to global prominence. But it is the racetrack that attracts the largest crowd of all.

From one of China’s most acclaimed writers, his first work of nonfiction to appear in English: a unique, intimate look at the Chinese experience over the last several decades, told through personal stories and astute analysis that sharply illuminate the country’s meteoric economic and social transformation. Characterized by Yu Hua’s trademark wit, insight, and courage, China in Ten Words is a refreshingly candid vision of the “Chinese miracle” and all its consequences, from the singularly invaluable perspective of a writer living in China today.

In traditional China, dynasties rewrote history to justify their rule by proving that their predecessors were unworthy of holding power. Marxism gave this a modern gloss, describing history as an unstoppable force heading toward Communism's triumph. The Chinese Communist Party builds on these ideas to whitewash its misdeeds and justify its rule. But in recent years, a network of independent writers, artists and film-makers have challenged this state-led disremembering.

There have been dozens of Chinese dynasties and hundreds of emperors. Different parts of the country have different customs and dialects, but they all share the same history, learning from the great men and women who shaped China and its 5,000 years of civilization. Presented in three volumes are stories of characters who shaped the history of the Chinese from past to present. By knowing them, you will begin to understand today's China.

For several decades Chinese ascendancy has been supported by an astonishingly broad and deep portfolio of soft power. The stories of their reach are breathtaking - Chinese-sponsored reporting in national newspapers and academia; the gagging of sports stars and huge Western brands; Hollywood self-censorship; and of course - communications firms. But these are just the most visible examples. Bethany Allen, an internationally recognized investigator into Chinese covert power, shows Western institutions have bowed to and even enabled Beijing's coercion.

Maugham spent the winter months of 1919 travelling 1500 miles up the Yangtze river. Always more interested in people than places, he noted down acute and finely crafted sketches of those he met on countless scraps of paper. In the resulting collection we encounter Western missionaries, army officers and company managers who are culturally out of their depth in the immensity of the Chinese civilisation.

A provocative account showing that "China" - and its 5,000 years of unified history - is a national myth, created only a century ago with a political agenda that persists to this day. China's current leadership lays claim to a 5,000-year-old civilization, but "China" as a unified country and people, Bill Hayton argues, was created far more recently by a small group of intellectuals.

Julian Gewirtz recovers the debates of the 1980s, tracing the Communist Party's diverse attitudes toward markets, state control, and sweeping technological change, as well as freewheeling public argument over political liberalization. After Tiananmen, however, Beijing systematically erased these discussions of alternative directions. Using newly available Chinese sources, Gewirtz details how the leadership purged the key reformist politician Zhao Ziyang and indoctrinated China and the international community in the new official narrative.

One of the most turbulent and romanticized eras in ancient Chinese history is that of the three kingdoms period. During the third century AD in China, warlords battled for supremacy. This turbulent and bloody era is known as the three kingdoms period. It's also one of the most romanticized eras in Chinese history; heroes and villains like Cao Cao, Liu Bei, and Zhuge Liang have served has inspiration for poetry, novels, opera, and song in China.

Many people in the West look upon the Second Sino-Japanese War, which took place in the 1930s and 1940s, as a sort of sideshow to the larger Second World War, but there is no separating the two. Imagine the Pacific War, the theater of World War II that took place in the Pacific. If the Japanese were not busy fighting on another front, they would have had millions of more troops available to fight the Americans and the British. In all likelihood, World War II would have ended the same way, but it would have taken much longer and cost that many more lives.

For most of its history, the People’s Republic of China limited public discussion of the war against Japan. It was an experience of victimization - and one that saw Mao Zedong and Chiang Kai-shek fighting for the same goals. But now, as China grows more powerful, the meaning of the war is changing. Rana Mitter argues that China’s reassessment of the World War II years is central to its newfound confidence abroad and to mounting nationalism at home.