Showing results by publisher "Audible Studios for Bloomsbury" in Women

In her critically acclaimed memoir, Whip Smart, Melissa Febos laid bare the intimate world of the professional dominatrix, turning an honest examination of her life into a lyrical study of power, desire, and fulfillment. In her dazzling Abandon Me, Febos captures the intense bonds of love and the need for connection - with family, lovers, and oneself. First, her birth father, who left her with only an inheritance of addiction and Native American blood, its meaning a mystery.

There are so many ways to find out. From a cell phone. From a bank statement. From some weird supermarket encounter. One morning in early January 2005, Wendy Plump's friend came to tell her that her husband was having an affair. It was not a shock. Actually, it explained a lot. But what Wendy was not prepared for was the revelation that her husband also had another child, living within a mile of their family home. Monogamy is one of the most important of the many vows we make in our marriages.

On 6 February 1918, after campaigning for over 50 years, British women were finally granted the vote. In November 1919, the first woman MP, Lady Nancy Astor, was elected to the House of Commons. History was made. A hundred years on, it is time to reflect on the daring and painful struggle women undertook to break into a political system that excluded them.

Train to Nowhere is a war memoir seen through the sardonic eyes of Anita Leslie, a funny and vivacious young woman who reports on her experiences with a dry humour, finding the absurd alongside the tragic. Daughter of a baronet and first cousin once removed of Winston Churchill, she joined the Mechanised Transport Corps as a fully trained mechanic and ambulance driver during WWII, serving in Libya, Syria, Palestine, Italy, France and Germany.

The year is 1939. As war breaks out across Europe, nine-year-old Susie and her older sister Gyll are dispatched to Africa by their mother. Alone on the dusty continent, the sisters find little sympathy in their new guardians, and little to like about their new way of life: patched-up clothes, a 6 o'clock bedtime (a particular indignity), and regular obsessive cleanliness rituals. Their continued presence a nuisance, and overwhelmed by fear of doing the wrong thing, Susie and Gyll seek an ally in Mavis.

Some might wonder how Martha could have clung to hope at all. In 1948, on the day of the funeral of her adored older brother, Gaston, a quick victim of the great polio epidemic, Martha was struck with the same dreaded disease. After a year in polio hospitals, she was sent back to her home in the village of Lattimore in the cotton-growing hills of western North Carolina. She was completely paralyzed, with only her head protruding from an 800-pound yellow metal cylinder that breathed for her.

Donna Seaman brings to dazzling life seven forgotten artists, among the best of their day: Gertrude Abercrombie, with her dark, surreal paintings and friendships with Dizzy Gillespie and Sonny Rollins; Bay Area self-portraitist Joan Brown; Ree Morton, with her witty, oddly beautiful constructions; Loïs Mailou Jones of the Harlem Renaissance; Lenore Tawney, who combined weaving and sculpture; Christina Ramberg, who drew on pop culture and advertising; and Louise Nevelson, an art-world superstar.

Shirley Pitts, the eldest of six children, was born upside down on November 24, 1934. Her "career" began by thieving bread off doorsteps and coal from coal carts. Her father's bungled attempts at black marketeering and her dipsomaniac mother's inadequacies made Shirley resolve to be not only a first-class thief but also the best mother her six children could wish for.

Joanna Jepson was born with a facial deformity that led to her being mercilessly bullied through childhood and adolescence while a strict evangelical upbringing imposed further challenges. Reconstructive facial surgery and a religious meltdown left her unrecognizable and disorientated and triggered a search for identity and belonging.

Lillian Hellman was a giant of 20th-century letters and a groundbreaking figure as one of the most successful female playwrights on Broadway. Yet the author of The Little Foxes and Toys in the Attic is today remembered more as a toxic, bitter survivor and literary fabulist, the woman of whom Mary McCarthy said, "Every word she writes is a lie, including 'and' and 'the.'" In A Difficult Woman, renowned historian Alice Kessler-Harris undertakes a feat few would dare to attempt: a reclamation of a combative, controversial woman who straddled so many political and cultural fault lines of her time.

Despite the tensions of a world still recovering from World War I, during the summer of 1926, the story that enthralled the public revolved around four young American swimmers - Gertrude Ederle, Mille Gade, Lillian Cannon, and Clarabelle Barrett - who battled the weather, each other, and considerable odds to become the first woman to conquer the brutal waters of the English Channel. The popular East Coast tabloids from New York to Boston engaged in rivalries nearly as competitive as the swimmers themselves.