Showing results by publisher "Audible Studios" in Authors

There was entertainment at the Republican Gala on Sunday night. The climax was a full marching band of bagpipers. They must have been hired for the week since one kept hearing them on the following days, and at all odd times, heard them even in my hotel room at four am for a few were marching in the streets of San Francisco, sounding through the night, giving off the barbaric evocation of the Scots, all valor, wrath, firmitude, and treachery - the wild complete treachery of the Scots finding its way into the sound of the pipes.

Henry Miller was one of the most distinctive voices in twentieth-century literature. Better known in Europe than in his native America for most of this career, he achieved international success and celebrity during the 1960s when his banned "Paris" books - beginning with Tropic of Cancer - were published here and judged by the Supreme Court not to be obscene. Until then he had toiled in relative obscurity and poverty.

A lyrical and authentic book that recounts the story of a border-town family in Brownsville, Texas in the 1980s, as each member of the family desperately tries to assimilate and escape life on the border to become "real" Americans, even at the expense of their shared family history. This is really un-mined territory in the memoir genre that gives in-depth insight into a previously unexplored corner of America.

American author John Horne Burns (1916 - 1953) led a brief and controversial life, and as a writer, transformed many of his darkest experiences into literature. Burns was born in Massachusetts, graduated from Andover and Harvard, and went on to teach English at the Loomis School, a boarding school for boys in Windsor, Connecticut. During World War II he was stationed in Africa and Italy and worked mainly in military intelligence. His first novel, The Gallery (1947), based on his wartime experiences, was critically acclaimed and one of the first to unflinchingly depict gay life in the military.

When Reynolds Price died in January 2011, he left behind one final piece of writing - two hundred candid, heartrending, and marvelously written manuscript pages about a critical period in his young adulthood. Picking up where his previous memoir, Ardent Spirits, left off, the work documents a brief time from 1961 to 1965, perhaps the most leisurely of Price's life, but also one of enormous challenge and growth. Price gave it the title Midstream. Approaching thirty, Price writes, is to face the notion that, "This is it. I'm now the person I'm likely to be…from here to the end."

When Aeronwy was six, her parents Dylan and Caitlin Thomas moved to the Boat House at the edge of the small Welsh village of Laugharne. Through a child’s eye she recalls the chaos and joy of living with Dylan Thomas while the poet was at the height of his creative powers, composing 'Under Milk Wood'. Through a series of beautifully evocative episodes, village and family life are explored.

Becoming Shakespeare begins with his death in 1616 and relates the fascinating story of his unlikely transformation from provincial playwright to universal Bard. Unlike later literary giants, Shakespeare created no stir when he died. Though he'd once had a string of hit plays, he had been retired in the country for six years, and only his family, friends, and business partners seemed to care that he was gone.

"Over the last few years I've started writing a number of stories that, for various reasons, I never finished writing..." So begins Special Problems, the comic tale of Christie Hodges, a writer who can't seem to finish a story. The problem isn't that Hodges has nothing to write about - there's her recent divorce, her paralyzed foot, trouble with her daughter and job - it's that once she starts writing, she can't stop. One problem leads to another, and another.

El célebre autor Ta-Nehisi Coates vuelve con un oportuno libro sobre sus viajes a tres lugares en conflicto —Dakar, Carolina del Sur y Palestina— en el que explora cómo las historias que contamos, y las que no, conforman nuestras realidades.

Olivia Laing ha quarantadue anni quando diventa proprietaria per la prima volta di un giardino. È un giardino trascurato da tempo| come sembrano indicare i nodi dei rampicanti che coprono i mattoni rossi| gli alberi da frutto marcescenti e le rose dai colori sbiaditi. Fino a quel momento| la sua aspirazione botanica si era manifestata solo in un sogno ricorrente: una porta che conduce verso un luogo sconosciuto| in cui lei| priva di peso| si ritrova ad abitare un territorio nuovo| ricco di potenzialità.

André Gide, a towering figure in French letters, draws upon his friendship with Oscar Wilde to sketch a compelling portrait of the tragic, doomed author, both celebrated and shunned in his time. Rather than compile a complete biography, Gide invites us to discover Wilde as he did - from their first meeting in 1891 to their final parting just two years before Wilde’s death - all told through Gide’s sensitive, incomparable prose. Using his notes, recollections, and conversations, Gide illuminates Wilde as a man whose true art was not writing, but living.

映画字幕翻訳の第一人者、戸田奈津子が語る自伝ノンフィクション。戦争体験、長い下積み、ハリウッドスターとの華やかな交友…。人生のほとんどを“映画＝夢”に捧げ、現在も走り続けるスーパーウーマン。

Gita al fiume è un omaggio, un tributo, un’esperienza. È il viaggio di una scrittrice sulle orme di un’altra. Con la prosa poetica a cui si sono affezionati lettori in tutto il mondo, Olivia Laing ci conduce sulle rive dell’Ouse, il fiume dove nel 1941 Virginia Woolf si suicidò, per seguire gli ultimi passi della grande scrittrice ed esplorare quel luogo che aveva deciso di rendere teatro della propria morte.

Schopenhauer escribió El arte de tener razón (o Dialéctica erística) para sistematizar «las astucias, ardides y bajezas» que empleamos cuando discutimos con la única finalidad de hacer prevalecer nuestras ideas. En la época en que Hegel señalaba la dialéctica como el único camino para alcanzar la culminación del Espíritu, Schopenhauer, su irreductible antagonista, la entendía como el florete a blandir en el particular combate de esgrima que es cualquier discusión.

Stefan Zweig, reconocido como uno de los mayores biógrafos de todos los tiempos, examina con su habitual perspicacia y sutileza la vida y obra de tres grandes escritores, y queda fascinado por la lucidez de Tolstói, la imparcialidad de Casanova y la ambigüedad de Stendhal.

Convencido de que uno de los hombres más inteligentes de la Tierra guarda el secreto del sentido de la vida y la inmortalidad del alma, el periodista Ricardo F. Colmenero se hace pasar por traficante de hachís y jugador de ajedrez para recoger los restos inmortales del comunista, del voluntario del Vietcong, del directivo del Instituto de Crédito Oficial, del presidiario, de la cobaya de estupefacientes, del primer repudiado por políticamente incorrecto cuando aún no existía lo políticamente incorrecto.

De la amplia obra de Stefan Zweig, celebrada por generaciones de lectores alrededor del mundo, quizá sus biografías son las que mejor dan muestra de la destreza del escritor para el retrato, de su agudeza psicológica y de la profunda comprensión del alma humana.

Lorenza Mazzetti, regista, scrittrice, pittrice, personalità fra le più straordinarie e influenti del panorama culturale del Novecento, si racconta in un dialogo che ripercorre tutte le sfumature emotive di un'intera esistenza.

Marqués de Sade. Sexualidad, amor y tormento trata sobre el controvertido escritor, ensayista y filósofo francés cuya vida llena de depravación, escándalo y libertinaje lo llevó a ser encarcelado por décadas. Fue durante el encierro que escribió algunas de sus célebres y crudas obras en las que se adentra en la sexualidad, el amor, la perversión, la tortura y el tormento, mismas que representaban un claro desafío a la sociedad de su tiempo.

¿Tenemos algo que contar? Y, lo más importante, ¿sabemos cómo hacerlo? Decía Oscar Wilde que no existen más que dos reglas para escribir: tener algo que decir y decirlo. Probablemente sea así, pero quizá no sea lo mismo tener algo que expresar al mundo...