Showing titles in Authors

The story of a student who went to extraordinary lengths - including living in a van on a campus parking lot - to complete his education without sacrificing his financial future. In a frank and self-deprecating voice, memoirist Ken Ilgunas writes about the existential terror of graduating from college with $32,000 in student debt. Inspired by Thoreau, Ilgunas set himself a mission: get out of debt as soon as humanly possible. To that end, he undertook an extraordinary three-year transcontinental journey.

Every memoir is a battle between reality and invention - but in her follow up to Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys., Viv Albertine has reinvented the genre with her unflinching honesty. To Throw Away Unopened is a fearless dissection of one woman's obsession with the truth - the truth about family, power and her identity as a rebel and outsider. It is a gaping wound of a book, both an exercise in bloodletting and psychological archaeology, excavating what lies beneath: the fear, the loneliness, the anger.

In this biography of Count Lev Nikolaevich Tolstoy, A. N. Wilson narrates the complex drama of the writer's life: his childhood of aristocratic privilege but emotional deprivation, his discovery of his literary genius after aimless years of gambling and womanizing, and his increasingly disastrous marriage. Wilson sweeps away the long-held belief that Tolstoy's works were the exact mirror of his life and instead traces the roots of Tolstoy's art to his relationship with God, with women, and with Russia.

"La nostra lingua manca di parole per esprimere questa offesa, la demolizione di un uomo". Con ostinazione e pacatezza, Primo Levi non ha mai smesso di cercare le parole per raccontare l'atrocità della deportazione e del campo di sterminio di Auschwitz, in cui venne internato dal febbraio 1944 al 27 gennaio 1945. Parole di testimonianza sconvolgente e di grande potenza narrativa che vengono qui accolte e restituite ad alta voce da Roberto Saviano.

Tash Aw explores the panoramic cultural vitality of modern Asia through his own complicated family story of migration and adaptation, which is reflected in his own face. From a taxi ride in present-day Bangkok, to eating Kentucky Fried Chicken in 1980s Kuala Lumpur, Aw weaves together stories of insiders and outsiders, images from rural villages to megacity night clubs and voices in a dizzying variety of languages, dialects and slangs, to create an intricate and astoundingly vivid portrait of a place caught between the fast-approaching future and a past that won't let go.

Beginning with the often violent circumstances of Dante's life, the book examines his successive works as testimony to the course of his passionate humanity: his lyric poetry through to the Vita nova as the great work of his first period; the Convivio, De vulgari eloquentia and the poems of his early years in exile; and the Monarchia and the Commedia as the product of his maturity.

Philip Roth watches as his eight-six-year-old father, famous for his vigour, his charm and his skill as a raconteur - lovingly called 'the Bard of Newark' - battles with the brain tumour that will kill him. The son, full of love, anxiety and dread, accompanies his father through each fearful stage of his final ordeal, and, as he does so, discloses the survivalist tenacity that has distinguished his father's long engagement with life. Written with fierce tenderness, Patrimony is a classic work of memoir by a master storyteller.

Monica Jones was Philip Larkin's partner for more than four decades and was arguably the most important woman in his life. She was cruelly immortalised as Margaret Peel in Kingsley Amis's Lucky Jim and widely vilified for destroying Larkin's diaries and works in progress after his death. She was opinionated and outspoken, widely disliked by his friends and Philip himself was routinely unfaithful to her. But Monica Jones was also a brilliant academic and an inspiring teacher in her own right.

In Mother's Boy, Booker Prize winner Howard Jacobson reveals how he became a writer. It is an exploration of belonging and not-belonging, of being an insider and outsider, both English and Jewish. Full of Jacobson's trademark humour and infused with bittersweet memories of his parents, this is the story of a writer's beginnings - as well as the twists and turns that life takes - and of learning to understand who you are before you can become the writer you were meant to be.

Julian Barnes' new book is, among many things, a family memoir, an exchange with his brother (a philosopher), a meditation on morality and the fear of death, a celebration of art, an argument with and about God, and homage to the French writer Jules Renard. Though he warns us that 'this is not my autobiography', the result is a tour of the mind of one of our most brilliant writers.

Deeply personal and powerfully moving, a short and timely series of essays on the experience of lockdown, by one of the most clear-sighted and essential writers of our time. Crafted with the sharp intelligence, wit and style that have won Zadie Smith millions of fans and suffused with a profound intimacy and tenderness in response to these unprecedented times, Intimations is a vital work of art, a gesture of connection and an act of love - an essential book in extraordinary times.

D. H. Lawrence is no longer censored, but he is still on trial - and we are still unsure what the verdict should be, or even how to describe him. History has remembered him, and not always flatteringly, as a nostalgic modernist, a sexually liberator, a misogynist, a critic of genius and a sceptic who told us not to look in his novels for 'the old stable ego’, yet pioneered the genre we now celebrate as auto-fiction. But where is the real Lawrence in all of this, and how - 100 years after the publication of Women in Love - can we hear his voice above the noise?

Georgette Heyer remains an enduring international best seller, read and loved by four generations of readers and extolled by today's best-selling authors. Despite her enormous popularity, she never gave an interview or appeared in public. Georgette Heyer wrote her first novel, The Black Moth, when she was 17 in order to amuse her convalescent brother. It was published in 1921 to instant success, and 90 years later it has never been out of print.

Some years ago, Oliver Darkshire stepped into the hushed interior of Henry Sotheran Ltd on Sackville Street (est. 1761) to interview for their bookselling apprenticeship, a decision which has bedevilled him ever since. He'd intended to stay for a year before launching into some less dusty, better remunerated career. Unfortunately for him, the alluring smell of old books and the temptation of a management-approved afternoon nap proved irresistible. Soon he was balancing stacks of first editions, fending off nonagenarian widows with and trying not to upset the store's resident ghost.

Henry Miller was one of the most distinctive voices in twentieth-century literature. Better known in Europe than in his native America for most of this career, he achieved international success and celebrity during the 1960s when his banned "Paris" books - beginning with Tropic of Cancer - were published here and judged by the Supreme Court not to be obscene. Until then he had toiled in relative obscurity and poverty.

More than any other canonical English writer, Geoffrey Chaucer lived and worked at the center of political life - yet his poems are anything but conventional. Edgy, complicated, and often dark, they reflect a conflicted world, and their astonishing diversity and innovative language earned Chaucer renown as the father of English literature. Marion Turner, however, reveals him as a great European writer and thinker.

On February 18, 1965, an overflowing crowd packed the Cambridge Union in Cambridge, England, to witness a historic televised debate between James Baldwin, the leading literary voice of the civil rights movement, and William F. Buckley Jr., a fierce critic of the movement and America's most influential conservative intellectual. The topic was "the American dream is at the expense of the American Negro", and no one who has seen the debate can soon forget it. Nicholas Buccola's The Fire Is upon Us is the first book to tell the full story of the event.

In this transcendent memoir, grounded in tribal myth and ancestry, music and poetry, Joy Harjo, one of our leading Native American voices, details her journey to becoming a poet. Born in Oklahoma, Harjo grew up learning to dodge an abusive stepfather by finding shelter in her imagination, a deep spiritual life, and connection with the natural world. She attended an Indian arts boarding school, where she nourished an appreciation for painting, music, and poetry; gave birth while still a teenager; and struggled on her own as a single mother, eventually finding her poetic voice.

When Seán meets Elias, the two fall headlong into a love story. But as Elias struggles with severe depression, the couple comes face-to-face with crisis. Wrestling with this, Seán Hewitt delves deep into his own history, enlisting the ghosts of queer figures and poets before him. From a 19th-century cemetery in Liverpool to the pine forests of Gothenburg, Hewitt plumbs the darkness in search of solace and hope. All Down Darkness Wide is an unflinching meditation on the burden of living in a world that too often sets happiness and queer life at odds.

The First World War laid waste to a continent and brought about the end of innocence — and the end of faith. Unlike a generation of young writers who lost faith in the God of the Bible, however, J. R. R. Tolkien and C. S. Lewis found that the Great War deepened their spiritual quest. Both men served as soldiers on the Western Front, survived the trenches, and used the experience of that conflict to ignite their Christian imagination.