Showing results by publisher "Macmillan Audio" in Artists, Architects & Photographers

Arthur Fellig’s ability to arrive at a crime scene just as the cops did was so uncanny that he renamed himself “Weegee”, claiming that he functioned as a human Ouija board. Weegee documented better than any other photographer the crime, grit, and complex humanity of midcentury New York City. In Flash, we get a portrait not only of the man (both flawed and deeply talented, with generous appetites for publicity, women, and hot pastrami) but also of the fascinating time and place that he occupied....

In Arbitrary Stupid Goal, Tamara Shopsin takes the listener on a pointillist time-travel trip to the Greenwich Village of her bohemian 1970s childhood, a funky, tight-knit small town in the big city, long before Sex and the City tours and luxury condos.

He was the original 20th-century enfant terrible with the looks of a Greek god who blazed like a comet across the worlds of art, photography, and fame. The scion of several old WASP fortunes, he was by instinct an adventurer, and the more dangerous the escapade, the better. Journalist and author Graham Boynton was a friend for more than 30 years, spending time with Beard at his bush camp in Africa, in London, and at his Long Island home. From hundreds of Boynton’s interviews with Beard’s closest friends, former lovers, and fellow artists comes this intimate portrait.

George W. Bush arrived in the White House an untested governor with an unfortunate habit of tripping over his own tongue, presiding over an economy slipping into recession, and a nation more obsessed with reality television than with the reality of international terrorism. He was considered by many opinion-leaders a dupe, an illiterate, a cowboy, a preppie, a child of privilege. Now, it is clear to John Podhoretz that Bush has become, and will be remembered, as one of this nation's strongest leaders.

Chris Rush was born into a prosperous, fiercely Roman Catholic New Jersey family. But underneath the gleaming mid-century house, the flawless hostess mom, and the thriving businessman dad ran an unspoken tension that, amid the upheaval of the late 1960s, was destined to fracture their precarious facade. His older sister, Donna, introduces him to the charismatic Valentine, who places a tab of acid on 12-year-old Rush’s tongue, proclaiming: “This is sacrament. You are one of us now.”