Showing titles in Art & Literature

During the 1930s at Oxford, C. S. Lewis, J. R. R. Tolkien, and Charles Williams - remarkable friends, writers, and scholars - met regularly to discuss philosophy and literature and to read aloud from their own works in progress. Calling themselves the Inklings, their circle grew. It was in this company that such classics as The Lord of the Rings, The Screwtape Letters, and The Lion, the Witch, and the Wardrobe first found an audience.

In 1900, an 18-year-old Spaniard named Pablo Picasso made his first trip to Paris. It was in this glittering capital of the international art world that, after suffering years of poverty and neglect, he emerged as the leader of a bohemian band of painters, sculptors, and poets. Fueled by opium and alcohol, inspired by raucous late-night conversations at the Lapin Agile cabaret, Picasso and his friends resolved to shake up the world.

What is the role of the writer? Prophet? High priest of art? Court jester? Or witness to the real world? Looking back on her own childhood and writing career, Margaret Atwood examines the metaphors which writers of fiction and poetry have used to explain - or excuse! - their activities, looking at what costumes they have assumed, what roles they have chosen to play. In her final chapter she takes up the challenge of the title: if a writer is to be seen as "gifted", who is doing the giving and what are the terms of the gift?

Never before has a member of the Packer family co-operated with a writer to tell their story. In his biography The Price of Fortune, one of the nation's richest and most psychoanalyzed men opens up in an attempt to make sense of his roller-coaster life and to tell the human story of being James Douglas Packer. Of how his wealth, charm and intellect took him to such exciting places. Yet how sometimes trusting the wrong people and his own rash actions cost him - and how he is now working on getting it all back.

Following the death of his little sister and the publication of his New York Times best-selling memoir The Little Way of Ruthie Leming, Rod Dreher found himself living in the small community of Starhill, Louisiana, where he grew up. But instead of the fellowship he hoped to find, he discovered that fault lines within his family had deepened. Dreher spiraled into depression and a stress-related autoimmune disease.

Back when restaurant menus were still printed on paper, and wearing a mask—or not—was a decision made mostly on Halloween, David Sedaris spent his time doing normal things. As Happy-Go-Lucky opens, he is learning to shoot guns with his sister, visiting muddy flea markets in Serbia, buying gummy worms to feed to ants, and telling his nonagenarian father wheelchair jokes. But then the pandemic hits, and like so many others, he's stuck in lockdown, unable to tour and read for audiences, the part of his work he loves most.

Beginning in 1987, as she embarks on an affair that she knows will be all-consuming and ending in 1995 with the publication of The First Stone and the furore that followed it, Garner reveals the inner life of a woman in love and a great writer at work. With devastating honesty and sparkling humour, she grapples with what it means for her sense of self to be so entwined with another - how to survive as an artist in a partnership that is both enthralling and uncompromising.

Sitting down to write a book about his hero D. H. Lawrence, Geoff Dyer finds himself compelled to write about anything else. He is in fact compelled to do more or less anything else instead of write. In Sicily he is too preoccupied by his hatred of seafood to follow the great writer's footsteps; in Mexico he cannot get beyond a drug-induced erotic fantasy on a nudist beach...and yet, incredibly, this attempt to write a 'sober academic study' reveals the hold Lawrence and his work still exert on us today.

The extraordinary true story of journalist Cheng Lei whose life was abruptly transformed when she was detained in China on false charges of espionage.

Both George Orwell and Winston Churchill came close to death in the mid-1930s - Orwell shot in the neck in the Spanish Civil War and Churchill struck by a car in New York City. If they'd died then, history would scarcely remember them. At the time Churchill was a politician on the outs, his loyalty to his class and party suspect. Orwell was a mildly successful novelist, to put it generously. No one would have predicted that by the end of the 20th century, they would be considered two of the most important people in British history....

Looking for wonder and some reprieve from the everyday, Anna Funder slips into the pages of her hero George Orwell. As she watches him create his writing self, she tries to remember her own... When she uncovers his forgotten wife, it's a revelation. Eileen O'Shaughnessy's literary brilliance shaped Orwell's work and her practical nous saved his life. But why - and how - was she written out of the story? Using newly discovered letters from Eileen to her best friend, Funder recreates the Orwell's marriage, through the Spanish Civil War and WWII in London.

Prisoner FF8282 gazes out from confinement on what he deems must be a glorious summer’s day, rays of sunlight bursting through the barred windows of his cell. Within the thick prison walls separating society from its dangerous criminals, a multitude of harrowing fates unfold, seldomly explored by the public. First-time offenders thrown in cells with hardened criminals, several inmates becoming heroin addicts and a system riddled with flaws. However, even in prison the sunlight cannot be kept out.

These biographies of the great quattrocento artists have long been considered among the most important of contemporary sources on Italian Renaissance art. Vasari, who invented the term "Renaissance", was the first to outline the influential theory of Renaissance art that traces a progression through Giotto, Brunelleschi, and finally the titanic figures of Michaelangelo, Da Vinci, and Raphael.

In the six lectures of The Life and Works of L. M. Montgomery, you’ll join Kate Scarth to delve into five key topics that illuminate the life, work, and legacy of the author sometimes called “the Jane Austen of Canada”: family, place, friendship, creativity, and literature.

Bookish picks up where Bookworm left off: at the cusp of teenage, when everything – including the way we read – undergoes a not-so-subtle transformation. Here, Mangan vividly recounts her metamorphosis from young bookworm to bookish adult, from the way GCSE curricula can impact our relationship with literature to the growing pains of swapping the pleasures of re-reading for those of book-hoarding.

Robert Crumb is often credited with single-handedly transforming the comics medium into a place for adult expression, in the process pioneering the underground comic book industry, and transforming the vernacular language of 20th-century America into an instantly recognizable and popular aesthetic, as iconic as Walt Disney or Charles Schulz. Now, for the first time, Dan Nadel, a curator and writer specializing in comics and art, shares how this complicated artist survived childhood abuse, fame in his twenties, more fame, and came out the other side intact.

Thoreau's classic account of the solitary life, describing his attempts to simplify his life and sort out his priorities by living alone in a cabin beside Walden Pond for nearly two years, is one of the most influential books ever written. The bible of the environmental movement, Walden vividly portrays Thoreau's reverence for nature, and his understanding of the idea that nature is made up of crucially interrelated parts.

C. S. Lewis had one of the great minds of the 20th century. Many know Lewis as an author of fiction and fantasy literature, including the Chronicles of Narnia and the Space Trilogy. Others know him for his books in apologetics, including Mere Christianity and The Problem of Pain. But few know him for his scholarly work as a professor of medieval and Renaissance literature. What shaped the mind of this great thinker?

Sometime religious outsider and social disaster, sometime celebrity preacher and establishment darling, John Donne was incapable of being just one thing. He was a scholar of law, a sea adventurer, an MP, a priest, the Dean of St Paul's Cathedral—and perhaps the greatest love poet in the history of the English language. He converted from Catholicism to Protestantism, was imprisoned for marrying a high-born girl without her father's consent, struggled to feed a family of 10 children and was often ill and in pain.

Why did Agatha Christie spend her career pretending that she was 'just' an ordinary housewife, when clearly she wasn't? As Lucy Worsley says, 'She was thrillingly, scintillatingly modern'. Her life was 'modern' too: she went surfing in Hawaii, she loved fast cars, and she was intrigued by the new science of psychology, which helped her through devastating mental illness. So why—despite all the evidence to the contrary—did Agatha present herself as a retiring Edwardian lady of leisure?