Showing titles in History & Criticism

When Bruce Springsteen went back on the road in 1984, he opened every show by shouting out, "one, two, one, two, three, four," followed by the droning synth chords of "Born in the U.S.A." Max Weinberg hit his drums with a two-fisted physicality that cut through the swelling chords. With a rolled-up red kerchief around his head and heavy black boots under his faded jeans, Springsteen looked like the character of the song, and from the very first line ("Born down in a dead man's town") he sang with the throat-scraping desperation of a man with his back against the wall.

In this book, Mark Polizzotti examines just what makes the songs on Highway 61 Revisited so affecting, how they work together as a suite, and how lyrics, melody, and arrangements combine to create an unusually potent mix. He blends musical and literary analysis of the songs themselves, biography (where appropriate) and recording information (where helpful).

Through a series of interviews with a wide range of people connected to Pink Floyd in their earliest days (including Nick Mason, Peter Jenner, Jenny Fabian, Storm Thorgerson, Duggie Fields and Peter Whitehead), John Cavanagh paints a vivid picture of how this remarkable debut album was created. He brings to life the stories behind each track, as well as Pink Floyd's groundbreaking live performances of the time.

Derided as one-hit wonders, estranged from their original producer and record label, and in self-imposed exile in Los Angeles, the Beastie Boys were written off by most observers before even beginning to record their second album—an embarrassing commercial flop that should have ruined the group's career. But not only did "Paul's Boutique" eventually transformed the Beasties from a fratboy novelty to hiphop giants, its sample-happy, retro aesthetic changed popular culture forever.

In this wickedly entertaining and thoroughly informed homage to one of rock music's towering pinnacles, Erik Davis investigates the magic—black or otherwise—that surrounds this album. Carefully peeling the layers from each song, Davis reveals their dark and often mystical roots—and leaves the listener to decide whether [FOUR SYMBOLS] is some form of occult induction or just an inspired, brilliantly played rock album.

The Uncanny Muse explores the history of automation in the arts and delves into one of the most momentous and controversial aspects of AI: artificial creativity. The adoption of technology and machinery has long transformed the world, but as the potential for artificial intelligence expands, David Hajdu examines the new, increasingly urgent questions about technology's role in culture.

Known as opera’s “disrupter-in-residence,” director Yuval Sharon has never adhered to the art form’s conventions. In his many productions in both the United States and Europe, he constantly challenges the perception of opera as aloof by urging, among other things: performing operas in “non-places,” such as parking lots; encouraging the use of amplification; and shuffling the traditional structure of classic works, like performing Puccini’s La bohème in reverse order, ending not with the tubercular heroine Mimi’s death but with her first falling in love.

We’ve had the time of our lives as Swifties, and now that story—full of joy, friendship, connection, clowning, and singing at the top of our lungs—is documented in this tribute to the fandom and the reason we’re all here, Taylor Swift. We all know how it started: a teenage girl from...

It's 2013. You're a teenager squinting at your laptop in the dead of night, flicking between iTunes and YouTube and PirateBay. Endless reams of artists unspool at the click of a button. New forms of musical discovery open up before your very eyes. This evolving digital landscape exists beyond...

Welcome to the ultimate backstage pass to the afterlife, where the music never stops and the encores are eternal. In this collection of spectral true tales, we'll journey from smoke-filled recording studios to haunted hotel rooms, chasing the ghosts of rock & roll royalty who refuse to let a little thing like death keep them from the spotlight. These aren't your grandmother's ghost stories—unless, of course, your gran was a groupie for The Doors.

Now fully revised and expanded, this new edition of While My Guitar Gently Weeps: The Music of George Harrison is the most comprehensive evaluation of George Harrison's musical career ever published. Treating each of Harrison's songs with unprecedented analysis, author Simon Leng reveals Harrison's eclectic approach – from teenage Nashville twang through Indian raga, psychedelia, gospel, soul, and pure pop – and thoroughly defines Harrison's role in the Beatles.

Bloomsbury presents Unfinished by Lucas Cantor Santiago, read by Christopher Ragland. For most of his career, the Emmy Award–winning composer and producer Lucas Cantor Santiago was a self-described luddite. Technology, he felt, was moving too fast, transforming the world and the arts with no regard for the cost in tradition, hard-won human wisdom, and tried-and-true methods of mastery.

In Michael Rabin: America's Virtuoso Violinist, Anthony Feinstein tells the poignant story of the life and career of one of history's greatest violinists. As a child prodigy, Rabin had the classical music world at his feet. Notable successes abounded. Yet no sooner had Rabin taken his place alongside such illustrious colleagues as Heifetz, Milstein, and Stern than he abruptly and inexplicably disappeared from the concert stage. For three years, the public saw and heard little of him.

Clad in black with dark shades, Roy Orbison had a mystique, style, and voice that were unmistakable and singularly different from his famous peers of the 1950s and '60s. Born in Vernon, Texas, Roy was the son of a guitar-playing oil worker. Already a music fan by age six, Roy went on to form a high school band. Honky-tonk gigs followed. Then a contract at Elvis Presley's label, Sun Records, where Roy found mentors and friends among the likes of Carl Perkins. Following a shift to Monument Records, he shared a bill with a group called the Beatles, who were huge fans of his.

Tulsa, Oklahoma might not be the first place mentioned when people talk about American music history. But this bustling city has a rich and diverse legacy that spans genres, generations and cultures. Tulsa Sounds: Contributions to American Music takes you into the stories behind the songs, the artists and the venues that made Tulsa not only a musical hot spot but influenced social, cultural and political change in the city as well as the nation. There is Leon Russell and his contributions to rock and roll. There are the toe-tapping pioneers of Western Swing, Bob Wills and the Texas Playboys.

Minimalism as a genre is best defined not by any style or flavor but by its means. A still young genre with ancient roots, minimalism is much less any kind of style than a practice, a manner of making music. Reviving those means and applying them to contemporary sounds and experiences, the pioneers of minimalism created a new and avant-garde music that immediately communicated its power to listeners of all kinds.

In the U.K. in the early '70s, in response to the glitz of glam and the excess of prog there emerged a DIY, back to basics scene known as pub rock: No-fuss, grass roots rock'n'roll bands playing in tight, sweaty rooms to packed throngs in the Victorian pubs of north London. Pub rock was a relative flash in the pan, lasting only a handful of years, but it produced a seismic shift, bridging the gap between rock's Baroque period and the ensuing punk and new wave scene, and crucially, restoring the visceral connection between artist and audience.

20th Century Ambient details a crucial period in which ambient music became a fully realized idea and is secretly one of the most popular genres in the world. This book walks through ambient's ambiguous timeline to uncover not just the genre's evolution but to understand why it resonates so deeply with the human spirit.

Melodías del alma nos invita a embarcarnos en un viaje musical a través del tiempo, apelando a los clásicos de ayer y de hoy al compás de las estaciones del año, y a sumergirnos en las resonancias musicales de las profundidades del alma recorriendo la cartografía de las emociones que cada estación suscita en la autora a lo largo de las cincuenta y dos semanas del año. En este singular ejercicio de maridaje, cada una de las trece emociones asociadas a cada estación se acompaña de una composición que la representa.

Ehemals Musik junger Abgehängter und Outlaws, ist Heavy Metal heute mehr und mehr in der Mitte der Gesellschaft angekommen: Wohl mehr als 10 Millionen Deutsche hören Heavy Metal. Aber warum tun sie das? Was suchen und was finden sie in dieser Musik, die von Außenstehenden oft als purer Lärm empfunden wird? Warum wimmelt es im Heavy Metal nur so von Monstern und Teufeln - und wieso schweigen auch die Götter und die Engel nicht? Was erleben Metal-Fans, wenn sie ihre Musik hören - und welche Erfahrung treibt sie immer wieder ins Konzert.