Showing titles in Screenwriting

The long-awaited third volume of Robert McKee’s trilogy on the art of fiction. Following up his perennially bestselling writers' guide Story and his inspiring exploration of the art of verbal action in Dialogue, the most sought-after expert in the storytelling brings his insights to the...

The story of a country kid from the Pacific Northwest and his attempt to grow up... and find his passion along the way...

This book begins by asking the listener if they can write a Black character. It then asks the listener questions about their knowledge and understanding of race and racism. Exploring the popular representation of law and order, healthcare and celebrity in the entertainment industry, and comparing this with the reality of these institutions throughout history and today, Lubimbi opens up the discussion and offers solutions to problems surrounding race, representation, and stereotyping.

From the master of Story, Dialogue, and Character, ACTION offers writers the keys to propulsive storytelling. ACTION explores the ways that a modern-day writer can successfully tell an action story that not only stands apart, but wins the war on clichés. Teaming up with the former co-host of...

The long-awaited follow-up to the perennially bestselling writers' guide Story, from the most sought-after expert in the art of storytelling. "Dialogue is a masterwork. There's nothing harder to teach. Now this book exists. McKee has written an essential book akin to The Elements of Style for...

This little book is packed with information on how to create compelling, complex 3-dimensional characters. Creating compelling movie characters is a big deal. Glossing over the intricacies of character is putting the screenwriter and ultimately, the feature film at a serious disadvantage. Movie-goers want to root for a character. They want to see conflicts between characters and they want to see how these conflicts are resolved.

What if, before you were born, you created a Sacred Contract with yourself, laying out all your intentions and preferences and plans for this lifetime? And what if every year of your life, you built on that contract and made choices according to your plan.

'Chronicles Mishra's life from a troubled childhood in Gwalior to his rebellious artistic phase at the National School of Drama, and his complicated journey through fame, betrayal, addiction and self-sabotage.' - Hindustan Times 'Hamlet realized that he was living in his dreams. Indeed, he had...

Габриэль Гарсиа Маркес — один из величайших писателей ХХ века, лауреат Нобелевской премии по литературе, автор романов «Сто лет одиночества», «Осень патриарха», «Любовь во время чумы» и многих других произведений. В 1986 году он основал Международную школу кино и телевидения на Кубе, а в следующем открыл особые курсы — сценарную мастерскую Габриэля Гарсиа Маркеса. Вместе с молодыми талантливыми сценаристами, операторами, актерами и режиссерами маэстро сочинял и разбирал разнообразные сюжеты, превращая их, словно по волшебству, в полноценные киносценарии.

Celebrated for its humor, spontaneity, unpredictability, and quick tempo “overlapping” dialogue, His Girl Friday is a noteworthy 1940 American screwball (a subgenre of romantic) comedy film directed by Howard Hawks, starring Hollywood legends, Cary Grant and Rosalind Russell, with Ralph Bellamy and Gene Lockhart. Wanting to win back his ex-wife “Hildy” Johnson (Russell), who is also his star reporter, newspaper editor Walter Burns (Grant) tries to convince her to cover one more story together, and he gets them enmeshed in a prominent murder case.