Showing titles in Screenwriting

On Writing a Low Budget Screenplay will not only offer advice and rules that must be followed if you wish to craft a script that can be produced for a few thousand dollars, but how to look at your script from the view of the film maker. This audiobook is short and to the point. It does not take more words to tell you how to write a low budget script than are actually in one.

Want to know how to write a script that people will remember, and can catch the attention of producers and other above-the-line talent? (Don't worry about agents; they don't want to talk to you). Nail your dialogue. Really. Now I know you've heard all the maxims: Film is a Visual Medium; You Can Either Write Dialogue or You Can't. And they both sound very logical. And esteemed writers, such as David Mamet, have been preaching them for years. But, in my not so humble opinion, they're both total bullcrap.

Blake Snyder, uno de los guionistas de más éxito de Hollywood, ofrece una pintura ágil, divertida y franca de la trastienda de la industria cinematográfica. ¡Salva al gato! hace referencia a una de sus infalibles teorías para lograr que las ideas resulten más atractivas y cualquier guión más satisfactorio y, sobre todo, susceptible de venderse. Se trata de un término acuñado por el propio Snyder en alusión a una escena, absolutamente ineludible, en que el público va a conocer al protagonista de la película por primera vez y éste hace algo

This book describes the easy to follow techniques I used to write my first screenplay that went on to win a top award in a International Film Festival. Here I will do most of the work for you by listing the step by step guidance you need along with many other resources and insights to effectively write your very own awesome screenplay.

John Gaspard's More Popcorn Principles: The Sequel! (Further Cinematic Storytelling Strategies for Novelists) is an illuminating guide that takes you on a cinematic journey, revealing the secrets to crafting compelling narratives and characters that resonate. This book is an invaluable tool for any aspiring or seasoned novelist, blending Gaspard's deep understanding of the art of storytelling with inspiration from the world of film.

In the glittering world of Hollywood, where dreams are made and broken, storytelling reigns supreme. The magic of the silver screen relies on compelling narratives, complex characters, and plot twists that capture the audience's imagination. As an aspiring screenwriter or author, you dream of creating a story that resonates, enchants, and leaves your audience craving for more. You dream of Hollywood.

El mundo de hoy quiere conocerte y descubrir la verdadera historia de por qué haces lo que haces. Ya sea que tengas un producto que vender, la misión de una empresa que compartir o un público al que entretener, es mucho más probable que las personas se involucren y conecten contigo si les ofreces una historia bien elaborada con un núcleo emocional. Bobette Buster es guionista y colabora como asesora con las principales productoras cinematográficas, incluidas Pixar, Disney y Sony Animation. En Storytelling nos enseña el arte de contar historias poderosas y atractivas.

Several books have been written about the film Chinatown, starring Jack Nicholson. Yet one has not been published on the trilogy that screenwriter Robert Towne envisioned.

"From Page to Screen" is an indispensable companion for authors embarking on the exhilarating journey of transforming their literary masterpieces into captivating cinematic experiences. Navigating the complexities of this process, the book serves as a comprehensive guide, beginning with the crucial step of understanding rights and guiding authors through the maze of contracts and exclusivity agreements. Crafting a compelling pitch becomes the next focus, providing insights into resonating with producers and studios while emphasizing the uniqueness of the narrative.

Unleash your storytelling prowess with "How to Write a Screenplay: Crafting Compelling Scripts for Film and TV." Whether you're taking your first steps into screenwriting or aiming to elevate your existing skills, this book is your one-stop resource for turning raw ideas into cinematic masterpieces.

Gill has taught screenwriting for 20 years at such institutions as Drexel University, the University of North Carolina School of the Arts and East Carolina University, and he’s noticed a common pattern among his students. First-time screenwriters are generally excited and full of ideas—until they hit a wall: “It feels good until they get somewhere between pages 20–30,” he notes. “Then, they run out of things to write about. Why is there nowhere else to go? Why is it so short? Where is the rest of the story? What do they do now?”