Gone are the days of Hollywood agents going home each night with a stack of unsolicited screenplays by unknown script writers in the hope of finding their next star screenwriting client. Unsolicited material (your script) just doesn’t get read. Script writing competitions are now the system that provides the reading and analysis formerly conducted by Hollywood agents, producers, and studio development executives. This audiobook won't teach you the finer points of writing or how to write a screenplay. It's only about one thing: How to win a screenplay competition.

Want to know how to write a script that people will remember, and can catch the attention of producers and other above-the-line talent? (Don't worry about agents; they don't want to talk to you). Nail your dialogue. Really. Now I know you've heard all the maxims: Film is a Visual Medium; You Can Either Write Dialogue or You Can't. And they both sound very logical. And esteemed writers, such as David Mamet, have been preaching them for years. But, in my not so humble opinion, they're both total bullcrap.

There are nearly 50,000 screenplays registered with the Writer’s Guild every year. And 99 percent of them suck. But they don’t have to. That’s why I decided to write this book. So before you head out to another hundred-dollar screenwriting conference to learn how to write a screenplay or buy another paint-by-the-numbers 3-act script formula give my book a try. I can’t guarantee you’ll sell your script.

Learning how to write a movie script is more than just figuring out the margins and hitting a few plot points along the way....

Here's what started the phenomenon: This book has been a best seller for over 15 years and has been used by screenwriters around the world! Blake Snyder tells all in this fast, funny, and candid look inside the movie business. Save the Cat is just one of many ironclad rules for making your ideas more marketable and your script more satisfying.