Showing results by publisher "Audible Studios" in Entertainment & Performing Arts

To continue doing business in Germany, Hollywood studios agreed not to make films attacking Nazis or condemning persecution of Jews. Ben Urwand reveals this collaboration and the cast of characters it drew in, ranging from Goebbels to Louis B. Mayer. At the center was Hitler himself - obsessed with movies and their power to shape public opinion.

Even as actresses become increasingly marginalized by Hollywood, French cinema is witnessing an explosion of female talent - a Golden Age unlike anything the world has seen since the days of Stanwyck, Hepburn, Davis, and Garbo. In France, the joy of acting is alive and well. Scores of French actresses are doing the best work of their lives in movies tailored to their star images and unique personalities. Yet virtually no one this side of the Atlantic even knows about them. Viewers who feel shortchanged by Hollywood will be thrilled to discover The Beauty of the Real.

Arthur Phillips talks to Audible Editor Gina Pensiero about music, memory, and his upcoming book, The Song Is You. Arthur Phillips is the best-selling and award-winning author of Prague, The Egyptologist, and Angelica.

Broadway’s most esteemed visionaries tell all - how they got started in the business, how they chose projects, how they raise money, why some of their shows were huge hits and others flopped, and much more. From Flo Ziegfeld and David Merrick, from Joseph Papp, from Cameron Mackintosh, from today’s up-and-coming new generation of producers - here are priceless words of wisdom.

Mike Daisey is a fierce storyteller, one minute hilarious, the next minute sweet, with a fine-tuned ear for digression. He circles in on his uneasy subject matter, closer and closer, until he exposes the raw heart. The New York Times calls him "the master storyteller" and he has been compared to Garrison Keillor, Spalding Gray, and David Sedaris.

Mike Daisey is a fierce storyteller, one minute hilarious, the next minute sweet, with a fine-tuned ear for digression. He circles in on his uneasy subject matter, closer and closer, until he exposes the raw heart. The New York Times calls him "the master storyteller" and he has been compared to Garrison Keillor, Spalding Gray, and David Sedaris.

A revelatory history of the operatic masterpiece that both made and destroyed Rouben Mamoulian, its director and unsung hero. "Bring my goat!" Porgy exclaims in the final scene of Gershwin’s opera Porgy and Bess. Bess, whom he loves, has left for New York City, and he’s determined to find her. When his request is met with astonishment - New York is a great distance from South Carolina’s Catfish Row - Porgy remains undaunted.

The Stephen Leacock Memorial Medal for Humour is Canada's top award for humour - and nobody has won it more times than Arthur Black, who carried off his third medal in June 2006. Now, in case there is anyone left standing who still disputes Black's claim to the title of Canada's funniest man, Harbour presents the laughing proof: a retrospective of Black's best hits, high-graded from eleven previous collections stretching back over the past 20 years.

Mike Daisey is a fierce storyteller, one minute hilarious, the next minute sweet, with a fine-tuned ear for digression. He circles in on his uneasy subject matter, closer and closer, until he exposes the raw heart. The New York Times calls him "the master storyteller" and he has been compared to Garrison Keillor, Spalding Gray, and David Sedaris.

Revealingly candid, this Hollywood memoir is the story of Jay Bernstein, an entertainment industry fixture who helped launch and sustain the careers of many celebrities including Farrah Fawcett and Suzanne Somers. From his childhood in Oklahoma City and his first job in a Hollywood mail room to the ownership of his own public relations firm and his work as a television producer, Bernstein’s life is chronicled in his own words.

From the sleek Aston Martin that spits out bullets, nails, and passengers at the push of a button to the microjet that makes hairpin turns to avoid a heat-seeking missile, the science and technology of James Bond films have kept millions of movie fans guessing for decades. Are these amazing feats and gadgets truly possible? The Science of James Bond takes you on a fascinating excursion through the true science that underlies Bond's most fantastic and off-the-wall accoutrements.

Alfredo Bini è l'uomo che ha reso possibile il cinema di Pier Paolo Pasolini. Questa autobiografia è la storia di uno dei più grandi produttori cinematografici italiani e il romanzo di una vita vissuta a perdifiato, dall'infanzia sulle colline toscane alla guerra in Grecia e Albania, dalle luci della ribalta dei festival a un oblio inspiegabile e amaro. È un album fotografico in cui si incontrano i volti di Claudia Cardinale e Anna Magnani, di Gina Lollobrigida e Marcello Mastroianni, di Totò e Federico Fellini.

È il 20 settembre 1905. Davanti a Porta Pia si proietta "La presa di Roma" diretto da Filoteo Albertini. Nasce così il cinema italiano. Evento pubblico che chiama in causa memoria storica, coscienza civile e passioni contrapposte: dai tempi eroici del muto all'ibridazione dei media, l'autore ci spiega cosa è stato il cinema nel nostro paese e cosa oggi ancora è.

Wanting to be a dancer while growing up in a large military family made Christine Barker somewhat of a black sheep, but she followed her dreams to New York City, where—in a moment of almost unbelievable good fortune—she was chosen for the London cast of A Chorus Line. London, and then New York, in the '70s and '80s opened up Christine’s world. The creativity, culture, and nightlife were intoxicating, enough so to compel her older brother Laughlin to join her. Once there, the divorced father, veteran, and corporate lawyer met rising fashion star Perry Ellis.

Nel 1933 viene lanciato nei cinema USA "I tre porcellini" di Walt Disney. Questo piccolo avvenimento segna l'inizio della parabola della cultura mainstream promossa dai film delle majors hollywoodiane, raccolta e amplificata dalla radio e dalla tv. Questo tipo di cultura, basata su un'idea consolatoria dell'intrattenimento, fondata su una visione manichea del bene contro il male e sul must del lieto fine, prende forma allora e mette radici nell'immaginario collettivo dell'Occidente.

In "The Corpse as Big as the Ritz", Ron Rosenbaum, author of Explaining Hitler and master of the "investigation of investigations", gives us a Hollywood noir with shades of F. Scott Fitzgerald and Raymond Chandler: An inquiry into the "Dirty Little Death in the Desert" of David Whiting, the love-stricken business manager of actress Sarah Miles, who was found dead in the actress's hotel room during the filming of the Burt Reynold's Western The Man Who Loved Cat Dancing.

Precisely because the dance floor stands apart from the everyday world, allowing dancers to play, experiment, and take on new roles, it also serves as a stage for human behavior. Antoinette Benevento, a former national ballroom dancing champion and co-owner of Fred Astaire Dance Studios, has been a student of that stage for 25 years. She has discovered that getting out on the dance floor is a powerful and empowering metaphor for living fully in all realms of life.

私たちはなぜ、韓国コンテンツに惹かれるのか？大人気ドラマ『冬のソナタ』が放送されてから約20年。

Known as opera’s “disrupter-in-residence,” director Yuval Sharon has never adhered to the art form’s conventions. In his many productions in both the United States and Europe, he constantly challenges the perception of opera as aloof by urging, among other things: performing operas in “non-places,” such as parking lots; encouraging the use of amplification; and shuffling the traditional structure of classic works, like performing Puccini’s La bohème in reverse order, ending not with the tubercular heroine Mimi’s death but with her first falling in love.

Uno spettacolo di denuncia e di passione, civile e politica, che ripercorre l’esperienza in Senato di Franca Rame dal 2006 al 2008, raccontata attraverso storie, aneddoti, personaggi... Una testimonianza unica perché ci fa vedere nei suoi aspetti più grotteschi la distanza che separa chi crede nella politica come servizio e chi invece la politica la fa solo per mestiere. La registrazione dalla quale è stato estratto l’audio è del 2014.