Showing results for "writers-" in Religious Studies

In today's world, we are surrounded by various forms of visual media, such as photo albums, pictures, and videos capturing memories of our loved ones, including children, grandchildren, and friends, that we love to share with others. Similarly, if my beloved heavenly Father had left a photo of His son, Jesus, and His suffering, whom He loved, I would want to see and know everything about it and share it with others.

This idea of vindicating his life, rife with strife, moves him. He's endured just about every wrong a human can, to the point of losing his mind. He will no longer hide. He will set aside his fears and fight and make things right. He must right them all and then write about them all to help others do the same.

Misery loves company and the Magus is miserable. His demise, compromises all those around him or attached to him. He drags them all down by his own death sentence. It's his alone; yet, but by the sheer weight of his height held in the Order, all below will end beyond mend. His sentence fences in all who stray his way. He makes you sign your soul away. Back in the day, every member of that cult come Order is initiated in almost the same way. Upon completion of the initiation ceremony, the initiate is surprised by the sudden presentation of a black book: crooked like a nook on whoever partook.

In his twenties, Fydor Dostoevsky, son of a Moscow doctor, graduate of a military academy, and rising star of Russian literature, found himself standing in front of a firing squad, accused of subversive activities against the Russian Tsar. Then the drums rolled, signaling that instead he was to be exiled to the living death of Siberia. Siberia was so cold the mercury froze in the thermometer. In prison, Dostoevsky was surrounded by murderers, thieves, parricides, and brigands who drank heavily, quarreled incessantly, and fought with horrible brutality.

Volumes one through six of the Writing Lessons from the Front series have dealt with the technical and craft aspects of writing. In this supplemental volume, veteran writer Angela Hunt shares what's she's learned as a Christian writer - about the process, the plans, the critics, the risks, and the ethics of being a writer of faith.

Centuries ago, sound theology and good fiction were friends and not strangers. Decades ago, authors strove not for self-expression and self-disclosure but for a mastery of craft and language and books that transformed the reader with wisdom and love. In more recent years, the old ideals have been exchanged for lesser ones. Few guides to writing, which tend to focus on mechanics, point of view, and plot, address the more important matters of meaning, depth, and heart. But it is the latter qualities that make a book a blessing and gift to both writer and reader.

From the Preface: "The purpose of this little book is to show that the dedication demonstrated by the early disciples, is without exception, enforced by the commands of our Saviour. And not only that, but it is illustrated by the conduct of the apostles and early Christians. The author therefore asks that all sincere disciples of Christ carefully weigh what is written here in the balance of the Sanctuary, not the balance of the world."