Showing results for "white" in Music

Welcome to Nature Sounds Oasis. Get ready to dive headfirst into a world of pure relaxation. Each episode is like unlocking a door to a new enchanting realm, where soothing sounds of nature and relaxing music are your guides. Drift into slumber on the wings of gentle breezes, cradle your mind with the soothing hum of waterfalls, let your soul swim into the infinite ocean, drench yourself with the healing rain, walk barefoot next to a graceful river and let the melodies of chirping birds serenade you into tranquility. Get ready to immerse yourself in lush forests, exotic beaches, babbling ...

Ian Fraser Kilmister was born on Christmas Eve, 1945. Learning from an early age that chicks do appreciate a guy with a guitar, and inspired by the music of Elvis and Buddy Holly, Lemmy outgrew his local bands in Wales, choosing instead to head to Manchester to experience everything he could get his hands on. And he never looked back. White Line Fever, a headbanging tour of the excesses of a man being true to his music and his pleasures, offers a sometimes hilarious, often outrageous, but always highly entertaining ride with the frontman of the loudest rock band in the world.

Joe Boyd tells of his journey through Sixties music, from tour managing Muddy Waters and Coleman Hawkins, to plugging in Bob Dylan's electric guitar while working as production manager at the 1965 Newport Folk Festival, to becoming a leading record producer. His first session was Eric Clapton and Steve Winwood's "Crossroads" followed by Pink Floyd, Nick Drake, the Incredible String Band, Fairport Convention, Sandy Denny and many more.

As a member of Big in Japan, The Slits and, most famously, Siouxsie and The Banshees and The Creatures, 'Budgie' became one of the era-defining drummers in the much-mythologised post punk scene of the late 1970s and early 1980s. A man and musician whose creativity and singular style came to define the goth-pop 1980s as much as any other individual, Budgie's life is both fabulously glamorous and a tawdry cautionary tale. For the first time the story of this most exalted and mysterious of bands has been told by one who survived inside the belly of the beast.

The story of Manic Street Preachers is unique in pop. Raging out of the stricken mining communities of south Wales in the late 80s, they were bonded by friendships, family ties and a self-styled 'geometry of contempt', whereby James Dean Bradfield and Sean Moore would orchestrate the daring intellectual broadsides written by Richey Edwards and Nicky Wire.

you wanna be relax, calm & sleepy like a baby? this podcast is for you vous voulez vous reposez ou dormir comme un bébé? ce podcast est fait pour vous

Born into a working-class Glaswegian family in the summer of 1961, TENEMENT KID begins in the district of Springburn, soon to be evacuated in Edward Heath's brutal slum clearances. Leaving school at 16 and going to work as a printers' apprentice, Bobby's rock n roll epiphany arrives like a bolt of lightning shining from Phil Lynott's mirrored pickguard at his first gig at the Apollo in Glasgow.

The American Academy of Pediatrics (AAP) recommends using a white noise machine set no louder than 50 decibels. It should also be setup several feet away and well out of reach of the baby, and if at all possible turned off after the baby has fallen to sleep. You can find more helpful information on our blog : https://bestwhitenoise.blogspot.com/

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Electric Wizard have set the bar for heaviness. With their potent VHS-horror aesthetic, lyrics dripping with Lovecraftian horrors, and a monumental sound that provided a template for the myriad bands who followed - not to mention the fights, drugs and sex in the trail of destruction they've left behind them - this is the right time for the band's story to be told. Electric Wizard draw on myriad occult influences to create their own world: menacing, lurid, depraved.

Factory Records has become the stuff of legend. The histories of the label have been told from many perspectives, from visual catalogues and memoirs to exhibitions. Yet no in-depth history has ever been told from the perspectives of the women who were integral to Factory's cultural significance. Told entirely in their voices, I Thought I Heard You Speak is an oral history that reveals the true cultural reach of the label and its staying power in the twenty-first century.

Paper Cuts is the inside story of the slow death of the British music press. But it's also a love letter to it, the tale of how music magazines saved one man's life. Ted Kessler left home and school around his 17th birthday, determined 'to be someone who listened to music professionally'. That dream appeared forlorn when he was later arrested for theft behind the counter of the record shop he managed during acid house's long hot summer of love.

'David Katz's in-depth portrayal of his genius is to be commended and is an essential addition to any serious music fan's collection' David Rodigan MBE OD 'For the complete picture of this musical genius you can't get better than David Katz's People Funny Boy - if you're into Scratch, it's...

'Too often we treat popular music as wallpaper surrounding us as we live our lives. Jude Rogers shows the emotional and cerebral heft such music can have. It's a personal journey which becomes universal. Fascinating' Ian Rankin 'Moving and absorbing, The Sound of Being Human mixes memoir...

White Rabbit NOLA is a deep dive into the heartbeat of New Orleans' underground dance music scene. Each episode spotlights the DJs, producers, artists, and community builders shaping the city's late-night culture — from hidden warehouse sets to riverfront pop-ups. Expect conversations, live mixes, local stories, and the sounds that keep the city moving after dark. This is where NOLA's nightlife, creativity, and community meet.

The '80s were about big ideas writ large - new money, new style, gender fluidity, gay pride, attritional politics, the 'special relationship', nuclear fear, AIDS, cocaine, ecstasy, tabloid royalty, the rise of urban pop and ultimately geopolitical chaos. Using a big narrative approach, Dylan Jones' history of the decade in pop frames the decade through some of its most important and popular hits, choosing records that either epitomised their time or ushered in a new cultural shift.

Escape the Chaos and Embrace Tranquility. Your Ultimate Sonic Sanctuary Awaits! Are your days filled with noise and distractions, making it hard to find moments of calm? Dive into this Soothing 3 IN 1 BUNDLE of White Noise, Pink Noise, and Brown Noise to discover a haven of relaxation and focus.

All prior histories on the blues have alleged it originated on plantations in the Mississippi Delta. Not true, says author Chris Thomas King. In The Blues, King presents facts to disprove such myths. For example, as early as 1900, the sound of the blues was ubiquitous in New Orleans. The Mississippi Delta, meanwhile, was an unpopulated sportsman’s paradise - the frontier was still in the process of being cleared and drained for cultivation. Moreover, this book is the first to argue that the blues began as a cosmopolitan art form, not a rural one.

Black and White Makes Gray: A Memoir of an Inter-racial Childhood by Judith A. Davidson, spans the years from 1966 to 1971, her coming-of-age, and how she found sources of personal strength and rebuffed the negative forces threatening to overwhelm Judith and her family, largely thanks to her Black stepfather, Evan; this memoir is for him.

The story of two outsiders and obsessives whose collision prompted an evangelistic alliance on the furthest frontiers of underground music. Steve Davis first met Kavus Torabi - guitarist with Gong, Guapo, Cardiacs and Knifeworld - in the mid-2000s at a gig by French underground rock legends Magma. Over the next few years, this unlikely duo's shared affinity for visionary psychedelic music would become the foundation of not only a firm friendship, but also the most infectiously inclusive broadcasting style since the much-mourned death of John Peel.