Showing results for "the women" in Literary Fiction

Late one moonlit night, Walter Hartright encounters a solitary and terrified woman dressed all in white. He saves her from capture by her pursuers and determines to solve the mystery of her distress and terror. Inspired by an actual criminal case, this gripping tale of murder, intrigue, madness and mistaken identity has never been out of print since its publication and brought Collins great fame and success.

Between 2005 and 2009, in a remote religious Mennonite colony, over a hundred girls and women were knocked unconscious and raped, often repeatedly, by what many thought were ghosts or demons, as a punishment for their sins. As the women tentatively began to share the details of the attacks - waking up sore and bleeding and not understanding why - their stories were chalked up to 'wild female imagination.' Women Talking is an imagined response to these real events.

The war is over and so are the jobs (and freedoms) of tens of thousands of Australian women. The armaments factories are making washing machines instead of bullets and war correspondent Tilly Galloway has hung up her uniform and been forced to work on the women's pages of her newspaper—the only job available to her—where she struggles to write advice on fashion and make-up. As Sydney swells with returning servicemen and the city bustles back to post-war life, Tilly finds her world is anything but normal.

Fuyuko Irie is a freelance copy editor in her mid-thirties. Working and living alone in a city where it is not easy to form new relationships, she has little regular contact with anyone other than her editor, Hijiri, a woman of the same age but with a very different disposition. When Fuyoku stops one day on a Tokyo street and notices her reflection in a storefront window, what she sees is a drab, awkward and spiritless woman who has lacked the strength to change her life and decides to do something about it.

Told through the experiences of the four women who loved him, this imaginative account of Frank Lloyd Wright's raucous life blazes with Boyle's trademark wit and invention. Boyle's protean voice captures these very different women and, in doing so, creates a masterful ode to the creative life in all its complexity and grandeur.

The year is 1903, and tenacious and spirited Aoi Ichi is sold to the most exclusive brothel in Kumamoto, Japan, becoming the protégée of Shinonome, the oiran, or the highest-ranking courtesan. Through Shinonome's teachings, fifteen-year-old Ichi begins to understand the intertwined power of sex and money. Education for a courtesan extends beyond the art of seduction, and as Ichi is taught to read and write she develops a voice that refuses to be dampened by the brothel's rigid hierarchy.

Fifty-two-year-old Michelle Banks is struggling to keep all the plates spinning. She’s a perimenopausal district nurse, caring for elderly parents. Her husband is wasting their money on children’s TV memorabilia, her teenage daughter is riddled with anxiety and her 16-year-old son is behaving secretively. Alexa is the only one who knows how much Michelle is juggling. Listening in via four smart speakers, she also knows that it’s about to get even worse. So, when Michelle pleads for help, Alexa decides to go rogue.

Across seven tales, Haruki Murakami brings his powers of observation to bear on the lives of men who, in their own ways, find themselves alone. Here are vanishing cats and smoky bars, lonely hearts and mysterious women, baseball and the Beatles, woven together to tell stories that speak to us all. Marked by the same wry humor that has defined his entire body of work, in this collection Murakami has crafted another contemporary classic.

Her beauty almost certainly saved her from the rising Nazi party and led to marriage with an Austrian arms dealer. Underestimated in everything else, she overheard the Third Reich's plans while at her husband's side, understanding more than anyone would guess. She devised a plan to flee in disguise from their castle, and the whirlwind escape landed her in Hollywood. She became Hedy Lamarr, screen star.

In this darkly comic novel, a group of women inhabits a world of constant surveillance, where informants lurk in the flower beds and false reports fly. Conspiracies abound in a community that normalizes paranoia and suspicion. Some try to flee - whether to a mysterious gambling bordello or to ancestral homes that can be reached only underground through muddy caves, sewers, and tunnels. Others seek out the refuge of Nest County, where traditional Chinese herbal medicines can reshape or psychologically transport the self. Each life is circumscribed by secrets and transcendent delusions.

If love costs and art takes, what price do we pay for wanting it all? The Work is about the biggest intersections of life: of art and commerce, of intimacy and distance, of talent and entitlement, and of labor and privilege.

A sweeping, multigenerational saga for fans of Downton Abbey, set around the stately home of Cavendon Hall as the roaring '20s change the family's fortunes forever. It's 1926. One stately home's future lies with four very different young women.... On a summer weekend in 1926, the Ingham family gathers at Cavendon Hall, the great house in Yorkshire that has been their family home for centuries, summoned by the earl.

Adelaide Henry carries an enormous steamer trunk with her wherever she goes. It’s locked at all times. Because when the trunk opens, people around Adelaide start to disappear. The year is 1915, and Adelaide is in trouble. Her secret sin killed her parents, forcing her to flee California in a hellfire rush and make her way to Montana as a homesteader.

It is no secret that Alcott based Little Women on her own early life. While her father, the free-thinking reformer and abolitionist Bronson Alcott, hobnobbed with such eminent male authors as Emerson, Thoreau, and Hawthorne, Louisa supported herself and her sisters with "woman’s work."

As a New England mother struggles to support her family in the wake of her husband's service in the Civil War, her four daughters struggle, too - caught between childhood dreams and the realities of burgeoning adulthood. For Meg, Jo, Beth, and Amy March, raised in integrity and virtue, negotiating the right path in life means making choices that will either narrow or expand their destinies.

A young woman tries to cheat her algorithm, creating a wholesome online persona while her ‘real’ life dissipates. A grandmother speaks to her granddaughter through the fog of generations. Two lovers divide over alternative meat options. A factory worker fits eyes in companion dolls until she is called on to install her own. The women I know are sharp, absurd, sly, wrong, wry, repressed, hungry, horny, bold, envious, dominating, uncertain, overdetermined, underpaid, bored, smart, crystalizing, themselves.

When best-selling author Carrie McClelland visits the windswept ruins of Slains Castle, she is enchanted by the stark and beautiful Scottish landscape. The area is strangely familiar to her but she puts aside her faint sense of unease to begin her new novel, using the castle as her setting, and one of her own ancestors, Sophia, as her heroine. Then Carrie realizes her writing is taking on a life of its own and the lines between fact and fiction become increasingly blurred.

A Year of Marvellous Ways is the much anticipated and utterly beguiling new novel from Sarah Winman, author of the international best seller When God Was a Rabbit. Cornwall, 1947. Marvellous Ways is a 90-year-old woman who's lived alone on a remote creek for nearly all her life. Recently she's taken to spending her days sitting on a mooring stone by the river with a telescope. She's waiting for something - she's not sure what, but she'll know it when she sees it.

England, 1959. Laurel Nicolson is 16 years old, dreaming alone in her childhood tree house during a family celebration at their home, Green Acres Farm. She spies a stranger coming up the long road to the farm and then observes her mother, Dorothy, speaking to him. And then she witnesses a crime. Fifty years later, Laurel is a successful and well-regarded actress, living in London. She returns to Green Acres for Dorothy’s ninetieth birthday and finds herself overwhelmed by memories and questions she has not thought about for decades.

Moving between cities and generations, Amma follows three women on very different paths, against a backdrop of shifting cultures. As circumstance and misunderstanding force them apart, it will take the most profound love to knit them back together before it's too late.